it: that’s my firm faith. Nataly teaches me the religion of life, and you may learn what that is when you fall in love with a woman. Eighteen-nineteen-twenty years!’
Tears fell from him, two drops. He blinked, bugled in his throat, eyed his watch, and smiled: ‘The finishing glass! We should have had to put Colney to bed. Few men stand their wine. You and I are not lamed by it; we can drink and do business: my first experience in the City was, that the power to drink—keeping a sound head—conduces to the doing of business.’
‘It’s a pleasant way of instructing men to submit to their conqueror.’
‘If it doubles the energies, mind.’
‘Not if it fiddles inside. I confess to that effect upon me. I’ve a waltz going on, like the snake with the tail in his mouth, eternal; and it won’t allow of a thought upon Investments.’
‘Consult me to-morrow,’ said Mr. Radnor, somewhat pained for having inconsiderately misled the man he had hitherto helpfully guided. ‘You’ve looked at the warehouse?’
‘That’s performed.’
‘Make a practice of getting over as much of your business in the early morning as you well can.’
Mr. Radnor added hints of advice to a frail humanity he was indulgent, the giant spoke in good fellowship. It would have been to have strained his meaning, for purposes of sarcasm upon him, if one had taken him to boast of a personal exemption from our common weakness.
He stopped, and laughed: ‘Now I ‘m pumping my pulpit-eh? You come with us to Lakelands. I drive the ladies down to my office, ten A.M.: if it’s fine; train half-past. We take a basket. By the way, I had no letter from Dartrey last mail.’
‘He has buried his wife. It happens to some men.’
Mr. Radnor stood gazing. He asked for the name of the place of the burial. He heard without seizing it. A simulacrum spectre-spark of hopefulness shot up in his imagination, glowed and quivered, darkening at the utterance of the Dutch syllables, leaving a tinge of witless envy. Dartrey—Fenellan had buried the wife whose behaviour vexed and dishonoured him: and it was in Africa! One would have to go to Africa to be free of the galling. But Dartrey had gone, and he was free!—The strange faint freaks of our sensations when struck to leap and throw off their load after a long affliction, play these disorderly pranks on the brain; and they are faint, but they come in numbers, they are recurring, always in ambush. We do not speak of them: we have not words to stamp the indefinite things; generally we should leave them unspoken if we had the words; we know them as out of reason: they haunt us, pluck at us, fret us, nevertheless.
Dartrey free, he was relieved of the murderous drama incessantly in the mind of shackled men.
It seemed like one of the miracles of a divine intervention, that Dartrey should be free, suddenly free; and free while still a youngish man. He was in himself a wonderful fellow, the pick of his country for vigour, gallantry, trustiness, high-mindedness; his heavenly good fortune decked him as a prodigy.
‘No harm to the head from that fall of yours?’ Mr. Fenellan said.
‘None.’ Mr. Radnor withdrew his hand from head to hat, clapped it on and cried cheerily: ‘Now to business’; as men may, who have confidence in their ability to concentrate an instant attention upon the substantial. ‘You dine with us. The usual Quartet: Peridon, Pempton, Colney, Yatt, or Catkin: Priscilla Graves and Nataly—the Rev. Septimus; Cormyn and his wife: Young Dudley Sowerby and I—flutes: he has precision, as naughty Fredi said, when some one spoke of expression. In the course of the evening, Lady Grace, perhaps: you like her.’
‘Human nature in the upper circle is particularly likeable.’
‘Fenellan,’ said Mr. Radnor, emboldened to judge hopefully of his fortunes by mere pressure of the thought of Dartrey’s, ‘I put it to you: would you say, that there is anything this time behind your friend Carling’s report?’
Although it had not been phrased as a report, Mr. Fenellan’s answering look and gesture, and a run of indiscriminate words, enrolled it in that form, greatly to the inspiriting of Mr. Radnor.
Old Veuve in one, to the soul of Old Veuve in the other, they recalled a past day or two, touched the skies; and merriment or happiness in the times behind them held a mirror to the present: or the hour of the reverse of happiness worked the same effect by contrast: so that notions of the singular election of us by Dame Fortune, sprang like vinous bubbles. For it is written, that however powerful you be, you shall not take the Winegod on board to entertain him as a simple passenger; and you may captain your vessel, you may pilot it, and keep to your reckonings, and steer for all the ports you have a mind to, even to doing profitable exchange with Armenian and Jew, and still you shall do the something more, which proves that the Winegod is on board: he is the pilot of your blood if not the captain of your thoughts.
Mr. Fenellan was unused to the copious outpouring of Victor Radnor’s confidences upon his domestic affairs; and the unwonted excitement of Victor’s manner of speech would have perplexed him, had there not been such a fiddling of the waltz inside him.
Payment for the turtle and the bottles of Old Veuve was performed apart with Benjamin, while Simeon Fenellan strolled out of the house, questioning a tumbled mind as to what description of suitable entertainment, which would be dancing and flirting and fal-lallery in the season of youth, London City could provide near meridian hours for a man of middle age carrying his bottle of champagne, like a guest of an old-fashioned wedding-breakfast. For although he could stand his wine as well as his friend, his friend’s potent capacity martially after the feast to buckle to business at a sign of the clock, was beyond him. It pointed to one of the embodied elements, hot from Nature’s workshop. It told of the endurance of powers, that partly explained the successful, astonishing career of his friend among a people making urgent, if unequal, demands perpetually upon stomach and head.
CHAPTER V. THE LONDON WALK WESTWARD
In that nationally interesting Poem, or Dramatic Satire, once famous, THE RAJAH IN LONDON (London, Limbo and Sons, 1889), now obliterated under the long wash of Press-matter, the reflection—not unknown to philosophical observers, and natural perhaps in the mind of an Oriental Prince—produced by his observation of the march of London citizens Eastward at morn, Westward at eve, attributes their practice to a survival of the Zoroastrian form of worship. His Minister, favourable to the people or for the sake of fostering an idea in his Master’s head, remarks, that they show more than the fidelity of the sunflower to her God. The Rajah, it would appear, frowns interrogatively, in the princely fashion, accusing him of obscureness of speech:—princes and the louder members of the grey public are fraternally instant to spurn at the whip of that which they do not immediately comprehend. It is explained by the Minister: not even the flower, he says, would hold constant, as they, to the constantly unseen—a trebly cataphractic Invisible. The Rajah professes curiosity to know how it is that the singular people nourish their loyalty, since they cannot attest to the continued being of the object in which they put their faith. He is informed by his prostrate servant of a settled habit they have of diligently seeking their Divinity, hidden above, below; and of copiously taking inside them doses of what is denied to their external vision: thus they fortify credence chemically on an abundance of meats and liquors; fire they eat, and they drink fire; they become consequently instinct with fire. Necessarily therefore they believe in fire. Believing, they worship. Worshipping, they march Eastward at morn, Westward at eve. For that way lies the key, this way the cupboard, of the supplies, their fuel.
According to Stage directions, THE RAJAH AND HIS MINISTER Enter a Gin-Palace.—It is to witness a service that they have learnt to appreciate as Anglicanly religious.
On
