The Devil’s Chessboard: Allen Dulles, the CIA, and the Rise of America’s Secret Government. David Talbot
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One evening, while warming themselves by the fireplace at Herrengasse, Mary fell into conversation with Dulles about Napoleon’s love life. She told him that she had read that the great conqueror had enjoyed nine women during his life. “Nine!” exclaimed Dulles. “I beat him by one!” Mary was amused by Allen’s boast. “To anyone born in the 20th century as I was,” she later noted in her journal, “that seemed a very modest score, particularly for a man who had traveled the world as Allen had. It certainly did not qualify him as a womanizer in my book.”
Dulles was fortunate to find someone like Mary, a woman whose morals were conveniently flexible—or, as she herself put it, a woman with a “sophisticated point of view.” She had a curious way of explaining her moral dexterity, but Dulles certainly would have endorsed her way of thinking. “In order to engage in intelligence work successfully,” Mary observed, “it was essential to have a very clear-cut idea of your own moral values, so that if you were forced by necessity to break them, you were fully conscious of what you were doing and why.”
But even the sophisticated Mary found herself unnerved by one of her conversations with Dulles. She had observed that despite his cunning reputation, Allen always seemed so “open and trusting,” even with people about whom he clearly harbored suspicions or whom he “actually had the goods on.” As he listened to Mary, Dulles grinned. “I like to watch the little mice sniffing at the cheese just before they venture into the little trap,” he told her. “I like to see their expressions when it snaps shut, breaking their little necks.”
Mary was taken aback by this outburst. She told him she found it repellent, but Dulles would have none of her outrage. “What’s the matter with you?” he said. “Don’t you realize that if I had not caught them, they were about to catch me?” It did not occur to Mary to ask why “little mice” could be so threatening, or how he could take such pleasure from their suffering.
Clover Dulles had great hopes for her second daughter, Joan, after she graduated from Radcliffe College in 1944, where many of her classes had been integrated with Harvard’s due to the wartime shortage of professors. Clover wanted her daughter to escape the confinements of domestic life by pursuing a life of adventure. After graduating, Joan joined the Frontier Nursing Service, an organization that imported British midwives—because midwifery was outlawed in America—to help deliver babies in the back hills of Kentucky. Joan escorted the midwives on horseback through the remote hills and hollows of the Bluegrass State, sometimes riding for as long as five hours to reach their destinations. The young woman was enchanted by the beauty of the Kentucky backcountry and was thrilled by the rugged work.
In April of the following year, as the war was coming to an end, Joan sailed for Europe with her aunt Eleanor, who was on a diplomatic assignment to Austria, a country that was rapidly turning into a front line in the Cold War. Vienna, which was divided into Allied occupational zones, was suffused with the danger and intrigue later displayed in the 1949 film The Third Man. Joan was once threatened with arrest by Russian soldiers as she traveled by train through the Soviet zone. Government officials in the Western zones often disappeared off the streets, snatched by Soviet agents.
Not much more than a year out of college, Joan seemed well on her way to fulfilling her mother’s hopes of creating a bold life for herself. She had studied international law and relations at Radcliffe, and she seemed well positioned to follow her aunt’s pioneering path as a female diplomat, or even her father’s as a legendary spy. She could speak French and German and was learning Russian, a language that she particularly loved, finding it “just like music.”
But Allen Dulles had other plans for his daughter.
While Joan was living in Vienna, her father introduced her to one of his young agents from the war, a well-born and well-connected Austrian named Fritz Molden. The son of a prominent newspaper editor and a widely respected author and poet, Molden and his family had suffered cruelly at the hands of the Gestapo during the war. After escaping from a Wehrmacht punishment battalion on the eastern front that he had been forced to join, Molden took up with the Austrian resistance, where he was put in touch with Dulles. Molden grew attached to Dulles, though the spymaster kept asking the young man to “prove himself” by risking his life for him. After the war, the Communists accused Molden of continuing to work as a paid agent for Dulles, but he denied it.
When Joan and Fritz married in spring 1948, it was clearly a marriage of convenience—for Joan’s father and her new husband. Molden, who became secretary to Austrian foreign minister Karl Gruber after the war and later an influential journalist and diplomat, was a vital intelligence connection for Dulles. The marriage was also a wise move for Molden. For the young, ambitious Austrian, having Allen Dulles as a father-in-law was obviously a big feather in his cap. But the match proved much less successful for Joan.
Just like her mother many years before, Joan had great difficulty explaining why she had married her husband. Joan suffered the same severe pre-wedding doubts that Clover had before marrying Allen. Joan found Fritz a “very erratic character, always given to creating dramatic situations,” as she later wrote her mother. She worried about marrying “someone who wasn’t ever satisfied with the simple everyday aspects of life.” But, in the end, Joan gave in to the implacable intensity of her suitor and went through with the marriage, resigning herself to the fact that she would never have children or enjoy a stable family life with such a man.
Her marriage to Molden, who openly reveled in the company of other women, soon developed a striking resemblance to that of her parents. He often disappeared on mysterious rendezvous, leaving her to wonder when she would see him again.
“Fritz was a ladies’ man, that’s for sure,” Joan recalled years later. “He was so extroverted that you just never knew where he was. He’d say, ‘Let’s rent a sailing ship in the Greek islands,’ and I didn’t know how many of his girlfriends would be on board or for how long we’d be at sea. Do I see similarities with my father? Probably, probably.”
Joan divorced Molden in 1954, but, as if to not disappoint her father, she quickly replaced him with another high-ranking Austrian diplomat named Eugen Buresch. The son of a former Austrian chancellor, Buresch had succeeded Molden as director of the Austrian Information Service in New York. The following year, after being named Austria’s ambassador to Iran, Buresch took Joan off to Tehran, another highly sensitive diplomatic posting. Joan suddenly found herself amid the imperial splendor of Shah Mohammad Reza Pahlavi’s court, the emperor reinstalled on the Peacock Throne by her father, after the CIA overthrew Iran’s democratically elected government in 1953.
Joan gave birth to two children with Buresch, a boy and girl. Like Fritz Molden, Joan’s second choice for a husband seemed crafted primarily for her father’s professional benefit. Iran was not only an oil-rich nation, it was a strategically located CIA surveillance platform bordering the Soviet Union. To have a son-in-law acting as his eyes and ears inside the shah’s court was an espionage boon for Dulles, who by then was running the CIA.
But, again, the marriage turned out to be much less beneficial for Joan. In July 1959, Joan wrote her father a painful letter, made all the more poignant by its resolutely