The Woman’s Daughter. Dermot Bolger
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‘… it was on our fourth visit to the house that we finally succeeded in gaining access. Miss O’Connor, who struck us as being very nervous throughout the interview and seemed to be of a somewhat neurotic temperament, opened the door after we had been knocking for fifteen minutes. We had great difficulty in persuading her to allow us into the house.
Finally, having taken our identification cards and examined them for several minutes with the door closed, she opened it again to let us in.
The majority of the furniture and fittings therein seemed to date from the mid sixties and were very worn in appearance although in a clean condition. Miss O’Connor stated that she had lived alone since the death of her father sixteen years previously, and that she had one brother, two years older than her, whose present whereabouts were unknown but whom she believed to be working somewhere in England.
When we explained that the purpose of our visit was to investigate reports from several neighbours who suspected that a second person (whom admittedly, they had never seen) might also be living in the house and could possibly be in need of medical attention, Miss O’Connor again replied that she lived alone. She seemed to indicate, in her own mind at least, that there was some kind of conspiracy against her in the street, and cited some not very coherent examples of this which dated back to the death of her mother in childhood.
At our behest, Miss O’Connor showed us around the house which consisted of two rooms and a kitchen downstairs, and a small bathroom and two bedrooms upstairs. One of the latter was locked, because, as she explained, she had ceased using it several years previously. She tried a number of keys in the lock without success, and then insisted that we return to the kitchen, where a search of various presses yielded up a number of old keys. She asked to be excused while she tried them. A few moments later she returned to inform us that one of these fitted.
The room had thick curtains, was lit by a single naked light bulb and was permeated by a somewhat unpleasant and overpowering smell. It was bare except for a carefully made bed and a single straight-backed chair. There were no personal possessions or items of clothing therein to suggest that it was occupied, although the absence of dust would appear to indicate that Miss O’Connor had spent some time in it recently.
The room, and indeed the whole house, had a rather oppressive atmosphere, and while we found no evidence there of anyone other than Miss O’Connor, we do feel that she is under grave emotional pressure of some sort, possibly rooted in loneliness and/or schizophrenia. Thus, we would recommend some back-up from the Social Services. However, this is outside our jurisdiction and we would suggest that her case be passed on to the relevant section within the department …’
My mother was a good woman but she left me in a house of men. When I grew I grew inward in ignorance and fear. The nuns in school were kinder now, but how could you ask them advice or questions? We got a lay teacher the year after that who would take us out on walks.
I loved when she’d bring us through the church grounds and down the main street of the village to the foot of the road into the west. It was like a frontier leading up to new estates named after patriots where gangs of youths were said to roam. Once I was carried up there by the bus and ran down as if caught behind the iron curtain. Miss O’Flynn knocked to get the keys of the graveyard at one of the two old cottages there, and we watched the three Alsatians in the compound beside the steps snarling as they flung themselves against the wire with their teeth bared.
Inside the gates it was overgrown, unlike the cemetery outside our window, with the slabs over old crypts broken in two and faded tombstones lying smothered in weeds. Within the ruins of the ancient church the new shops in the village were framed through the ivy-covered slats where windows used to be. When Miss O’Flynn rang her little bell we all ran through the graveyard towards her, and she’d gather us into a circle around the cross and tell us the story again.
In my mind’s eye I could see it as she began to talk, the cross standing, a thousand years ago, at the top of Watery Lane, marking the boundary of the village and the monastery. And remaining there through centuries of nights and days until the curse of Cromwell blighted the land. Whorls of cloud are veiling the moon as the villagers carefully uproot it in the night. The stonemason slowly cuts it in two and the cart covered in straw creaks down the village street in the darkness. A man with a lantern keeps watch from the graveyard steps. I’d imagine myself as a small girl concealed at the back of the silent cluster of watchers as the two gravediggers wait beside the black mound of freshly dug earth. Reverently, as if burying the soul of their village, they lower the twin pieces of stone down into the grave.
Then the conspiracy of silence settles over the village to save the cross from desecration. It is never mentioned again in public as though its name had been erased from their vocabulary. Decades crumble into centuries and nothing is said. In the earth the cloth rots away, worms nose the final threads, the stone returns naked to its first love-bed. It no longer exists, except as a secret in the mind of the oldest man in the village, who received it in a whisper on his father’s deathbed.
Then I’d imagine myself again as a small girl just before the turn of the century. I’m laying flowers on a grave in the spring sunshine when the old man walking on two sticks enters with the rector. Matthew, Miss O’Flynn said his name was. He never hesitates for a moment. Slowly but steadily he shuffles over to a sward of grass in one corner, indistinguishable from any other, and bangs his stick down on the spot. Finally the words kept unuttered for centuries are spoken. Like a man yielding up his life’s purpose Matthew stares at the rector’s face and proclaims, ‘The Neather Cross is buried here.’
The rector doesn’t know whether the old man is doting or if he should believe him. Still he is afraid to move from the spot. He commands the verger, whom the old man has insisted must remain outside the gate, to fetch some men with shovels from the fields. I’m hidden behind an old tombstone watching the pair of them who never speak as they wait for the men. The rector rubs his hands nervously together while the old man rests on his sticks, confident and yet seeming to tire as though the life force was draining from him. His face is dark, strong-boned, his features the same as the man I always imagine two centuries before holding the lantern for the two gravediggers in the dark, the same as old Turlough down in Watery Lane whose cottage is the only one left standing in the hollow now.
A man called McEvoy brings a spade from the cottages nearby and another man joins him from the fields beside the wood. There is no sound in the graveyard except the soft incision of spades into the soil, until after half an hour the clank of steel striking stone rings out, sharp as a cry fresh from the womb. Carefully they scrape the clay from the top of the stone until the worn ancient carvings are revealed once more in the light. The rector and the two men examine them excitedly, only I notice old Matthew walking slowly away.
These days when I cross the huge metal bridge above the carriageway that roars down through where the wood used to be, I pause above the ruins to examine the cross. It’s forgotten now of course, nobody here is interested in those things. On Sundays I climb those steps and stare in through the railings, but when I gaze at it I never imagine I’m that little girl any more, watching the swinging lantern or the shovels glinting in the sunlight. I think that the pair of us are that cross buried somewhere in the earth and maybe only still alive in somebody’s mind. We’re waiting here in the darkness for him to find us, like a splintered stone that needs to be set together again.
The street riddled with porches and extensions. Hedges are gone now, front gardens cemented for cars. The top windows