and singing, their folded draperies, bright armbands, earthenware jars and metal combs, grouped in attitudes of head-slowed indolence, it seemed as if the bellowing of distant cattle, drone of tractor, all the noises of the farm, were simply lending themselves to form a background to this antique scene: Women, drawing water at the well.
When they left the ground would be scattered with the bright-pink, fleshy skins of the native wild-plum which contracts the mouth shudderingly with its astringency, or with the shiny green fragments of the shells of kaffir oranges.
Without the women the place was ugly, paltry. The windlass, coiled with greasy rope, propped for safety with a forked stick, was sheltered by a tiny cock of thatch that threw across the track a long, intensely black shadow. For the rest, veld; the sere, flattened, sun-dried veld.
They were beautiful, these women. But she whom I thought of vaguely as ‘The cross-eyed one’, offended the sight. She used to lag behind the others on the road, either by herself, or in charge of the older children. Not only did she suffer from a painful squint, so that when she looked towards you it was with a confused glare of white eyeball; but her body was hideous. She wore the traditional dark-patterned blue stuff looped at the waist, and above it her breasts were loose, flat crinkling triangles.
She was a solitary figure at the well, doing her washing unaided and without laughter. She would strain at the windlass during the long slow ascent of the swinging bucket that clanged sometimes, far below, against the sides of naked rock until at that critical moment when it hung vibrating at the mouth of the well, she would set the weight of her shoulder in the crook of the handle and with a fearful snatching movement bring the water to safety. It would slop over, dissolving in a shower of great drops that fell tinkling to disturb the surface of that tiny, circular, dully-gleaming mirror which lay at the bottom of the plunging rock tunnel. She was clumsy. Because of her eyes her body lumbered.
She was the oldest wife of ‘The Long One’, who was our most skilful driver.
‘The Long One’ was not so tall as he was abnormally thin. It was the leanness of those driven by inner restlessness. He could never keep still. His hands plucked at pieces of grass, his shoulder twitched to a secret rhythm of the nerves. Set a-top of that sinewy, narrow, taut body was a narrow head, with wide-pointed ears, which give him an appearance of alert caution. The expression of the face was always violent, whether he was angry, laughing, or – most usually – sardonically critical. He had a tongue that was feared by every labourer on the farm. Even my father would smile ruefully after an altercation with his driver and say: ‘He’s a man, that native. One must respect him, after all. He never lets you get away with anything.’
In his own line he was an artist – his line being cattle. He handled oxen with a delicate brutality that was fascinating and horrifying to watch. Give him a bunch of screaming, rearing three-year-olds, due to take their first taste of the yoke, and he would fight them for hours under a blistering sun with the sweat running off him, his eyes glowing with a wicked and sombre satisfaction. Then he would use his whip, grunting savagely as the lash cut down into flesh, his tongue stuck calculatingly between his teeth as he measured the exact weight of the blow. But to watch him handle a team of sixteen fat tamed oxen was a different thing. It was like watching a circus act; there was the same suspense in it: it was a matter of pride to him that he did not need to use the whip. This did not by any means imply that he wished to spare the beasts pain, not at all; he liked to feed his pride on his own skill. Alongside the double line of ponderous cattle that strained across acres of heavy clods, danced, raved and screamed the Long One, with his twelve-foot-long lash circling in black patterns over their backs; and though his threatening yells were the yells of an inspired madman, and the heavy whip could be heard clean across the farm, so that on a moonlight night when they were ploughing late it sounded like the crack and whine of a rifle, never did the dangerous metal-tipped lash so much as touch a hair of their hides. If you examined the oxen as they were outspanned, they might be exhausted, driven to staggering-point, so that my father had to remonstrate, but there was never a mark on them.
‘He knows how to handle oxen, but he can’t handle his woman.’
We gave our natives labels such as that, since it was impossible ever to know them as their fellows knew them, in the round. That phrase summarized for us what the Long One offered in entertainment during the years he was with us. Coming back to the farm, after an absence, one would say in humorous anticipation: ‘And what has the Long One been up to now, with his harem?’
There was always trouble with his three wives. He used to come up to the house to discuss with my father, man to man, how the youngest wife was flirting with the bossboy from the neighbouring compound, six miles off; or how she had thrown a big pot of smoking mealie-pap at the middle wife, who was jealous of her.
We grew accustomed to the sight of the Long One standing at the back door, at the sunset hour, when my father held audience after work. He always wore long khaki trousers that slipped down over thin bony hips, and went bare-chested, and there would be a ruddy gleam on his polished black skin, and his spindly gesticulating form would be outlined against a sea of fiery colours. At the end of his tale of complaint he would relapse suddenly into a pose of resignation that was self-consciously weary. My father used to laugh until his face was wet and say: ‘That man is a natural-born comedian. He would have been on the stage if he had been born another colour.’
But he was no buffoon. He would play up to my father’s appreciation of the comic, but he would never play the ape, as some Africans did, for our amusement. And he was certainly no figure of fun to his fellows. That same thing in him that sat apart, watchfully critical, even of himself, gave his humour its mordancy, his tongue its sting. And he was terribly attractive to his women. I have seen him slouch down the road on his way from one team to another, his whip trailing behind in the dust, his trousers sagging in folds from hip-bone to ankle, his eyes broodingly directed in front of him, merely nodding as he passed a group of women among whom might be his wives. And it was as if he had lashed them with that whip. They would bridle and writhe; and then call provocatively after him, but with a note of real anger, to make him notice them. He would not so much as turn his head.
When the real trouble started, though, my father soon got tired of it. He liked to be amused, not seriously implicated in his labourers’ problems. The Long One took to coming up not occasionally, as he had been used to do, but every evening. He was deadly serious, and very bitter. He wanted my father to persuade the old wife, the cross-eyed one, to go back home to her own people. The woman was driving him crazy. A nagging woman in your house was like having a flea on your body; you could scratch but it always moved to another place, and there was no peace till you killed it.
‘But you can’t send her back, just because you are tired of her.’
The Long One said his life had become insupportable. She grumbled, she sulked, she spoilt his food.
‘Well, then your other wives can cook for you.’
But it seemed there were complications. The two younger women hated each other, but they were united in one thing, that the old wife should stay, for she was so useful. She looked after the children, she did the hoeing in the garden; she picked relishes from the veld. Besides, she provided endless amusement with her ungainliness. She was the eternal butt, the fool, marked by fate for the entertainment of the whole-limbed and the comely.
My father referred at this point to a certain handbook on native lore, which stated definitively that an elder wife was entitled to be waited on by a young wife, perhaps as compensation for having to give up the pleasures of her lord’s favour. The Long One and his ménage cut clean across this amiable theory. And my father, being unable to find a prescribed remedy (as one might look for a cure for a disease in a pharmacopoeia) grew angry. After some weeks of incessant complaint from the Long One he was told to hold his tongue and manage his women himself. That evening the
