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On another, calmer night the same feeling emerged more philosophically. Now the moon presaged a whole theory of poetic language, which would take its authority from the same recognition of transcendent human need deep within the spirit. Now it was language itself – the divine logos – which impelled Coleridge from a pagan Pantheism to the rebirth of a fundamental Christianity. The moon at Malta provided Coleridge with a religious revelation about divine power radiating through the natural universe. It was for him, with his fundamental and never-abandoned identity as a poet, essentially an articulating power, an expressive fiat as in the opening of the Book of Genesis.
In looking at objects of Nature while I am thinking, as at yonder moon dim-glimmering thro’ the dewy window-pane, I seem rather to be seeking, as it were asking, a symbolical language for something within me that already and forever exists, than observing any thing new. Even when the latter is the case, yet still I have always an obscure feeling as if that new phenomenon were the dim Awaking of a forgotten or hidden Truth of my inner Nature. It is still interesting as a Word, a Symbol! It is LOGOS, the Creator! and the Evolver!124
13
All this time Coleridge continued his daylight work as Public Secretary. In February he was inspecting the hospital, every wall covered with grotesque crucifixes, and in the ward for venereal diseases a child of twelve in the same bed as an old man of seventy.125 In March he was sailing round the harbour to inspect the defences with Lieutenant Pasley. Spain had now declared war against Britain, and the French fleet had broken out of Toulon. The convoy system was in shambles, and Nelson was making a sweep to the Azores. Communications were disrupted, and there was no sign of Mr Chapman (Coleridge’s replacement) who was somewhere in the Black Sea. The plague, which had carried off Major Adye at Gibraltar, now threatened Valletta and beach landings were expected imminently in Sicily or southern Italy.
Back in England the Wordsworths were deeply worried. They had planned to leave Grasmere in 1805, and settle wherever they could persuade Coleridge to join them on his return, which they expected in the spring. But they had had no news for three months, “no tidings of poor Coleridge, for Heaven’s sake”, and feared the worst from war or pestilence.126 Daniel Stuart had gazetted Coleridge’s appointment as Public Secretary in the Courier, but waited in vain for further dispatches from him.
But the disaster that struck came from a wholly unexpected quarter. At one o’clock on 31 March 1805 Coleridge was summoned from the Treasury by Sir Alexander to attend a diplomatic reception. As he entered the packed drawing-room, Lady Ball turned to him and asked if he knew Captain John Wordsworth. “Is he not a Brother of Mr Wordsworth, you so often talk of?” John Wordsworth’s ship, the Abergavenny, had been wrecked in a storm off Weymouth, with the loss of all cargo, three hundred men and the captain himself. Lady Ball faltered, as she saw Coleridge go pale. “Yes, it is his brother,” he replied, and staggered from the room. He walked back to his garret, supported by the Sergeant-at-Arms and pursued by Sir Alexander. As he got to his door, he collapsed. Later he would say that the shock was so great that he “fell down on the ground in a convulsive fit” in front of fifty people in the “great Saloon of the Palace” itself.127
It was an expressive exaggeration. He was ill for a fortnight, and shaken in a way that only the Wordsworths could have understood. William wrote to Sir George Beaumont: “We have had no tidings of Coleridge. I tremble for the moment when he is to hear of my brother’s death; it will distress him to the heart, – and his poor body cannot bear sorrow. He loved my brother, and he knows how we at Grasmere loved him.”128 For the Wordsworths, who had also invested heavily in John’s ship, his death was to change all their plans for the future and tighten the little Grasmere circle, “the Concern”, in ways that subtly affected their commitment to Coleridge.
For Coleridge himself it was news that haunted and terrified him, with intimations of failure, loss and physical horror. “O dear John: and so ended thy dreams of Tarns & mountain Becks, & obscure vales in the breasts and necks of Mountains. So thy dream of living with or among thy Brother and his. – O heavens! Dying in all its Shapes, shrieks; and confusion; and mad Hope; and Drowning more deliberate than Suicide; – these, these were the Dorothy, the Mary, the Sara Hutchinson, to kiss the cold drops from thy Brow, & to close thy Eyes! – Never yet has any Loss gone so far into the Life of Hope, with me. I now only fear.”129
The violence of his reaction can also be explained by the role he had sometimes imagined for John, as his own alter ego in Asra’s heart, capable of bringing her one day a solid, companionable love, which he could not match. If this seems a strange, almost masochistic displacement, it was genuine and indeed typical of Coleridge. “O blessed Sara, you whom in my imagination at one time I so often connected with him, by an effort of agonizing Virtue, willing it with cold sweat-drops on my Brow!”130 At some level, Coleridge felt it should have been him who had died in John’s place.
The news of John Wordsworth’s death also brought to a head the question of Coleridge’s return to England. William confidently expected that it would be immediate: “he has engagements with the Governor: if these do not prevent him I am sure he will return the first minute he can after hearing the news. I am as sure of this as if I heard him say so.”131 But he could not hear the silent night-voice of Coleridge’s Notebooks, which was more than ever uncertain. “Lord Nelson is pursuing the French Fleet & the Convoy is to be deferred. I felt glad – how can I endure that it should depart without me? Yet if I go, wither am I to go? Merciful Providence! what a cloud is spread before me: a cloud is my only guide by day and by night: I have no pillar of Fire…”132
It was the same “procrastination” that had greeted the news of the death of his child, little Berkeley, long ago in Germany. But now it was his whole future life that seemed at issue. Part of him longed to go back to his children, to Asra and the Wordsworths; part of him would do anything to avoid a reunion with Mrs Coleridge; and part of him simply luxuriated in the easy, expansive living of the Mediterranean, the orange trees coming into blossom (“a prodigality of beauty”), the talkative dinners with Ball and the navy officers, the guilty opium sessions at night, the drowsy sexual dreams, the endless reading and philosophizing. Above all, perhaps, his suspended exile in Malta allowed him to fantasize about Asra: “O Sara! gladly if my miserable Destiny would relax, gladly would I think of thee and me, as of two Birds of passage, reciprocally resting on each other in order to support the long flight, the awful Journey.”133
Throughout April his opium-taking increased, and he struggled with boils and fever. Sometimes his thoughts turned to suicide – “Die my Soul, die! – Suicide – rather than this, the worst state of Degradation!–”134; and sometimes he even beat himself, “hands, breast or forehead, in the paroxysms of Self-reproof”.135 Eventually the convoy left without him, and he resumed work as Public Secretary more busily than ever. The note of pure pleasure quickly returned, as on the afternoon he walked up to join Sir Alexander for a weekend at San Antonio in the gardens. “Having had showers (23 April) I smelt the orange blossom long before I reached St Antonio. When I entered it was overpowering: the Trees were indeed oversnowed with Blossoms, and the ground
