Under My Skin. Doris Lessing
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She did not weep when her father was harsh: she stood up to him by being everything he demanded of her, and more. I on the other hand fought Marta for my rights in that nursery, and unloved children are not ‘nice’, not ‘gentille’. Who did love the child? Her father. The smell of maleness, tobacco, sweat, the smell of father, enveloped her in safety.
When I wrote Memoirs of a Survivor I called it, ‘An Attempt at an Autobiography’, but no one was interested. Foreign publishers simply left it off the title page, and soon no one remembered to put it on reprints in English. People seemed embarrassed. They did not understand it, they said. For thousands upon thousands of years, we – humankind – have told ourselves tales and stories, and these were always analogies and metaphors, parables and allegories; they were elusive and equivocal; they hinted and alluded, they shadowed forth in a glass darkly. But after three centuries of the Realistic Novel, in many people this part of the brain has atrophied.
To me nothing seems more simple than the plan of this novel. A middle-aged person – the sex does not matter – observes a young self grow up. A general worsening of conditions goes on, as has happened in my lifetime. Waves of violence sweep past – represented by gangs of young and anarchic people – go by, and vanish. These are the wars and movements like Hitler, Mussolini, Communism, white supremacy, systems of brutal ideas that seem for a time unassailable, then collapse. Meanwhile behind a wall, other things go on. The dissolving wall is an ancient symbol, perhaps the oldest. When you make up a story, and you need a symbol or analogy, it is always best to choose the oldest and most familiar. This is because it is already there, in the human mind, is an archetype, leads easily in from the daytime world to the other one. Behind my wall two different kinds of memory were being played, like serial dreams. There are the general, if you like, communal, dreams, shared by many, like the house you know well, but then find in it empty rooms, or whole floors, or even other houses you did not know were there, or the dream of gardens beneath gardens, or the visits to landscapes never known in life. The other kind was of personal memories, personal dreams. For years I had wondered if I could write a book, a personal history, but told through dreams, for I remember dreams well, and sometimes have kept notes of them. Graham Greene has tried something of the kind. This idea of a dream autobiography became the world behind the wall in Memoirs of a Survivor. I used the nursery in Tehran, and the characters of my parents, both exaggerated and enlarged, because this is appropriate for the world of dreams. I used that aspect of my mother which she herself described as ‘I have sacrificed myself for my children.’ Women in those days felt no inhibitions about saying this: most are too psychologically sophisticated now. She was the frustrated complaining woman I first met as my mother, but who has often appeared in my life, sometimes as a friend. She talks all the time about what a burden her children are to her, how they take it out of her, how much she is unfulfilled and unappreciated, how no one but a mother knows how much she has to give of herself to ungrateful children who soak up her precious talents and juices like so many avid sponges.
The point is, this kind of talk goes on in front of the children, as if they were not present, and cannot hear how she tells the world what a burden her children are, what a disappointment, how they drain her life from her. There is no need to look for memories of ‘abuse’, cruelty and the rest. I remember very well – though how old I was I do not know – leaning against my father’s knee, the real one, not the metal-and-wood knee, while my mother chatted on and on in her social voice to some visitor about her children, how they brought her low and sapped her, how all her own talents were withering unused, how the little girl in particular (she was so difficult, so naughty!) made her life a total misery. And I was a cold flame of hatred for her, I could have killed her there and then. Then this was succeeded by a weariness, a bitterness. How could she talk about me as if I were not there? And about my little brother whom I so adored, as a burden? Hypocrisy – for she adored him, and said so. How could she diminish and demean and betray me like this? And to a mere visitor … I knew my father did not like her doing it: I could feel what he felt coming into me from him. He was suffering, because of this great lump of solid, heavy insensitivity, his wife, who did not seem to know what she was doing.
And yet, what was she doing? No more than other women did. Than women so often do. Everywhere, you can hear them at it on trains and on buses, on the streets, in shops, tugging their kids along by the hand or pushing them roughly in their pushchairs; they complain and they nag, while their children, assumed to be without ears, are told how they destroy her, how she does not want them and – for what else can she mean as she talks like this? – what a mistake she has made in having them at all.
I do not believe that even robust and insensitive children remain unaffected by this assault on their very existence.
But I was born with skins too few. Or they were scrubbed off me by those robust and efficient hands.
And my father, always suffering and shrinking because of the unawareness of his wife? Was a skin scrubbed off him by the efficient Caroline May? And what about all those other melancholy long-headed semi-poets of his family? Or is there such a thing as a gene for the condition, being born with a skin too few?
All I know is that I remember, sharp and clear and immediate, nothing invented or made up about it, how my father sat and watched the events and people around him with a slow, relishing, sardonic smile. (This same smile being the equivalent of the novelist’s contemplation of the world.) And when the cross old nurse Marta and the great bustling woman who was my mother made me want to crawl off somewhere to hide, or made me hate them so much I would have killed them if I could, then it was with my father I took refuge.
And yet. In that house in Tehran – not in the overcrammed nursery, but down in the drawing room, equally crammed and crowded with furniture but at least not white, white, deadly white – every night took place a ritual. We, the small children, were led down by the nurse for the bedtime game. We had pillowfights, were chased, caught, thrown up in the air – and tickled. This goes on now in many middle-class families, considered salutary, character building. I see now the inflamed, excited face of my mother, as her pillow flailed against mine, or my little brother’s. I hear the excited cries from myself and my brother and my mother as the air filled with feathers and my head began to ache. And then the moment when Daddy captures his little daughter and her face is forced down into his lap or crotch, into the unwashed smell – he never did go in for washing much, and – don’t forget – this was before easy dry-cleaning, and people’s clothes smelled, they smelled horrible. By now my head is aching badly, the knocking headache of over-excitement. His great hands go to work on my ribs. My screams, helpless, hysterical, desperate. Then tears. But we were being taught how to be good sports. For being a good sport was necessary for the middle-class life. To put up with ‘ragging’ and with being hurt, with being defeated in games, being ‘tickled’ until you wept, was a necessary preparation.
It does not have to be like this, for you may watch a very little child being gently chased and tickled in a real game, not an exercise in disguised bullying. But I did not stop having nightmares about those great hands torturing my ribs until I was seven or eight. These nightmares are as clear in my mind now as they were then, though the emotion has long gone away. I became an expert on nightmares and how to outwit them when I was a small child, and that nightmare of being helpless and ‘tickled’ was the worst.
Yet my father was my ally, my support, my comforter. I wonder how many women who submit to physical suffering at the hands of their men were taught by ‘games’, by ‘tickling’. No, I am not one of them. In all my life