The Unquiet Dead. Gay Longworth
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Again, the doors closed behind her. She turned to Mark. ‘I’m fucked.’
He shrugged.
She could have killed him.
Bill and Jessie sat on her sofa, their feet up on the coffee table, tea in hand. Neither her day nor her hangover had improved. Bill had made comforting noises when she finally fell through the door, but Jessie knew he didn’t really understand. He wasn’t a locker-room sort of man, whereas Jessie lived in one.
‘So what have you been doing all day, while I’ve been having my balls busted?’
‘Eating crap food and watching videos. Malcolm X, excellent film. I’d never got round to –’
She lifted the remote control and increased the volume. ‘Shh, this is it.’
‘Our main story tonight,’ said the newsreader. ‘Anna Maria Klein, the only child of actress Sarah Klein, is missing. The schoolgirl was last seen in London’s red-light district –’
‘She won’t like that,’ interrupted Jessie.
‘– where she was supposed to be meeting friends at a coffee shop. Amanda Hornby is there now. Amanda, what can you tell us?’
‘She’s foxy,’ said Bill. Jessie hit him.
‘Good evening. Well, the police are telling us very little at the moment. Anna Maria was reported missing by her mother this morning at West End Central police station. After initially being told to wait and see by one senior officer, the panicked mother was finally taken seriously late this afternoon.’
‘Why the change in approach?’
‘Sarah Klein apparently spent the day calling her daughter’s friends, until she found who Anna Maria was supposed to be meeting. The friends then confirmed that Anna Maria had never arrived at the coffee shop just behind me.’
‘And this had them worried?’
‘No. They say that Anna Maria often changed her plans.’
‘See? Flaky,’ said Jessie.
‘But time is very much of the essence in situations like these,’ redirected the newsreader.
‘That’s right. Every second counts, and it’s true many hours were lost before an investigation into Anna Maria’s whereabouts got underway. Now the teenager is facing her second night away from home and all her mother can do is hope for her safe return. This is Amanda Hornby, Soho, in London, for Channel Five News.’
Jessie quietly shook her head.
‘It sounds serious,’ said Bill.
‘Wait for the CCTV footage and then tell me if you think she’s been abducted. They’ll show it at the end of the bulletin, that way they keep the viewers glued.’
‘This cynicism doesn’t suit you, Jessie.’
‘It isn’t cynicism,’ she said, looking at her brother. ‘It’s instinct. And if I’m wrong, Moore will have my guts for garters.’
The newsreader went on until it was time to go to a break. After the ads, as Jessie had predicted, they showed the CCTV clip. Jessie had rounded up the film from all the public cameras around Soho that covered the coffee shop and its various approaches. She had also checked the ones around the actress’s house. If suspicious circumstances were ever confirmed, Jessie’s next step would be to gain access to the non-public CCTV footage: the cameras outside local shops, garages and offices. Jessie didn’t think it would come to that. By five that afternoon, after hours spent scanning the footage frame by frame, Anna Maria had been caught on film. The cab she had taken from her mother’s house had dropped her at the beginning of Carnaby Street. She had walked through the throng to the corner of Poland Street and Broadwick Street. There, directly under the eye of a surveillance camera, Anna Maria had waited for some time before moving off towards Marshall Street. Once out of range of the camera, she simply disappeared.
Bill and Jessie watched the actress’s daughter, stationary amidst the rushing crowd. She was noticeable by her stillness and her Dolce & Gabbana fur-trimmed coat and high-heeled boots.
‘Obviously she’s waiting for someone. Perhaps she misunderstood the plan with her friends?’ said Bill.
‘If she was waiting for someone she’d be looking around, glancing at her watch, maybe making a call to see where her friends are. She’s doing none of those things; she’s just standing there. And look at the bag.’
‘It’s big,’ said Bill.
‘Isn’t it?’
‘But that’s fashionable.’
‘Bill, you’ve been in the back of beyond for months, how do you know what is fashionable?’
Bill grinned. ‘Didn’t I tell you about the air hostess on the flight back?’
‘You swapped fashion tips with an air hostess?’
‘Something like that.’
‘Remind me not to let you anywhere near my friends.’
‘You’ll have to if you’re going to be burning the midnight oil on this case.’
‘Bill, there isn’t a case, unless it’s a prosecution for wasting police time. I offer you my final piece of evidence.’ She passed him a copy of the previous day’s Evening Standard. ‘You find me a programme at five o’clock that a sixteen-year-old girl would leave her friends for to return home and watch. There isn’t one. Anna Maria Klein is up to something, and it’s possible her mother is directing the show.’
‘I don’t know, Jess, she looked distraught on the news piece I saw.’
‘She’s an actress. It’s her job to convince people.’
Jessie woke early to wash her hair. Determined to rectify the situation with DCI Moore, she dressed with her new boss in mind. She wouldn’t stretch to a skirt; not just because they made chasing criminals very hard, but because the piss-take she’d receive would be extreme. More extreme than normal. Instead, she opted for her black trouser suit, hoping it would endear her to the woman. If looking good was important to her new boss, well, this suit made Jessie look good, even if she said so herself. DCI Moore was obviously a hard nut. Fair enough, you had to be hard to succeed in this game. Jessie would dance to her tune. The line of command was more important than personality.
Clipping her hair off her face with slides, she put on enough make-up so that a woman would notice but a man wouldn’t. If Anna Maria hadn’t reappeared from wherever she was holed up, there was the possibility Jessie would be in front of the camera before the day