Winter in July. Doris Lessing

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was a rocky shelf thrust forward over the gulf, and here she would sit for hours, leaning dizzily outwards, her short grey hair blown across her face, lost in adoration of the hills across the river. Not of the river itself, no, she thought of that with a sense of danger, for there, below her, in that green-crowded gully, were suddenly the tropics: palm trees, a slow brown river that eddied into reaches of marsh or curved round belts of reeds twelve feet high. There were crocodiles, and leopards came from the rocks to drink. Sitting there on her exposed shelf, a smell of sun-warmed green, of hot decaying water, of luxurious growth, an intoxicating heady smell, rose in waves to her face. She had learned to ignore it, and to ignore the river, while she watched the hills. They were her hills: that was how she felt. For years she had sat here, hours every day, watching the cloud shadows move over them, watching them turn blue with distance or come close after rain so that she could see the exquisite brushwork of trees on the lower slopes. They were never the same half an hour together. Modulating light created them anew for her as she looked, thrusting one peak forward and withdrawing another, moving them back so that they were hazed on a smoky horizon, crouched in sullen retreat, or raising them so that they towered into a brillant cleansed sky. Sitting here, buffeted by winds, scorched by the sun or shivering with cold, she could challenge anything. They were her mountains; they were what she was; they had made her, had crystallized her loneliness into a strength, had sustained her and fed her.

      And now she almost forgot the De Wets were coming, and were hours late. Almost, not quite. At last, understanding that the sun was setting (she could feel its warmth striking below her shoulders), her small irritation turned to anxiety. Something might have happened to them? They had taken the wrong road, perhaps? The car had broken down? And there was the Major, miles away with their own car, and so there was no means of looking for them. Perhaps she should send out natives along the roads? If they had taken the wrong turning, to the river, they might be bogged in mud to the axles. Down there, in the swampy heat, they could be bitten by mosquitoes and then …

      Caroline, she said to herself severely (thus finally withdrawing from the mountains), don’t let things worry you so. She stood up and shook herself, pushed her hair out of her face, and gripped her whipping skirts in a thick bunch. She stepped backwards away from the wind that raked the edges of the cliff, sighed a goodbye to her garden for that day, and returned to the house. There, outside the front door, was a car, an ancient jalopy bulging with luggage, its back doors tied with rope. And children! She could see a half-grown girl on the steps. No, really, it was too much. On the other side of the car stooped a tall, thin, fairheaded man, burnt as brown as toffee, looking for someone to come. He must be the father. She approached, adjusting her face to a smile, looking apprehensively about her for the children. The man slowly came forward, the girl after him. ‘I expected you earlier,’ began Mrs Gale briskly, looking reproachfully into the man’s face. His eyes were cautious, blue, assessing. He looked her casually up and down, and seemed not to take her into account. ‘Is Major Gale about?’ he asked. ‘I am Mrs Gale,’ she replied. Then, again: ‘I expected you earlier.’ Really, four hours late, and not a word of apology!

      ‘We started late,’ he remarked. ‘Where can I put our things?’

      Mrs Gale swallowed her annoyance and said: ‘I didn’t know you had a family. I didn’t make arrangements.’

      ‘I wrote to the Major about my wife,’ said De Wet. ‘Didn’t he get my letter?’ He sounded offended.

      Weakly Mrs Gale said: ‘Your wife?’ and looked in wonderment at the girl, who was smiling awkwardly behind her husband. It could be seen, looking at her more closely, that she might perhaps be eighteen. She was a small creature, with delicate brown legs and arms, a brush of dancing black curls, and large excited black eyes. She put both hands round her husband’s arm, and said, giggling: ‘I am Mrs De Wet.’

      De Wet put her away from him, gently, but so that she pouted and said: ‘We got married last week.’

      ‘Last week,’ said Mrs Gale, conscious of dislike.

      The girl said, with an extraordinary mixture of effrontery and shyness: ‘He met me in the cinema and we got married next day.’ It seemed as if she were in some way offering herself to the older woman, offering something precious of herself.

      ‘Really,’ said Mrs Gale politely, glancing almost apprehensively at this man, this slow-moving, laconic, shrewd South African, who had behaved with such violence and folly. Distaste twisted her again.

      Suddenly the man said, grasping the girl by the arm, and gently shaking her to and fro, in a sort of controlled exasperation: ‘Thought I had better get myself a wife to cook for me, all this way out in the blue. No restaurants here, hey, Doodle?’

      ‘Oh, Jack,’ pouted the girl, giggling. ‘All he thinks about is his stomach,’ she said to Mrs Gale, as one girl to another, and then glanced with delicious fear up at her husband.

      ‘Cooking is what I married you for,’ he said, smiling down at her intimately.

      There stood Mrs Gale opposite them, and she saw that they had forgotten her existence; and that it was only by the greatest effort of will that they did not kiss. ‘Well,’ she remarked drily, ‘this is a surprise.’

      They fell apart, their faces changing. They became at once what they had been during the first moments: two hostile strangers. They looked at her across the barrier that seemed to shut the world away from them. They saw a middle-aged English lady, in a shapeless old-fashioned blue silk dress, with a gold locket sliding over a flat bosom, smiling at them coldly, her blue, misted eyes critically narrowed.

      ‘I’ll take you to your house,’ she said energetically. ‘I’ll walk, and you go in the car – no, I walk it often.’ Nothing would induce her to get into the bouncing rattle-trap that was bursting with luggage and half-suppressed intimacies.

      As stiff as a twig, she marched before them along the road, while the car jerked and ground along in bottom gear. She knew it was ridiculous; she could feel their eyes on her back, could feel their astonished amusement; but she could not help it.

      When they reached the house, she unlocked it, showed them briefly what arrangements had been made, and left them. She walked back in a tumult of anger, caused mostly because of her picture of herself walking along that same road, meekly followed by the car, and refusing to do the only sensible thing, which was to get into it with them.

      She sat on her verandah for half an hour, looking at the sunset sky without seeing it, and writhing with various emotions, none of which she classified. Eventually she called the houseboy, and gave him a note, asking the two to come to dinner. No sooner had the boy left, and was trotting off down the bushy path to the gate, than she called him back. ‘I’ll go myself,’ she said. This was partly to prove that she made nothing of walking the half mile, and partly from contrition. After all, it was no crime to get married, and they seemed very fond of each other. That was how she put it.

      When she came to the house, the front room was littered with luggage, paper, pots and pans. All the exquisite order she had created was destroyed. She could hear voices from the bedroom.

      ‘But, Jack, I don’t want you to. I want you to stay with me.’ And then his voice, humorous, proud, slow, amorous: ‘You’ll do what I tell you, my girl. I’ve got to see the old man and find out what’s cooking. I start work tomorrow, don’t forget.’

      ‘But, Jack …’ Then came sounds of scuffling, laughter, and a sharp slap.

      ‘Well,’ said Mrs Gale, drawing in her breath. She knocked on the wood of the door, and all sound ceased. ‘Come in,’ came the girl’s voice. Mrs Gale hesitated, then went into the bedroom.

      Mrs

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