it unjust that I was not given the chocolate. That had been promised to whoever found the book, and I had found it.
My sister had a game which both fascinated and terrified me. This was ‘The Elder Sister’. The thesis was that in our family was an elder sister, senior to my sister and myself. She was mad and lived in a cave at Corbin’s Head, but sometimes she came to the house. She was indistinguishable in appearance from my sister, except for her voice, which was quite different. It was a frightening voice, a soft oily voice.
‘You know who I am, don’t you, dear? I’m your sister Madge. You don’t think I’m anyone else, do you? You wouldn’t think that?’
I used to feel indescribable terror. Of course I knew really it was only Madge pretending–but was it? Wasn’t it perhaps true? That voice–those crafty sideways glancing eyes. It was the elder sister!
My mother used to get angry. ‘I won’t have you frightening the child with this silly game, Madge.’
Madge would reply reasonably enough: ‘But she asks me to do it.’ I did. I would say to her: ‘Will the elder sister be coming soon?’ ‘I don’t know. Do you want her to come?’
‘Yes–yes, I do.
Did I really? I suppose so.
My demand was never satisfied at once. Perhaps two days later there would be a knock at the nursery door, and the voice:
‘Can I come in, dear? It’s your elder sister.
Many years later, Madge had still only to use the Elder Sister voice and I would feel chills down my spine.
Why did I like being frightened? What instinctive need is satisfied by terror? Why, indeed, do children like stories about bears, wolves and witches? Is it because something rebels in one against the life that is too safe? Is a certain amount of danger in life a need of human beings? Is much of the juvenile delinquency nowadays attributable to the fact of too much security? Do you instinctively need something to combat, to overcome–to, as it were, prove yourself to yourself? Take away the wolf from Red Riding Hood and would any child enjoy it? However, like most things in life, you want to be frightened a little–but not too much.
My sister must have had a great gift for story-telling. At an early age her brother would urge her on. ‘Tell it me again.’
‘I don’t want to.’
‘Do, do!’
‘No, I don’t want to.’
‘Please. I’ll do anything.’
‘Will you let me bite your finger?’
‘Yes.’
‘I shall bite it hard. Perhaps I shall bite it right off!’
‘I don’t mind.’
Madge obligingly launches into the story once more. Then she picks up his finger and bites it. Now Monty yells. Mother arrives. Madge is punished.
‘But it was a bargain,’ she says, unrepentant.
I remember well my first written story. It was in the nature of a melodrama, very short, since both writing and spelling were a pain to me. It concerned the noble Lady Madge (good) and the bloody Lady Agatha (bad) and a plot that involved the inheritance of a castle.
I showed it to my sister and suggested we could act it. My sister said immediately that she would rather be the bloody Lady Madge and I could be the noble Lady Agatha.
‘But don’t you want to be the good one?’ I demanded, shocked. My sister said no, she thought it would be much more fun to be wicked. I was pleased, as it had been solely politeness which had led me to ascribe nobility to Lady Madge.
My father, I remember, laughed a good deal at my effort, but in a kindly way, and my mother said that perhaps I had better not use the word bloody as it was not a very nice word. ‘But she was bloody,’ I explained. ‘She killed a lot of people. She was like bloody Mary, who burnt people at the stake.’
Fairy books played a great part in life. Grannie gave them to me for birthdays and Christmas. The Yellow Fairy Book, The Blue Fairy Book, and so on. I loved them all and read them again and again. Then there was a collection of animal stories, also by Andrew Lang, including one about Androcles and the Lion. I loved that too.
It must have been about then that I first embarked on a course of Mrs Molesworth, the leading writer of stories for children. They lasted me for many years, and I think, on re-reading them now, that they are very good. Of course children would find them old-fashioned nowadays, but they tell a good story and there is a lot of characterization in them. There was Carrots, just a little Boy, and Herr Baby for very young children, and various fairy story tales. I can still re-read The Cuckoo Clock and The Tapestry Room. My favourite of all, Four Winds Farm, I find uninteresting now and wonder why I loved it so much.
Reading story-books was considered slightly too pleasurable to be really virtuous. No story-books until after lunch. In the mornings you were supposed to find something ‘useful’ to do. Even to this day, if I sit down and read a novel after breakfast I have a feeling of guilt. The same applies to cards on a Sunday. I outgrew Nursie’s condemnation of cards as ‘the Devil’s picture books’, but ‘no cards on Sundays’ was a rule of the house, and in after years when playing bridge on a Sunday I never quite threw off a feeling of wickedness.
At some period before Nursie left, my mother and father went to America and were away some time. Nursie and I went to Ealing. I must have been several months there, fitting in very happily. The pillar of Grannie’s establishment was an old, wrinkled cook, Hannah. She was as thin as Jane was fat, a bag of bones with deeply lined face and stooped shoulders. She cooked magnificently. She also made homebaked bread three times a week, and I was allowed in the kitchen to assist and make my own little cottage loaves and twists. I only fell foul of her once, when I asked her what giblets were. Apparently giblets were things nicely brought up young ladies did not ask about. I tried to tease her by running to and fro in the kitchen saying, ‘Hannah, what are giblets? Hannah, for the third time, what are giblets?’ etc. I was removed by Nursie in the end and reproved, and Hannah would not speak to me for two days. After that I was much more careful how I transgressed her rules.
Some time during my stay at Ealing I must have been taken to the Diamond Jubilee for I came across a letter not long ago written from America by my father. It is couched in the style of the day, which was singularly unlike my father’s spoken words–letter-writing fell into a definite and sanctimonious pattern, whereas my father’s speech was usually jolly and slightly ribald.
You must be very very good to dear Auntie-Grannie, Agatha, because remember how very very good she has been to you, and the treats she gives you. I hear you are going to see this wonderful show which you will never forget, it is a thing to be seen only once in a lifetime. You must tell her how very grateful you are; how wonderful it is for you, I wish I could be there, and so does your mother. I know you will never forget it.
My father lacked the gift of prophecy, because I have forgotten it. How maddening children are! When I look back to the past, what do I remember? Silly little things about local sewing-women, the bread twists I made in the kitchen, the smell of Colonel F.’s breath–and what do I forget? A spectacle that somebody paid a great deal of money for me to see and remember. I feel very angry with myself. What a horrible, ungrateful child!
That
