the gear, Son.”
Chris and Ben tossed the two bulging canvas bags into his pickup. Then Chris gave Ben a high five, hugged Thora lightly to his side, and climbed into the truck. “I won’t be too late,” he said through the open window.
As though in answer, Thora took off her sunglasses. Her sea-blue eyes cut right through his feigned nonchalance. Her gaze had always caused a physical reaction in his chest, something between a fluttering and radiant warmth. (It caused a reaction lower down, as well.) Now that gaze held an unspoken question, but he broke eye contact, lifted his hand in a wave, then backed onto the road and drove north toward town.
Alex Morse drove her rented Corolla into the parking lot of the Days Inn, pulled up to the door of room 125, and shut off the engine. When she opened the door of her room, her sister’s calico cat mewed and dropped soundlessly from the bathroom counter to the carpet. Alex paid five extra dollars per night so that Meggie could stay in the hotel room. She only had Grace’s cat because Jamie had begged her to take it after the funeral. Jamie loved Meggie, but his father did not, and the boy had been afraid that his dad would take her to the pound as soon as Alex flew back to Charlotte. Since Alex knew that Bill Fennell was quite capable of this small act of brutality, she’d accepted the burden. To her surprise, the bright-eyed calico had helped to ease the loneliness of the past five weeks. Alex took off her shoulder holster, massaged the wet place where it had lain against her ribs, then knelt and rubbed Meggie’s chin with a bent knuckle. When she poured some food into the plastic dish by the bathroom door, the cat began eating voraciously.
Alex had checked into the Days Inn five days ago, and she’d done what she could to make a home of her room. Her notebook computer sat humming on the desk, its screen saver an ever-changing montage of photos shot on the cruise she’d taken with Grace to celebrate Grace’s thirtieth birthday. Beside the computer stood a photo of Jamie wearing his Jackson Academy basketball uniform—a gangly ten-year-old with auburn hair, a freckled, unfinished face, and deep-set eyes that projected heartbreaking uncertainty.
Looking at this picture, she remembered how frantic Jamie had been the morning after his mother died, when Alex told him she had to take him back to his father. Running off with him after Grace’s death had been an act of desperation, and in the eyes of the law, kidnapping. If Alex had kept Jamie, Bill wouldn’t have hesitated to have her arrested, and he would probably have done so the previous night had he been able to locate her. Many times since that day Alex had regretted returning Jamie, but she had enough experience to know that a successful custody kidnapping required careful planning and preparation. In the five weeks since that day, she had actually taken several steps in that direction. And if her efforts to prove Bill’s complicity in Grace’s murder should fail—which without Dr. Shepard’s help was likely—then she would be ready to take drastic action.
On a low dresser beside the motel desk lay several neat stacks of paper, all relating to her mother’s medical care. There were lists of oral medications and chemotherapy drugs; treatment schedules; bills to be paid by the insurance company; bills from private physicians for the fees the insurance company didn’t cover; test results from the University Medical Center and from the lab of the private oncologist; and of course the correspondence between Grace and various cancer specialists around the world. Grace had dealt with their mother’s cancer the way she’d dealt with every other crisis: she’d declared war on it. And she’d carried on that war with the implacable persistence of Sherman burning his way across the South. Woe betide the insurance clerk who made an error on a bill addressed to Margaret Morse; Grace’s retribution was swift and sure. But now the running of that campaign had passed to Alex, and by Grace’s standard she was doing a piss-poor job.
Her cardinal sin? She was not at her mother’s bedside. Instead, she was camped out a hundred miles southeast, in Natchez, Mississippi, while paid nurses—strangers!—tended her mother in Jackson. And what was she doing in Natchez? Only burning through her life savings and risking her career in an almost certainly vain quest to punish her sister’s murderer. Grace would have had plenty to say about that. But on the other hand, it was Grace who had charged Alex with “saving” Jamie from his father. And since Bill Fennell had legal custody of his son, the only way Alex could see to save Jamie was to prove that his father had murdered his mother.
Alex walked to the oversize card table she’d bought at Wal-Mart to arrange her case materials. This table was the nerve center of her investigation. It was fairly primitive stuff—jotted notes, surveillance records, digital snapshots, minicassettes—but her father had told her countless times that there was no substitute for putting your heels on the pavement or your ass behind the wheel of your car. All the computers in the world couldn’t nail a killer if you never left your office. Alex kept a framed picture of her dad propped on the card table—her patron saint of cold cases. It wasn’t actually a photograph, but a newspaper story that included two snapshots of Jim Morse: one as a fresh-faced patrolman in 1968, the other as a weary but determined-looking homicide detective who’d solved a high-profile race murder in Jackson in 1980.
Her father had gone into police work straight out of the army, returning to Mississippi after two tours in Vietnam. He’d seen action, but he’d never talked about it, and he never had any lasting problems that Alex knew about. But working as an MP in Saigon, Jim Morse had somehow wound up involved in a couple of murder cases. The work had left an impression on him, so when he’d found himself at loose ends on his twenty-first birthday, he’d registered at the police academy in Jackson. He did well as a patrolman, making sergeant before anyone else in his academy class. He passed the detective’s exam when he was twenty-seven and quickly made a name for two things: brilliant detective work; and speaking his mind, no matter whom he happened to be talking to. The first trait would have assured rapid promotion, had he not possessed the second in equal measure. Alex had fought all her life to control the same tendency, and she’d mostly succeeded. But her father had watched men with much less talent and dedication climb past him on the promotional ladder for most of his career.
After retirement, Jim Morse had opened a detective agency with a former partner who’d served as his rabbi early in his career—a wise old redneck named Will Kilmer. The freedom of a private agency had suited both men, and they got all the referral business they could handle. Alex was certain that it was her teenage exposure to their livelier cases that had caused her to spurn all offers after law school and enroll in the FBI academy instead. Her father had applauded her career choice, but her mother … well, Margaret had reacted as she always did when Alex departed from the path of conventional Southern womanhood. Silent reproach.
A stab of guilt hit Alex high in the chest, followed by a wave of grief. To avoid the guilt, she looked down at a jumble of snapshots of Chris and Thora Shepard. In some shots they were together, but in most not. Alex had been following them long enough to form an impression of a classic upper-middle-class couple, harried by the demands of daily life and never quite catching up. Chris spent a remarkable amount of time working, while Thora alternated vigorous exercise with personal pampering. Alex wasn’t yet sure how far that pampering extended, but she had suspicions. She also had some notes and photographs that Dr. Shepard might like to see, once he got over the initial shock of today’s meeting. But not just yet.
Alex felt a vague resentment as she looked down at Thora; the woman looked better after a six-mile run than most women did after two hours of prepping themselves for a party. You had to hate her a little for that. Chris, on the other hand, was much more down-to-earth, a dark-haired Henry Fonda type rather than a pretty boy. A little more muscular than Fonda, maybe, but with that same gravitas. In that way Dr. Shepard reminded her of her father, another quiet man who had lived for his work.
Mixed in with the images of Thora and Chris were a few of Chris and Ben, all shot at the vacant lot where
