The Mulberry Empire. Philip Hensher
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‘The hero of Bokhara,’ Colonel Garraway adds, smiling. ‘Yes, that very wonderful young man.’
‘Bokhara,’ Lady Woodcourt sighs, relieved. ‘Now that is a place, I swear, not one person in a thousand had heard a jot or, or, or tittle of one year ago. And now we talk of it as readily as we talk of, of—’
‘Dorsetshire,’ Colonel Garraway says.
‘Of Dorsetshire,’ Lady Woodcourt continues. ‘My young friends talk of nothing else. I think one or two, they fancy taking a house in the better quarter of Bokhara for the winter. Now what do you think of that?’
‘I’m sure I don’t know,’ Bella says, faintly alarmed as Lady Woodcourt spectacularly tinkles away.
‘All stuff and nonsense, of course, and I don’t believe any one of them could point to the wretched place on the map. Still, we talk of nothing else, I find, and all down to this singular, ah, fascinating, ah, ah, remarkable young man, all—’
‘Captain Burnes,’ Bella interjects.
‘Indeed. Thank you, my dear,’ Lady Woodcourt says, looking genuinely as if no one has ever done her a greater favour. ‘And now, who is this—’
‘M. le Duc de Neaud,’ the footman calls, or rather attempts, since what he announces is the Duck de Nod. ‘And,’ as a little woman in a snuff-coloured dress scurries in after her diminutive husband, ‘Mme la Duchesse.’
Everyone rises with an audible relief.
‘Delighted – charmed – delighted – quite on time – feared to be early – my dear Fanny – my dear—’ the Duchesse de Neaud spills over. She is English, a chatterbox, resented by no one, welcome everywhere, if she does not come first or leave last. The Duc limits himself to a quick bow and a scowl. He came over after the Revolution and, penniless, married one of those spinsters who attended the old Queen Charlotte, to everyone’s surprise, including hers; her future had seemed to be mapped out in the series of faintly dictatorial books for children she wrote in dull afternoons at Windsor. She turns from Lady Woodcourt to Bella. ‘My dear – my dear—’
Colonel Garraway snaps into awareness. ‘Duchesse,’ he says. ‘My daughter, Bella.’
‘Miss Garraway,’ the Duc says. ‘Charmé.’ But he is already turning, already charmed, it seems, with the next entrants, and Bella sees no reason not to sink back into her chair as the room starts to fill.
5.
‘Charmed – delighted – couldn’t be more—’ the Duchesse says, sitting down by Bella. But she is talking, not to Bella but to a fast-approaching young man, pink in his half-worried, half-confident face. He bows rapidly, crumpling at the middle like a man who has been punched hard.
‘May I inquire,’ the young man says to the Duchesse. Bella stops paying any attention, and concentrates on her fan. The old people are coming in, showing no emotion, walking smoothly around each other, bowing automatically, like puppets on casters. The boy at the door is keeping up, but there is now quite a queue outside, waiting to hand their card and have him call their name. She is called back by her name.
‘I quite doted on Bella when she was too little to know who was kissing her goodnight,’ the Duchesse glitters, aiming her smile somewhere beyond the young man, bowing and smiling nervously. ‘Quite doted on her. I would hug her and affection her, and – such a pretty little thing, and now, quite such a beauty, now, don’t blush, my dear.’
Bella bows, remembering very well what it was like to be clutched to the swarthy old Duchesse’s bosom, heavy and spiked with trinkets; it felt like falling through the window of a jeweller’s shop. The Duchesse bows back, and then the young man bows, and they are all precisely like an entire yard full of tired chickens. She was no Duchesse then, but only an old spinster. The young man presents a familiar face to Bella.
‘How do you do, Miss Garraway,’ the familiar face says.
‘How do you do,’ Bella says firmly back, smiling like the audience at a vaudeville.
‘Miss Gilbert,’ the yelping barker cries into the room, ‘and Miss Jane Gilbert.’
She sees from the smiling guest’s proprietorial security, his relaxed saunter back into the chair, that this is the son of the house. She corrects herself, looking at Lady Woodcourt, who has no sons. She is no more fecund than a sideboard. This, surely, is the guest of honour. ‘How do you do, Mr Burnes. Do you find the climate here suits you? Or do you long for the East?’
‘Have you read Mr Burnes’s book, Miss Garraway?’ the Duchesse interposes. ‘I rave over it – the learning – the wit – the fierce fierce tribes of the exotic East. How brave – how heroic you have been, sir. Have you read his book?’
‘I have tried, sir, so many times, and each time the bookseller sends me back empty promises, leaving me abandoned. I am not entirely hopeless, but your bookseller is quite the jilt, Mr Burnes.’
The Duchesse laughs brilliantly, flutingly; a youthful and yet historic noise, a descending scale directly from old Queen Charlotte’s nurseries. If the Duchesse laughs, there can be no impropriety whatever in this corner of the blue and gold drawing room. Two sisters approach, their faces long as doors: the Gilbert sisters. In mourning, as they so often are, they scrutinize Burnes efficiently. The elder is twenty-seven, and five years ago was sadly disappointed in love; the younger is no older than Bella, but already has her sister’s half-angry air, and will come to nothing in the end.
‘Quite the jilt,’ Bella says, as the sisters move on.
‘You must tell us,’ the Duchesse continues, ‘of your adventures in Bokhara. I long – I pine – for the story, the entire tale, from the horse’s mouth.’
‘So long and dull a story can hardly interest ladies,’ Burnes says conventionally.
‘No, no, Mr Burnes,’ the Duchesse says, but she seems to take him at his word, since she rises and goes, smiling, into the crush. The room is crowded now, and Bella’s father, there, fifteen yards away, is fixed in his gaze and uncomprehending. One of the Gilbert sisters is talking at him, and directing a fierce laugh at him, the laugh of someone who knows rejection well; he looks like a frightened old man. This is how it is, an hour after his dose. She does not know, and does not wish to know, where he buys what he needs; she only knows, with a wave of shame, that he no longer even talks about it. She wants to rescue her father, there, standing in the embrace of his invisible ruby witch. Burnes, next to her, is twitching like a bird on the branch. It is her duty to carry on talking to him about his East, but she looks at her father and has nothing to say to such a stranger.
6.
Through these evenings, these festive London gatherings, people move without any will, like balls on a billiard table. At one end of the space, new balls spill into the confined space, and at the far end, the balls drifting around the smooth space prod each other and drift off unpredictably. An announcement at the door, a pair of new arrivals, somehow nudges the room along a little, and the mass, unwilled, cannons through the room, and the last ripple brings Burnes to his feet, and face to face with Stokes, a brilliant and brilliantly polished writer for the journals, his head smooth and gleaming like marble, his glittering spectacles always