The Knickerbocker, or New-York Monthly Magazine, February 1844. Various
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I remember once on my journey descending from one of those treeless wastes upon a spot very different from any thing on this side of the Atlantic. It was called Verdura, from its green and verdant character. A stream which flowed through a plain bounded by lofty mountains here fell into the sea. A large mill, which much resembles an ancient castle, and in all probability had served both purposes in times gone by, stood near. Upon the sandy beach close by, and hauled entirely out of the water, lay several vessels in the style of Homer’s ships; and I have no doubt bore a strong resemblance to ships of ancient time, for they were picturesquely formed, and painted fantastically with figures of fishes and eyes. The wild-looking mariners were lounging lazily about in their shaggy capotes, or engaged in loading their vessels with grain, the product of the neighboring plains. Up the steep we had just descended a letiga was slowly winding; and on a green declivity overlooking the sea, a flock of goats were browsing, and their shepherd reclined near in listless idleness. Open and treeless as was this scene, there was such a peaceful character about it, such an air of primitive simplicity, that it made a strong impression on my mind.
It does not come within the scope of this paper to offer any description of the larger cities of Sicily, Palermo, Messina, etc. Most readers have seen accounts of them more ample and more interesting than I could offer. Of the smaller places I must content myself with giving a very general description, so that I may retain the requisite space, in this division of my article, for some notice of an ascent which I made to the sublime summit of Mount Ætna.
The secondary towns to which I have alluded, such as Calatifini, Sciacca, Caltagerone, etc., are in general picturesquely situated, and are built in a massive and sometimes even in a magnificent style. The churches and houses are all of hewn stone, and exhibit the various styles of architecture of the builders; the Saracenic, the Norman-Gothic, or the later Spanish taste. Sometimes the styles are fantastically intermixed; but the whole, to the architect, is extremely interesting. Flat roofs and projecting stone balconies from the upper windows are perhaps the most characteristic features of the houses. The churches, though large, are seldom beautiful specimens of architecture; and the interior is in general extremely ornate, and decorated with gaudy gilding and pictures, and images of Christ and saints, disgustingly painted. The streets, wide or narrow, would appear to us somewhat gloomy and prison-like; and paint is a thing scarcely known on the exterior or perhaps interior of an ordinary house. The air of the interior of the common houses of the Sicilian towns is as gloomy and comfortless as can be imagined. A few wooden benches, a table firmly fixed in the stone pavement, a fire-place composed of a few blocks of stone placed on the floor, the smoke of which is allowed to make its escape as it best can at the window, which is always destitute of glass, and is closed by a rude wooden shutter when required; a bed consisting of a mattress of the same hue as the floor, raised a few feet from it by means of boards on a rude frame; some sheep-skins for blankets, and sheets of coarse stuff whose color serves as an effectual check on the curiosity of him who would pry too closely into its texture; are the chief articles of furniture to be found in the habitations of the Sicilian poor. Beside the human inhabitants of these uninviting abodes, there are innumerable lively creatures, whose names it were almost impolite to mention in polished ears; and I might not have alluded to them had they confined themselves to such places; but they rejoice in the palace as well as in the cottage, and to the traveller’s sorrow inflict themselves without his consent as travelling companions through the whole Sicilian tour.
The houses of the more wealthy are spacious and airy, but not much superior in point of comfort. They are often of commanding exterior, and are called palazzi, or palaces. Of course, there are exceptions to this general character of discomfort; but judging from my own observation, they are few. On approaching a Sicilian village, the eye of the traveller will almost surely be attracted by a capacious and solid building, surmounted by a belfry-tower, and commanding the most charming prospect in the vicinity. It is surrounded with orange groves and cypress-trees, and looks like a place fitted for the enjoyment of a contemplative life. He will not long remain in doubt as to the purpose of the building whose site is so delightfully chosen; for walking slowly along the shady path, or seated in some pleasant nook, singly or in groups, he will perceive the long-robed monks, the reverend masters of the holy place.
Connoisseurs say that a landscape is imperfect without figures; and as that is the case in a picture, it is most probably so in a magazine article; and the reader might complain if I were to neglect giving some slight outlines of the figures of the Sicilian landscape. In travelling from city to city, although they may not be more than twenty miles apart, the wayfarer meets with very few persons on the road; seldom an individual, and only now and then, at an interval of miles, a group of men mounted on mules, each person carrying a gun; or perhaps a convoy of loaded mules and asses with several muleteers, some mounted and some on foot, who urge by uncouth cries and blows the weary beasts over the rocky or swampy ground, or up some steep acclivity or across some torrent’s bed. At times he will see a shepherd or two watching their flocks; these are half-naked, wild looking beings, scarcely raised in the scale of intelligence above their bleating charge. Their dwelling may be hard by, a conical hut of grass or straw, or a ruined tower. On the fertile slopes or plains he will sometimes observe a dozen yokes of oxen ploughing abreast. The laborers probably chose this contiguity for the sake of company across the wide fields. If the grass or grain is to be cut, it is by both men and women armed with a rude sickle only. It is seldom you meet either man or woman on foot upon the roads; men scarcely ever. Donkeys are about as numerous as men, and their ludicrous bray salutes your ear wherever the human animal is to be seen.
The peasant-women through a great part of Sicily wear a semi-circular piece of woollen cloth over their heads; it is always black or white, and hangs in agreeable folds over the neck and shoulders. There is but little beauty among them; and alas! how should there be? They are in general filthy; the hair of both old and young is allowed to fall in uncombed elf-locks about their heads; and the old women are often hideous and disgustful in the extreme. The heart bleeds for the women: they have more than their share of the labors of the field; they have all the toils of the men, added to the pains and cares of womanhood. They dig, they reap, they carry heavy burthens—burthens almost incredible. In the vicinity of Ætna I met a woman walking down the road knitting: on her head was a large mass of lava weighing at least thirty pounds, and on the top of this lay a small hammer. Being puzzled to know why the woman carried such a piece of lava where lava was so abundant, I inquired ‘the wherefore’ of Luigi, our guide. He answered that as she wished to knit, and not having pockets, she had taken that plan to carry the little hammer conveniently. That piece of stone, which would break our necks to carry, was evidently to her no more than a heavy hat would be to us. It may be thought that I draw a sorry picture of these poor Islanders; but I would have it understood that on the side of Messina, and some other parts, there is apparently a little more civilization; but they are an oppressed and degraded peasantry; ignorant, superstitious, filthy, and condemned to live on the coarsest food. They are as the beasts that perish, driven by necessity to sow that which they may not reap. How applicable are the words of Addison:
‘How has kind Heaven adorn’d the happy land
And