figures—beyond the snow-edged road—I’m afraid of being struck by a deer—in this area it isn’t uncommon for deer to wander out into the road and even at times to leap into the path of a vehicle as if hypnotized by headlights. Now my voice lifts frightened, thin—“Is Ray going to die? Is Ray going to—” I am not able to acknowledge the possibility as I am not able to acknowledge the terror I feel, and the helplessness—such frustration as I enter Princeton Borough and the speed limit drops to twenty-five miles an hour—here, I must wait for a very long time—how long, how long!—a nightmare of lost time!—waiting for the red light to change at the intersection of Hodge Road and Route 206—which is called State Road in Princeton—there is no traffic on State Road as there is no traffic on Hodge Road—no traffic anywhere in sight—yet I am obliged to wait at the light, I am too fearful of driving through a red light, too conditioned to “obey” the law and at such a time especially—at last the light changes—I drive to Witherspoon Street, turn left and drive several blocks to the hospital—past darkened houses—I am able to park in front of the hospital, at the curb—only one other vehicle is parked here, at this time of night—desperate I run to the front door of the hospital which of course is locked—the interior of the hospital, semi-darkened—yet more desperate I run to the ER entrance which is around the corner—my breath is steaming, panicked—I am pleading with a security guard to let me into the hospital—I identify myself as the wife of a man “in critical condition” in the Telemetry unit—several times I give my husband’s name—Raymond Smith!—Raymond Smith!—thinking how astonished Ray would be, how embarrassed, in the hospital too much is made of things he’d said the other day—the security guard listens to me politely—he is middle-aged, dark-skinned, sympathetic—but can’t let me inside before making a call—this takes some time—precious seconds, minutes—like butterflies with frayed wings thoughts fly at me in random and frantic succession He is still alive. It’s all right. He is waiting for me, I will see him, he is still alive. How frustrating this is, how strange, whoever called to summon me to the hospital hasn’t made any arrangement for me to be allowed inside—maybe there is some mistake?—the wife of Raymond Smith isn’t supposed to be summoned to the hospital?—someone else is expected?—but then the security guard informs me that yes, Mrs. Smith is expected on the fifth floor, I can enter through a door he opens—blindly I run through this door and find myself in the hospital lobby—at first not recognizing the familiar surroundings, twilit and deserted—how eerie it seems, no one is around—the foyer is empty, the information desk darkened—the coffee shop darkened—my panicked heart is beating like a frantic fist as I run to the elevator—ascend to the fifth floor—now stepping out of the elevator I am terribly frightened, turning left for Telemetry as usual I taste cold at the back of my mouth This is not happening, this is not real—of course, Ray will be all right. In Telemetry there is no one around—except at the nurses’ station—lights, white-clad figures—in my distraction I don’t see any nurses I know—by the way they regard me, with impassive faces, they know—must know—why I am here, at this time of night when no visitors are allowed in the hospital; and now—at the farther end of the corridor outside my husband’s room I see a sight that terrifies me—five or six figures—medical workers–standing quietly outside the opened door—as if they have been awaiting me—as I approach one of them steps forward—a young woman doctor—a very young-looking woman, a stranger to me—silently she points into the room and in that instant, I know—I know that, for all my frantic hurrying, I have come too late—for all my scrupulosity in driving at the speed limit, waiting for the light to change like a programmed robot, I have come too late—in a trance I enter the room—this room I’d left only a few hours before in utter naivete, ignorance—kissing my smooth-cheeked husband Good night!—our plans were for me to arrive early tomorrow morning—that is, this morning—I was to bring page proofs for the upcoming Ontario Review—but now Ray is not sitting up in his bed awaiting me—he is not awaiting me at all but lying on his back motionless in the hospital bed, which has been lowered—I am shocked to see that there is something not-right here—Ray’s eyes are closed, his ashen face is slack, the IV tube has been removed from the crook of his bruised right arm, there is no oxygen monitor, there is no cardiac monitor, the room is utterly still—Ray’s eyelids don’t flutter as I enter, his lips don’t twitch in a smile—I don’t hear his words Hi honey!—numbly I come to the bed, I am speaking his name, I am pleading with him as a child might—“Oh honey what has happened to you!—what has happened to you!—Honey? Honey?” For Ray seems so very lifelike, there is no anguish or even strain in his face; his face is relaxed, unlined; his hair is not disheveled; it is true that he has lost weight this past week, his cheeks are thinner, there are hollows beneath his eyes which are beautiful eyes, gray-blue, slate-blue, I am leaning over him as he lies motionless beneath a sheet, I hold him, I am frantic holding him, kissing him, I am crying for him—urging him to wake up, this is me—this is Joyce—this is your wife I am pleading with him for Ray is one to be coaxed, persuaded—he is not a stubborn man—he is not an inflexible man—if he could he would open his eyes and greet me, I know; he would murmur something amusing and ironic, I know; I hold him for as long as I can, I am crying, his skin is still warm but beginning to cool; I am thinking This is not possible. This is a mistake; I am tempted to shake Ray, to laugh at him—This is not possible! Wake up! Stop this!—for never in our lives together has anything so extraordinary happened, between us; never has anything in our lives together so divided us; I am telling him that I love him, I love him so much, I have always loved him; now the young woman doctor has entered the room, quietly; the others remain in the hall, looking in; in a lowered voice in which each word is enunciated with precision the young woman doctor whose name has flown past me, whose name I will never know, explains to me that everything possible had been done to save my husband, who had died just minutes ago—he’d gone into unexpected cardiac arrest—his blood pressure had plummeted, his heartbeat had accelerated—it was a secondary infection and not the original E. coli infection that had driven up his fever—within just the past few hours—his left lung was invaded, his bloodstream was invaded—though they tried very hard there was nothing more to be done.
I am too stunned to reply. I am too confused to know whether I am meant to reply. It is very difficult to hear the woman’s voice through this roaring in my ears. I think that I must look distraught, crazed—the blood has drained from my face, my eyes are leaking tears—but I am not crying, not in any normal way am I crying—with what frayed remnant remains of my sense of social decorum I am trying to determine what is the proper response in this situation, what it is that I must say, or do; what is expected of me? It won’t be until later—days later—that I realize that Ray died among strangers—all of these medical workers gathered in the corridor outside his room, strangers—Dr. I_ is not here, Dr. B_ is not here, Dr. S_—Ray’s cardiologist for several years—is not here; none of the other ID specialists who’d dropped by to examine Ray and to speak with me is here; smiling Nurse Shannon of whom Ray was so fond is not here, nor even chattery Jasmine.
It is 1:08 A.M. Late Sunday night. None of the senior medical staff is on duty at such an hour. No one of these medical workers including the young woman doctor is more than thirty years old.
I will not hear from any of the staff who’d become acquainted with Ray this past week in Telemetry. Not even Dr. B_ who was the admitting physician and whose signature I will discover on the death certificate noting that Raymond J. Smith died of cardiopulmonary arrest, complications following pneumonia. 12:50 A.M. February 18, 2008.
It is the most horrific thought—my husband died among strangers. I was not with him, to comfort him, to touch him or hold him—I was asleep, miles away. Asleep! The enormity of this fact is too much to comprehend, I feel that I will spend the remainder of my life trying to grasp it.
“Mrs. Smith?”—the young woman doctor touches my arm. She is telling me that if I want to stay longer with my husband, she will leave me.
In the corridor, the others have dispersed. I am staring at Ray who has not moved, not even his eyelids have fluttered since I’ve entered the room. The young woman doctor repeats what she has said to me and from a long distance I manage to hear her, and to reply.
