The Vagrants. Yiyun Li

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of his daughter’s death. Apart from the lone streetlamp at the far end of the alley and a few dim morning stars, it was dark. Teacher Gu walked closer, and saw that the characters in the announcement were written in the ancient Li-styled calligraphy, each stroke carrying extra weight, as if the writer had been used to such a task, spelling out someone’s imminent death with unhurried elegance. Teacher Gu imagined the name belonging to a stranger, whose sin was not of the mind, but a physical one. He could then, out of the habit of an intellectual, ignore the grimness of the crime—a rape, a murder, a robbery, or any misdeed against innocent souls—and appreciate the calligraphy for its aesthetic merit, but the name was none other than the one he had chosen for his daughter, Gu Shan.

      Teacher Gu had long ago ceased to understand the person bearing that name. He and his wife had been timid, law-abiding citizens all their lives. Since the age of fourteen, Shan had been wild with passions he could not grasp, first a fanatic believer in Chairman Mao and his Cultural Revolution, and later an adamant nonbeliever and a harsh critic of her generation’s revolutionary zeal. In ancient tales she could have been one of those divine creatures who borrow their mothers’ wombs to enter the mortal world and make a name for themselves, as a heroine or a devil, depending on the intention of the heavenly powers. Teacher Gu and his wife could have been her parents for as long as she needed them to nurture her. But even in those old tales, the parents, bereft when their children left them for some destined calling, ended up heartbroken, flesh-and-blood humans as they were, unable to envision a life larger than their own.

      Teacher Gu heard the creak of a gate down the alley, and he hurried to leave before he was caught weeping in front of the announcement. His daughter was a counterrevolutionary, and it was a perilous situation for anyone, her parents included, to be seen shedding tears over her looming death.

      When Teacher Gu returned home, he found his wife rummaging in an old trunk. A few young girls’ outfits, the ones that she had been unwilling to sell to secondhand stores when Shan had outgrown them, were laid out on the unmade bed. Soon more were added to the pile, blouses and trousers, a few pairs of nylon socks, some belonging to Shan before her arrest but most of them her mother’s. “We haven’t bought her any new clothes for ten years,” his wife explained to him in a calm voice, folding a woolen Mao jacket and a pair of matching trousers that Mrs. Gu wore only for holidays and special occasions. “We’ll have to make do with mine.”

      It was the custom of the region that when a child died, the parents burned her clothes and shoes to keep the child warm and comfortable on the trip to the next world. Teacher Gu had felt for the parents he’d seen burning bags at crossroads, calling out the names of their children, but he could not imagine his wife, or himself, doing this. At twenty-eight—twenty-eight, three months, and eleven days old, which she would always be from now on—Shan was no longer a child. Neither of them could go to a crossroad and call out to her counterrevolutionary ghost.

      “I should have remembered to buy a new pair of dress shoes for her,” his wife said. She placed an old pair of Shan’s leather shoes next to her own sandals on top of the pile. “She loves leather shoes.”

      Teacher Gu watched his wife pack the outfits and shoes into a cloth bag. He had always thought that the worst form of grieving was to treat the afterlife as a continuity of living—that people would carry on the burden of living not only for themselves but also for the dead. Be aware not to fall into the futile and childish tradition of uneducated villagers, he thought of reminding his wife, but when he opened his mouth, he could not find words gentle enough for his message. He left her abruptly for the front room.

      The small cooking stove was still unlit. The two hens in the cardboard box clucked with hungry expectation. On a normal day his wife would start the fire and cook the leftover rice into porridge while he fed the hens a small handful of millet. Teacher Gu refilled the food tin. The hens looked as attentive in their eating as did his wife in her packing. He pushed a dustpan underneath the stove and noisily opened the ash grate. Yesterday’s ashes fell into the dustpan without a sound.

      “Shall we send the clothes to her now?” his wife asked. She was standing by the door, a plump bag in her arms. “I’ll start the fire when we come back,” she said when he did not reply.

      “We can’t go out and burn that bag,” Teacher Gu whispered.

      His wife stared at him with a questioning look.

      “It’s not the right thing to do,” he said. It frustrated him that he had to explain these things to her. “It’s superstitious, reactionary—it’s all wrong.”

      “What is the right thing to do? To applaud the murderers of our daughter?” The unfamiliar shrillness had returned to her voice, and her face took on a harsh expression.

      “Everybody dies,” he said.

      “Shan is being murdered. She is innocent.”

      “It’s not up to us to decide such things,” he said. For a second he almost blurted out that their daughter was not as innocent as his wife thought. It was not a surprise that a mother was the first one to forgive and forget her own child’s wrongdoing.

      “I’m not talking about what we could decide,” she said, raising her voice. “I’m asking for your conscience. Do you really believe she should die because of what she has written?”

      Conscience is not part of what one needs to live, Teacher Gu thought, but before he could say anything, someone knocked on the thin wall that separated their house from their neighbors’, a protest at the noise they were making at such an early hour perhaps, or, more probably, a warning. Their next-door neighbors were a young couple who had moved in a year earlier; the wife, a branch leader of the district Communist Youth League, had come to the Gus’ house twice and questioned them about their attitudes toward their imprisoned daughter. “The party and the people have put trusting hands on your shoulders, and it’s up to you to help her correct her mistake,” the woman had said both times, observing their reactions with sharp, birdlike eyes. That was before Shan’s retrial; they had hoped then that she would soon be released, after she had served the ten years from the first trial. They had not expected that she would be retried for what she had written in her journals in prison, or that words she had put on paper would be enough evidence to warrant a death sentence.

      Teacher Gu turned off the light, but the knocking continued. In the darkness he could see the light in his wife’s eyes, more fearful than angry. They were no more than birds that panicked at the first twang of a bow. In a gentle voice Teacher Gu urged, “Let me have the bag.”

      She hesitated and then passed the bag to him; he hid it behind the hens’ box, the small noise of their scratching and pecking growing loud in the empty space. From the dark alley occasional creaks of opening gates could be heard, and a few crows stirred on the roof of a nearby house, their croaking carrying a strange conversational tone. Teacher Gu and his wife waited, and when there were no more knocks on the wall, he told her to take a rest before daybreak.

      

      THE CITY OF MUDDY RIVER was named after the river that ran eastward on the southern border of the town. Downstream, the Muddy River joined other rivers to form the Golden River, the biggest river in the northeastern plain, though the Golden River did not carry gold but was rubbish-filled and heavily polluted by industrial cities on both banks. Equally misnamed, the Muddy River came from the melting snow on White Mountain. In summers, boys swimming in the river could look up from underwater at the wavering sunshine through the transparent bodies of busy minnows, while their sisters, pounding laundry on the boulders along the bank, sometimes sang revolutionary songs in chorus, their voices as clear and playful as the water.

      Built on a slice of land between a mountain in the north and the river in the

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