writing. Between ’25 and ’32, when he was holding himself in check, he wrote, yes. But it was a lot different then. He still had close ties with the Communists and some of the Socialists; he nourished the hope of a united workers’ front and of a final victory. I know by heart that phrase of Jaurès he used to repeat at every opportunity: ‘The man of tomorrow will be the most complex, the richest in life, that history has ever known.’ He was convinced his books would help to build the future and that the man of tomorrow would read them. That being the case, he wrote. But faced with a sealed future, writing becomes meaningless. If his contemporaries stop listening to him, if posterity no longer understands him, there’s nothing left but to be silent.
And what then? What will become of him? It’s awful to think of a living creature turning into foam, but there’s an even worse fate: that of a paralysed man who can’t move his tongue. It’s far better to be dead. Will I find myself some day hoping for Robert’s death? No. That’s unthinkable. He’s had hard blows before and he’s always got over them. He’ll get over them again. I don’t know how, but he’ll surely think of something. It’s not entirely impossible, for example, that one day he’ll become a member of the Communist Party. Now, of course, he wouldn’t dream of doing it; his criticisms of their policies are too violent. But suppose the party line changes, suppose there comes a day when, excepting for the Communists, there is no coherence left. If that ever happens I wonder if Robert won’t end up by joining them rather than remaining inactive. I don’t like that idea. It would be much harder for him than for anyone else to take orders with which he didn’t agree; he’s always had his own definite opinions on what tactics to use. And it would be useless for him to attempt to be cynical; I know he’ll always remain faithful to his old principles. The idealism of others makes him smile; he has his own, and there are certain Communist methods he would never accept. No, that’s no solution. There are far too many things that keep them apart; his humanism isn’t the same as theirs. Not only would he be unable to write anything sincere, but he would be forced to reject his whole past.
‘Too bad,’ he’ll tell me. Just a little while ago he said, ‘One book more or less isn’t very important.’ But does he really believe that? As for me, I value books greatly, too much perhaps. When I was an adolescent, I preferred books to the world of reality, and something of that has remained with me – a slight taste for eternity. Yes, that’s one of the reasons why I take Robert’s writings so much to heart. If they perish, both of us will once more become perishable; the future will be nothing but the grave. Robert doesn’t see things that way, but neither is he the perfect militant completely unconcerned with himself. He definitely hopes to leave a name behind him, a name that will mean a great deal to a great many people. And after all, writing is the thing he loves most in the world; it’s his joy, his necessity; it’s he, himself. Renouncing writing would be suicide for him.
Well, all he would have to do is resign himself to writing to order. Others do it. Others, but not Robert. If I had to, I could imagine him working actively for a cause halfheartedly. But writing is something else again; if he were no longer able to express himself freely, the pen would fall from his hand.
Now I see the impasse. Robert believes completely in certain ideas, and before the war we were positive that one day they would be realized. His whole life has been devoted to enriching them and preparing for their birth. But suppose they’re never born? Suppose the revolution takes a different tack, turns against the humanism Robert has always defended. What can he do? If he helps build a future hostile to all the values in which he believes, his struggle becomes absurd. But if he stubbornly insists on maintaining values that will never come down to earth, he becomes one of those old dreamers whom, above all, he has always wanted not to emulate. No, between those alternatives, no choice is possible. In either case, it would mean defeat, impotence; and for Robert that would be a living death. That’s why he’s thrown himself so energetically into the fight. He tells me the present situation offers an opportunity he’s been waiting for all his life. All right. But it also carries with it a graver danger than any he has ever experienced, and he knows it. Yes, I’m sure he’s already told himself everything I’ve been thinking. He’s told himself that his future might be nothing but the grave, that he’ll be buried without leaving any more trace of himself than Rosa and Diego. And it’s even worse: perhaps the men of tomorrow will look upon him as a dunderhead, a fool, a charlatan, a drone, a complete failure. It may even be that one day he’ll be tempted to look upon himself through their mean, cruel eyes. In that case, he’ll live out the rest of his life in disillusionment. Robert disillusioned! That would be an even more intolerable horror than death itself. I can accept my death and his, but never his disillusionment. No. To think of waking up tomorrow, and the next day, and all the days that follow, with that monstrous menace on the horizon! I won’t stand for it. No. But I can say no, no, no; I can say it a hundred times, and it won’t change a thing. I’ll wake up facing that menace tomorrow and all the days after that. When you’re faced with an inescapable fact, you can at least choose to die. But when it’s nothing more than a baseless fear, you have to go on living with it.
The next morning the radio confirmed the German collapse. ‘It’s really the beginning of peace,’ Henri repeated to himself, sitting down at his desk. ‘At last I can start writing again!’ He would, he assured himself, write every day from now on. But what exactly would he write? He didn’t know and he was perfectly content not to know; always before he had known only too well. Now he would attempt to talk to the reader without premeditation, as one writes to a friend. And perhaps he would at last succeed in saying all those things for which he had never found room enough in his too carefully constructed books. There are so many things one would like to preserve with words but which are forever lost. He raised his head and looked through the window at the cold sky. What a pity to think that this winter morning would be lost; everything seemed so precious: the white, virginal paper, the smell of alcohol and stale cigarette ends, the Arab music drifting up from the café next door. Notre Dame was as cold as the sky, a tramp with a huge collar of bluish chicken feathers was dancing in the middle of the street, and two girls in their Sunday clothes were watching him and laughing. It was Christmas, it was the German collapse, and life was beginning again. Yes, all those mornings, all those evenings, that he had let slip through his fingers in the last four years, he was determined to make up for them during the next thirty. You can’t say everything, that’s true enough. But nevertheless you can try to get across the real flavour of your life. Every life has a flavour, a flavour all its own, and if you can’t describe it, there’s no point in writing. ‘I’ve got to tell about what I liked, what I like, what I am,’ he said to himself as he finished sketching a cluster of flowers on a scrap of paper. Who was he? What manner of man would he discover after that long absence? It’s difficult, working from within, for a person to define himself, to set limits on himself. He wasn’t a political fanatic, nor a literary aesthete, nor a dedicated man in any sense. Rather, he felt quite ordinary, and the feeling didn’t upset him in the least. A man like everyone else, who spoke sincerely of himself, would speak in the name of everyone, for everyone. Complete sincerity: that was the only distinctive thing he felt he had to aim for, the only restriction he would have to impose upon himself. He added another flower to the cluster. But it isn’t easy to be sincere. First of all, he had no intention of making an open confession. And secondly, whosoever says novel, says lie. Well, he would think about that later. For the moment, he had above all else to keep himself from becoming burdened with too many problems. Say anything, begin anywhere – beneath the moon in the gardens of El Oued. The paper was bare; he had to take advantage of it.
‘Did you start your light novel?’ Paula asked.
‘I don’t know.’
‘What do you mean, you don’t know? Don’t you know what you’re writing?’
‘I’m planning to surprise myself,’
