all I need right about now: an accident that would have been my fault. My heart’s racing, my palms have broken out in a sweat. Refocus. You want to get there in one piece, don’t you? With my eyes on the road, I feel for the radio knob and twist it counterclockwise. Return to the Mad Hatter and the shark lady.
“Okay then, Doc, so let’s say Jaws comes upon a pod of seals that are chillin’ in the waters off of Chatham. What’s his M.O.?”
“Well, first of all, ‘he’ is likely to be a she. Female great whites tend to be larger and more dominant than males. And as to the shark’s ‘M.O.,’ as you put it, great whites are ambush hunters. So what they do is identify a target and then ram it hard and fast, most likely from beneath because the underbelly is what’s most vulnerable.”
The Mad Hatter snorts. “That’s where we’re all most vulnerable. Right, guys? Under our bellies and above our knees?” An ah-ooga horn sounds, but the shark lady soldiers on.
“Once a shark takes hold, it whips its head from side to side, the better to tear open a large chunk of flesh. That exposes the organs and entrails, which will be ingested as quickly as possible. From what we’ve observed, great whites may travel in small clans, but when they’re on the hunt, they separate.”
“Every shark for himself, right?”
“That’s right. Or herself.”
Sharks. Ambush hunters. Viveca Christophoulos-Shabbas …
Annie met Viveca through her art. She’d had a piece selected for that Whitney Biennial, and at the opening Viveca approached her about exhibiting at her by-appointment-only gallery in Chelsea. But in fairness, I guess I’d started losing my wife to her art long before Lady Bountiful came into the picture …
It was strange how Annie’s career had come about. She couldn’t even say why, not long after our twins were born, she’d begun collecting odds and ends from junk stores, swap shops, and the curbside recycling boxes she passed while out for walks with Andrew and Ariane in their side-by-side stroller. She’d not understood it, that is, until she began creating those found-art shadow boxes. She had had no training as an artist. Something just compelled her to make them, she told me, but she was reluctant to explore with me the nature of that impulse. “Orion, I’m your wife, not one of your patients,” she reminded me once when I tried to tease out her motivation. She made it clear that this was her thing. No trespassing.
Her first pieces were humorous, or so I thought: The Dancing Scissors, The Jell-O Chronicles. One Saturday, I remember, she requested a “mental health” afternoon. The twins had been sick, and except for trips to the pediatrician’s and the pharmacy, Annie had been stuck in the house all week with cranky kids. Could I stay with them for a few hours while she went to a movie, maybe, or down to the mall? I got her coat, gave her a little swat on the rear, and said, “Go.” But by the time she got back home, it was after 8:00 P.M. This was the mid-1980s, before cell phones became ubiquitous; if someone didn’t bother to call in, you stared at the phone, waiting and worrying. “Where the hell have you been?” I demanded when she came through the door that night. But she was so jubilant, so energized, that she hardly noticed my day’s worth of aggravation and worry. She had driven to Waterford, she said, intending to go to the Crystal Mall. Instead, spur of the moment, she’d hopped onto I-95 South. En route to no place in particular, she decided to get off at random exits and hunt for whatever awaited her at the dumps and secondhand shops of different shoreline towns. And it had been so worth it! She’d picked up treasures at each: a bolt of lace, a bundle of 1940s movie magazines, some wooden soda crates, a canvas bag brimming with hand puppets. Passing a billboard advertising a going-out-of-business sale at a job lot store in New Rochelle, she’d made a snap decision, signaled, and exited.
“New Rochelle?” I said. “You drove all the way into New York?”
Thank God she had, she said, because she’d struck pay dirt at that Dollar Days. Her purchases included two large bags of deeply discounted miscellany, including a twenty-four-piece box of plastic British Royal Family figurines.
I began complaining about my day with the twins—how Andrew had kept making spit bubbles with his amoxicillin instead of just swallowing it. How Ariane had toddled over to the dirty diaper pail, climbed on, and tipped it over while I was at the door with a couple of Jehovah’s Witnesses—and how mopping up the mess, wet-vacing and disinfecting their bedroom carpet, had taken me the better part of an hour. From now on, we were buying Pampers, I told her. I didn’t care how much they cost. I was hoping to generate a little … what? Sympathy? Remorse, maybe? But Annie just sat there, sifting through her stuff, barely listening. And when I stopped talking, she went into the twins’ room, kissed their foreheads, and then, grabbing her new “treasures,” raced down to the studio I’d fixed up for her in the space between the washer and dryer and the furnace. She was down there for the rest of that night.
What had come over her? Was it OCD—some kind of hoarding disorder, maybe? Some sort of anxiety related to motherhood? If so, she could be treated. We could get her an antidepressant or a tranquilizer to take the edge off a little. But Annie wasn’t accumulating stuff solely for the sake of accumulating it. She was making art out of it, so maybe I should back off. Give her the benefit of the doubt … But could you even call it art? Like I said, it wasn’t like she’d had any formal training. To the best of my knowledge, she’d never even taken an art course in high school. Had never even finished high school. Maybe it was some sort of delayed reaction to the tough childhood she’d had. Annie’s childhood: that’s always been another “no trespassing” zone. I know the basics. She lost her mother when she was five years old. Her father had gone off the rails as a result and she’d bounced around in foster care. But Annie’s always skirted the details of her early life. Waiting here in stalled traffic, I can’t help but wonder: has she been more forthcoming with Viveca about her childhood? What does Viveca know?
A cruiser passes me on the shoulder, its lights flashing, its siren not wailing but making loud little belches. There must be an accident up ahead, which would explain why we’ve now almost come to a complete stop. Oh man, I haven’t even gotten as far as Sandwich yet. I’ll be lucky if I get to that rental place before they close for the day—or maybe even for the weekend. And what do I do if I can’t pick up the key to Viveca’s cottage? Break into the place? Start looking for motel “vacancy” signs? And now, adding insult to injury, this little jerk in the Ford Focus has his blinker on and he’s trying to squeeze in between me and the Subaru. Smart move, buddy. Nothing like lane-changing when both lanes are crawling along at about half a mile an hour. Atta boy. Nose right in. Be my guest, you little shit. When did you get your driver’s license? Yesterday? He’s talking a blue streak to his girlfriend, oblivious that his directional signal’s still blinking. To my right is one of those big-ass campers that must get about five or six miles to the gallon. A warning sprawls across the RV’s left side: MAKE WAY FOR MEAN DARLENE! A plump white-haired couple sits up front, eating a snack out of a paper bag. Microwave popcorn, maybe? Their jaws are moving in synch. When I was stuck behind them a quarter of a mile ago, I read their back bumper stickers: LET FREEDOM RING! and DON’T BLAME ME! I VOTED FOR THE HERO AND THE HOTTIE.
I honk at the kid in the Ford, and when he looks in his rearview mirror, I point down at his blinker. I can tell he doesn’t get it. Now the girlfriend turns around and looks at me, too. They both shake their heads as if I’ve offended them. On, off, on, off … Should I? Hey, why not? We’ve come to a stop. We’re all just sitting here. I put my Prius in park and get out, go up to his window and tap on it with my wedding ring. I hear the soft clunk of his car door locks. Jesus, what does he think I am? The traffic jam ax murderer?
“Yeah?”
“Your blinker’s on.”
