or less so. Not so brown as he was, not so thin as he was. He has been taken in from the heat and dust and wind, and left to pale and fatten on an unaccustomed diet; a diet of drawing rooms, and lobsters and champagne; of morning walks in the Park with no exercise more strenuous than the three-inch raising of the hat; of the ceaseless attentions of the most accomplished young ladies the metropolis can supply wholesale. That the accomplishments of the young ladies run no further than the performance of half a dozen Irish airs on harp or pianoforte hardly troubles Burnes. If he wants other, bolder accomplishments than the ones fashionable London permits of its women, he knows by now where to find them. Under the softening regime, he is quite altered from the man of six months ago; no longer dark and lined and meatless as a piece of old leather that has lain out in the tropical sun for years on end, but pale and soft. He looks at his own veal-face, there in the glass. Only his hard hands betray the fact that he has led quite a different life from his eager listeners; only the bright light in his dark eyes shows that he has seen things they will never see, or wish to.
Charles pauses in his ministrations, looks inquiringly at Burnes in the glass. Burnes becomes aware that the valet said something.
‘Yes, Charles?’ he says.
‘My lady Woodcourt’s, sir?’ Charles repeats.
‘Yes,’ Burnes says. ‘Yes, alas.’
‘Lady Woodcourt,’ Charles says, managing to sound both approving of Burnes’s destination this evening and, shaking his head, disapproving of his master’s irreverent tone. Burnes hardly minds; by now, he can afford, he believes, to appear unconcerned by even the most alarming invitation. And who is Lady Woodcourt, after all? A wicked old woman who has lifted her skirts for two kings and who knows how many prime ministers, whose whoring days ought to be over by now. Lady Woodcourt, indeed; a woman he knew nothing of six months ago. Charles takes the brushes and applies them to Burnes’s head, the dressing now almost complete. ‘May I ask—’ he continues.
‘No,’ Burnes says. ‘No, this will be all. I shan’t be needing you again tonight, thank you.’ He has always been good with his men, and, as Charles takes the clothes brush to wipe away the flakes of scurf on the waistcoat, he grins at him. Charles nods, demurely, and finally helps Burnes on with his immaculately shining black coat.
4.
Half a mile away, the wicked old woman is descending, very carefully, a staircase. All that perfumes and silk and preservatives can do for her charms has been done, which is not much. Footmen stand around, upright as chessmen on the black and white marble floor, and she comes down the stairs, their bent little old mistress. As usual, the first arrivals have preceded her, and are now kicking their heels in the anteroom. Lady Woodcourt does not hurry on their account, nor does it occur to her to acknowledge them. She moves, a slow bent little old woman, down the stairs as if she would like an arm or a stick to keep her upright. Here, in her house, she seems a nervous little bird in a brilliant gold cage; everything so baby-blue and gold, every wall so hung with looking glasses to entertain its denizen with contemplation of herself. And, between the mirrors, still more representations of Lady Woodcourt. Three or four portraits of her at her peak. In one, she is a girl in her father’s grounds. The painter, long ago, saw something in her mind, and has her holding a whip and snaffle. Another is an embarrassing and improbable portrait of her in mythological guise, as – as – as (even Lady Woodcourt, guiding her guests round, has sometimes to pause and think and dredge her old mind) Minerva, the foolish-looking owl just escaping from her limp pale fingers. The third is her wedding portrait, and unwary callers have been known to inquire of each other who the little gentleman in brown could possibly be. That useful and patient Sir Bramley is still to be seen over the fire in his wife’s London house, clinging to her arm in fear and disbelief. What happened to him in life, no one quite knows. A very young man ventured once that he had been washed, and dissolved, being nothing, in the end, but varnish and ornament. Certainly it is difficult to believe in Sir Bramley as anything more substantial than his painted past self, but the remark got back, and the very young man was seen no more at Lady Woodcourt’s. In reality, it is thought, Sir Bramley lives in Italy for the sake of his health, and leaves Lady Woodcourt to the exercise of her influence and her many protectors.
No smooth-skinned oil-fresh Minerva now, she comes forward into the room and staggers into a chair. Almost at once, the blue-coated chessman at the door gives a start and calls out the names of the first skulking guests.
‘Colonel and Miss Garraway,’ he calls, blushing and gulping like the boy he is. In through the door pop the old Colonel and his pretty daughter. He, behind some perfect translucent ruby glaze, is a hopeless and declining old beau of hers, a useful stopgap who does no harm to anyone but himself; next to him, his daughter seems alarmingly alert and clean and young. Lady Woodcourt greets them without rising, her hand resting on a bijou gewgaw, a knobbled warty Chinese bronze pig. The girl, she is pleased to see, is as pretty as everyone says, as she follows her father’s abstracted bow with a gracefully embarrassed bob, scrutinizing with intense juvenile interest the finer details of the Aubusson, murmuring something which might have been ‘My lady’. A great improvement, all in all, on the Colonel’s late wife, who came into a room and waited for the company to rise and say how-de-do, as if she deserved nothing less. This girl, at least, would not laugh in your face and call you her dear Fanny.
Bella Garraway comes into the room, and her feet in their thin slippers are glad not to be kept waiting on marble any longer. It is her first time at the famous, the fascinating Lady Woodcourt’s; her papa has taken care not to alarm her, but all the same, she is wearing what diamonds Mama’s case has yielded up. Lady Woodcourt sits, smiling vaguely; a woman shrivelled and brown as an old apple, her filmy old eyes drifting perpetually away from the mark. Bella advances, and submits to Lady Woodcourt’s grip, a fierce clutch like the clasp of a purse. She just drinks her in; her thin body, her brown wrinkled flesh drifting loosely within the hard carapace of her boned gown like a boat at its moorings. Bella has no idea, in reality, who Fanny Woodcourt is. But Bella, as her sister and governesses always privately remark, is quick on the uptake, and her eyes run quickly over the room, assessing each gift, each bibelot with the commercial eye of an auctioneer. Each object, indeed, has its magnificent provenance, since Lady Woodcourt buys nothing for herself, and takes only from the grandest of her admirers. Anything Bella’s father ever gave her is surely in Lady Woodcourt’s dressing room by now, if not passed on to the housekeeper. Bella drops her eyes in modesty, but if she will not meet Lady Woodcourt’s gaze, she is at least curious enough to inspect her voluble possessions. Whether each porcelain treasure, each glittering glass is the gift of his Grace, Excellency, Majesty hardly matters. Bella looks around, assessing, and sees what Fanny Woodcourt has been.
‘My daughter, Lady Woodcourt,’ Colonel Garraway says, with all his opium-glazed gravity. Lady Woodcourt nods, so calmly that Bella unkindly wonders whether she, too, has been drinking from the phial of the ruby witch. She has learnt how to be suspicious of anything as innocent as composure or boredom in anyone much over the age of forty-five. They all do it, she suspects; and none of them discusses it in her hearing, ever.
‘I’m afraid you will find us all,’ Lady Woodcourt says, ‘a very dull old company tonight. Do sit down. I am quite mortified, my dear, to inflict such a, such a bundle of dry old sticks on you. I positively fear you may never come again, and that, that, that—’
‘That would never do,’ Colonel Garraway supplies gallantly, handing his daughter to a settle, and sitting down after her. Lady Woodcourt laughs brilliantly, a sound as if her glassy old bones have tumbled loose, all at once, and chimed together into a heap, somewhere inside her skin.
‘I’m sure it will be delightful,’ Bella says, inadequately.
‘Such a lot of dry old sticks,’ Lady Woodcourt says, with a touch of steel, not liking to be contradicted even in this
