The Idiot Gods. David Zindell

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beguiling powers these humans had! Orcas can stun a fish with a zang of sonar, and the deep gods – who have the Great Voice, the voice of death – kill swarms of squid in this manner. No whale, however, can speak and make the very waters part.

      ‘If you shoot that orca,’ the pink-face called out, ‘I’m going to shoot you!’

      The human holding the wood and metal stick lowered it, and the water moved no more.

      ‘Please, please!’ I said. ‘Let us play!’

      If the humans, though, could not understand the simple word for water, how could they comprehend my more complex request? To show my gratitude that they had possessed the wit to play at all, I caught a salmon and swam right up to the edge of the boat.

      ‘I think he wants us to have it!’ the pink-faced human said. ‘He’s giving us his fish!’

      I pushed up out of the water, with the salmon still thrashing between my teeth. Hands reached out to grasp it and take it from me. Then I dove and caught another salmon for the humans, and another. They seemed to like this game.

      During the days that followed, I ranged the channel and played games with other humans. Some were as trifling as balancing pieces of driftwood on my face, while others demanded planning and coordination. The humans seemed titillated when I rose up from the deeps near their boats and flew unannounced high into the air. Many times, I surprised their littlest boats, propelled across the channel by lone humans pushing sticks through the water. It was great sport to leap over both boat and human in the same way that Kajam had once leaped over Alnitak’s back.

      In the course of nearly all these encounters, the humans involved made various vocalizations, for they proved to be among the noisiest of animals. Their voices seemed to reach out to me with a terrible longing, as if the humans hoped to find in me some ineffable thing they could not appreciate within themselves. I sucked up every sound they made and examined their incessant barking and crooning for pattern and possible meaning:

      ‘Hey, look it’s Bobo! You can tell it’s him by the scar over his eye.’

      ‘I hear he likes to play.’

      ‘What a joyful spirit!’

      ‘He’s the spirit of my grandfather who has come to tell us something.’

      ‘I heard that some fisherman took shots at him.’

      ‘He was brought here for some purpose.’

      ‘Look in his eyes – there’s more there than in most people.’

      ‘Why is Bobo all alone? What happened to the rest of his pod?’

      ‘I think he’s lonely.’

      ‘When he looks at me that way, I can feel my soul dancing.’

      As the days shortened toward another winter of cloud and storm, I felt a growing urge to understand the mystery of the humans. Buried inside me, like a pearl in an oyster, I felt a hard realization pressing against my softer tissues of doubt. More and more, I wanted to draw out the pearl and hold it up sparkling in the sun.

      I wondered what might explain what I experienced in my forays up and down the channel. I assumed that the humans really did have a keen intelligence, though of a different and lesser quality than that of whales. They must have some sort of language, too, for how else could they organize so many complex activities? During quiet moments when the cold ocean stilled to a vast blue clarity, I could see the intelligence lighting up the humans’ eyes just as I could feel their desire to communicate with me. Do not the Old Ones say that the eyes sing with the sound of the soul?

      My ancestors also tell of the forming of all things in the eternal creation of the world. From out of the oneness of water and its accompanying sound comes love, which can never be wholly distinct from its source. From out of love, in turn, emanate the sacred triadic harmonies of goodness, beauty, and truth. How could one ever marvel ecstatic at the beauty of the rising of the Thallow constellation over the starlit sea without the goodness of the heart to let in the tinkling luminosity? How know goodness absent the truth that all the horrors of life find validation in the love of life that all creatures embrace? The journey to the deepest of love, my grandmother once told me, must always lead through truth, beauty, and goodness. And of these, the waters of truth are much the hardest to navigate.

      ‘Only through quenging into utter honesty with ourselves,’ she had said, ‘can we hope to become more fully and consciously ourselves. Is this not what the world wants of us? If not, why did the sea separate itself into individual peals of life in the first place? That is why we must always tell the truth. For if we do not, the great song that we make of ourselves will ring false. But, Arjuna, who has the courage to really listen to the cry of one’s heart and to embrace the totality of one’s own being? Who can even behold it?’

      It is a truth universally acknowledged among my kind that one can never hear completely the truth of one’s own soul. We cannot make out the ridges and troughs that form the seascapes of our deepest selves, any more than we can zang through miles of dark, turbid waters to study the bottom of the ocean. Then, too, the eye can never see itself, just as I could not look directly at the scar marking my forehead. Worst of all, we avoid doing so with a will toward the expunging of our best senses. As seals seek dark and narrow coves in which to flee the teeth of the orcas, we hide from our truest selves for we do not want to be devoured by the most primeval of all our passions.

      ‘What does any whale really want?’ my grandmother had asked. ‘Were we not born to be the mightiest of hunters? Do we not, in the end, pursue greater life in ourselves that we might know the infinitely vaster life of the world around us?’

      We do, we do – of course we do! And yet in this glorious becoming of our greater selves, as streamlined and lovely as the orcas of Agathange, we must leave behind our lesser selves. This realization of the best and truest within us, though it yields eternal life, always feels like death. One thing only emboldens us to make the journey through life’s terrors and agonies to the end of time and the beginning of the world.

      How, though, was I to achieve this greatest of purposes absent my family’s devotion and encouragement? How, without my mother, Alnitak, Mira, and everyone else, would I come by the pellucid honesty through which I would find my way through the great ocean of truth?

      Although I had no answers to these questions, I knew what my grandmother would say: I must begin with the truth that I had grasped but which I was reluctant to really sink my teeth into. After playing many games with the humans, I not only hypothesized that they were intelligent, I zanged it in my heart. Why, though, had I not listened to what I had zanged so deeply?

      I thought I knew the reason, and it had to do with an essential paradox: that only through looking out at all the manifold forms and features of the world can we ever apprehend the much stranger phenomena of ourselves. Just as we can see stars only against the blackness of the nighttime sky, so we need others to show us the many ways that we shine as unique sparks of creation. The greater the contrast in this relationship, the deeper the understanding.

      For instance, were not females, such as lovely Mother Agena, a part of the great unknown? No other work of nature was more like a male orca such as I, and yet so utterly different. How should I then long to find myself within the wild, wet clutch of her body and even the wilder ocean of her soul? Would it not be, I wondered, that precisely in closing the difference between us and daring to enter the most dangerous place in the universe I would discover an exalted and ecstatic Arjuna whom I might otherwise not ever know?

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