The Bride Stripped Bare. Nikki Gemmell
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I never saw it.
It had taken you a long time to wake up to some sense. You used to sleep with men you were uncomfortable with in an attempt to make yourself comfortable with them; you married the one you forget yourself with.
But there was a moment of invisibility when you tried on the wedding dress, as if you were disappearing into that swathe of ivory and tulle, being wiped away. It was only fleeting and it was worth it, of course, not to have the prickle behind the eyes of those laughing Saturday afternoon couples again, the heart-crack.
garments worn next to the skin are those which require frequent washing
Men you have slept with. What you remember the most:
The one who loved women.
The one who never took off his socks.
The one whose hands were so big they seemed to be in three places at once.
The one whose touch hummed, who seemed to know exactly what he was doing and stood out because of that. He seemed only to derive pleasure from the experience if you were, whereas none of the others seemed too fussed. He asked what your fantasies were but you didn’t have the courage to speak out. Back then, you’d never have the courage for that.
The one who sent you a polaroid of his very big cock.* But size means little to you, you don’t know why they go on about it. You much prefer a comfortable fit than a penis that’s too big; you don’t want to feel you’re being split apart.
The one who’d say take me as he came and groaned like he was doing a big shit.
The one who tickled you behind your knees and licked you on the face, who forced you to swallow his cum and rubbed it through your hair; who was aroused by all the things you didn’t like.
The one who said yes, when you asked him to marry you, half joking, half not, on a February the twenty-ninth. You’re embarrassed you had to ask Cole McCain. You wish he’d never mention it, but he does, in a teasing way, a lot.
*You’re more than happy to write the word cock; saying it aloud, however, is another matter. It even feels a little odd to say vagina but you’re not sure what else to use. You hate pussy, you don’t know any woman who says it, and as for cunt, you always think it’s used by men who don’t like women very much. You want some words that women have colonised for themselves; maybe they exist but you haven’t heard them yet. You can’t say down there for the rest of your life.
a sacred and delicate reticence should always enwrap the pure and modest woman
Early morning.
A bird flaps into the room and you wake, panicked at the flittering above your head and run to the bathroom and slam the door, begging Cole to do something, quick. The bird’s swiftly gone. It hasn’t crashed wildly into mirrors or windows. You couldn’t bear that—you witnessed it once as a child, the droppings out of fright, the too-bright blood, the crazed thump, the shrill eye.
But now there’s just quiet hovering in the room. You step into it from the bathroom and kiss Cole on the tip of his nose. He envelopes you in his arms with a great calm of ownership and laughs: he likes you vulnerable. And to teach you, to introduce you to new things. You didn’t look closely at a penis until you were married, didn’t know what a circumcised one looked like. You wonder, now, how you could’ve had the partners you’ve had and never really looked. You always wanted the lights off quick because you never liked your body enough, and dived under the sheets, and felt it was rude to study a man’s anatomy too intently: you favoured eye contact and touch. Cole forced you to look, right at the start, he taught you to get close. He likes to direct your life, to guide it.
You let him think he is.
it is our greatest happiness to be unselfish
Cole fell asleep inside you once. He laughs at the memory, finds it erotic and silly and comforting. The morning after, to soothe your indignation, he’d said that falling asleep inside a woman was a sign of true love.
What? Shaking your head as if rattling out a fly.
It means that the man’s truly comfortable with the woman, so comfortable that he can fall asleep in the process of making love to her. I could never do that to anyone else. Think yourself honoured, Lovely.
Hmm, you’d replied.
You love Cole in a way you haven’t loved before. Calmly. It glows like a candle rather than glitters. You love him even when he falls asleep in the process of making love to you. You’d never loved calmly before, in your twenties. That was the time of greedy love, full of exhilaration and terror, and when you said I love you you always felt stripped; there was no sense, ever, of love as a rescue. Sometimes, now, you wonder what happened to the intensity of your youth, when everything seemed so vivid and desperate and bright. Sometimes you imagine a varnisher’s hand whipping over the quietness of your life now and flooding it with brightness, combusting it, in a way, with light.
But Cole. When he enfolds you in his arm you feel his love running as quiet and strong and deep as an underground river right through you. He stills your agitation in the way a visit to Choral Evensong does, or a long swim after work. The bond between you seems so clear-headed: the marriage is not perfect, by any means, but you’re old enough now to know you cannot demand perfection from the gift of love. It’s a lot more than most people have. Like Theo.
Your dear, restless, vivid-hearted friend. Sometimes you feel a sharp envy at the sensuality of her home, all candles and wood and stone, her fluid working hours, weekly massages, Kelly bags. But you remind yourself that she isn’t happy and probably never will be and it’s a comfort, that. For no matter how much Theo achieves and acquires and out-dazzles everyone else, she never seems content. She’s taught you that people who shine more lavishly than everyone else seem to be penalised by discontent, as if they’re being punished for craving a brighter life. I’ve been knocked down so many times I can’t remember the number plates, she said once.
Many people are afraid of Theo but you’ve never been, perhaps that’s why you’re so close. All the noise of her personality is a mask and when it slips off, on the rare occasion, the vulnerability riddled through her is always a shock.