Architectural Plants. Christine Shaw
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Although many of these plants are reasonably priced, some of the larger specimens can carry a hefty price tag. This usually applies to slow-growing plants that have taken many years to reach a decent size. For example, a palm tree from a nursery that is 12ft (3.7m) tall could easily be twenty years old. Someone has had the expense of propagating it, repotting it several times during its life, feeding, watering and generally caring for it to keep it looking lush and verdant, until it is considered ready enough to become the main feature of someone’s garden. The fact that it costs several hundred pounds should come as no surprise whatsoever. The expression ‘you get what you pay for’ is exactly right. It may help to work out how much it would cost to keep an area of the garden planted with seasonal bedding plants during the summer and again in the winter for a period of twenty years. Although these plants seem relatively cheap when bought individually, the total cost can come as quite a surprise.
Although architectural plants are becoming more and more popular, so far very little information has been written about them. This book is the first fully comprehensive guide to all aspects of gardening with these lovely plants. Although many of them were well known in Victorian times, most subsequent generations of gardeners have been completely oblivious to their fine qualities. It is only in the last fifteen years that they have been fully appreciated.
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Catalpa bignonioides ‘Nana’ is a good choice as a large-leaved specimen tree.
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Yucca gloriosa variegata is essential for any garden design involving a spiky element.
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Cortaderia richardia looks beautiful in a breezy garden, adding movement to any planting plan as the wind swishes through the foliage.
This book lists the best possible choices of architectural plants. There are photographs of every one, with a full description of what they look like and what they do throughout the seasons. All sorts of practical information is given regarding hardiness, soil conditions, light levels and maintenance. There is advice on buying, siting and using these plants in the garden to provide different effects and planting schemes. Information has also been given on the less glamorous side of horticulture, namely which pests and diseases to look out for on each particular plant. A Rogues’ Gallery at the back of the book helps in the identification of various ailments and other annoying, unwanted presences that can be the bane of a gardener’s life.
Wherever possible I have avoided mentioning the kind of horticultural descriptions that require a glossary to explain what they mean – so very few references to culms, petioles and clustered node bases, and just basic easy-to-understand descriptions with all the emphasis on how to succeed in growing these plants, without being bogged down with unnecessary complications. However, all of the plants are listed alphabetically using their formal botanical names.
I would like to put up a spirited defence of the use of Latin in horticulture. Although no one detests rules and regulations of any kind more than I do, using the correct Latin names for all plants is essential. Apart from a few lapses in the naming of bamboos, most plants have only one Latin name. No matter which country you live in, this name is always the same, and there can be no confusion about which plant is being referred to. This might be stating the obvious, but this revelation didn’t really dawn on me until I worked abroad. The common names of plants are different in every part of every country, and it’s impossible to learn them all. Sometimes the common name of a plant in England refers to a totally different plant in Australia, and even in Scotland.
Despite the long words, horticultural Latin really isn’t as intimidating as it first appears. It is not as strict as Classical Latin, so all the horrors of Latin classes at school can be forgotten. Of course, some people like to spout Latin just because they enjoy sounding pompous, but pomposity isn’t a quality solely restricted to horticulture.
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Trachelospermum jasminoides provides strong fragrance in the garden throughout the summer.
This book is intended to inspire confidence in growing these amazing plants and to enable any gardener to create some stunning effects with them. Whether you plant just one or two strategically to liven up a border or opt completely for this type of planting and transform the entire garden, this book offers all the advice and help required to do so. But, be warned, this type of gardening is addictive. The addition of just a few plants to start with can make ordinary garden plants seem so tame and lacklustre that more and more will probably be acquired until a whole new look has been achieved.
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Fascicularia pitcairnifolia – no, this isn’t a mandrill’s bottom but a beautiful exotic flower.
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Chamaerops humilis is an essential acquisition for all palm fanatics.
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Cyperus papyrus is an excellent addition for any large conservatory.
Before charging off to your favourite architectural plants nursery, just spend a short while contemplating a few points. This chapter will help you come to the right decisions about the suitability of your choice of plants for their intended positions.
With such a dazzling array of architectural plants to choose from, making your initial selection can be a bit daunting, especially for those who are new to this type of gardening. Apart from spending time learning as much as you can from books, such as this one, visiting local botanic gardens and specialist nurseries to see how the plants are sited and how they grow will help with the choice.
Suitability of site
It is important to assess the suitability of your own garden for the plants that you are considering. Planting spiky desert plants in a boggy position in full shade is bound to end in failure. Similarly, planting bamboos in bone-dry soil on the top of a windy hill will guarantee their survival