succoured and fattened by our rule there: they wave adieu to the conquering Islanders, as to ‘Parsees beneath a cloud.’
The two are seen last on the deck of the vessel, in perusal of a medical pamphlet composed of statistics and sketches, traceries, horrid blots, diagrams with numbers referring to notes, of the various maladies caused by the prolonged prosecution of that form of worship.
‘But can they suffer so and live?’ exclaims the Rajah, vexed by the physical sympathetic twinges which set him wincing.
‘Science,’ his Minister answers, ‘took them up where Nature, in pity of their martyrdom, dropped them. They do not live; they are engines, insensible things of repairs and patches; insteamed to pursue their infuriate course, to the one end of exhausting supplies for the renewing of them, on peril of an instant suspension if they deviate a step or stop: nor do they.’
The Rajah is of opinion, that he sails home with the key of the riddle of their power to vanquish. In some apparent allusion to an Indian story of a married couple who successfully made their way, he accounts for their solid and resistless advance, resembling that of—
The doubly-wedded man and wife,
Pledged to each other and against the world
With mutual union.
One would like to think of the lengthened tide-flux of pedestrian citizens facing South-westward, as being drawn by devout attraction to our nourishing luminary: at the hour, mark, when the Norland cloud-king, after a day of wild invasion, sits him on his restful bank of bluefish smack-o’-cheek red above Whitechapel, to spy where his last puff of icy javelins pierces and dismembers the vapoury masses in cluster about the circle of flame descending upon the greatest and most elevated of Admirals at the head of the Strand, with illumination of smoke-plumed chimneys, house-roofs, window-panes, weather-vanes, monument and pedimental monsters, and omnibus umbrella. One would fair believe that they advance admireing; they are assuredly made handsome by the beams. No longer mere concurrent atoms of the furnace of business (from coal-dust to sparks, rushing, as it were, on respiratory blasts of an enormous engine’s centripetal and centrifugal energy), their step is leisurely to meet the rosy Dinner, which is ever a see-saw with the God of Light in his fall; the mask of the noble human visage upon them is not roughened, as at midday, by those knotted hard ridges of the scrambler’s hand seen from forehead down to jaw; when indeed they have all the appearance of sour scientific productions. And unhappily for the national portrait, in the Poem quoted, the Rajah’s Minister chose an hour between morning and meridian, or at least before an astonished luncheon had come to composure inside their persons, for drawing his Master’s attention to the quaint similarity of feature in the units of the busy antish congregates they had travelled so far to visit and to study:
These Britons wear
The driven and perplexed look of men
Begotten hastily ‘twixt business hours
It could not have been late afternoon.
These Orientals should have seen them, with Victor Radnor among them, fronting the smoky splendours of the sunset. In April, the month of piled and hurried cloud, it is a Rape of the Sabines overhead from all quarters, either one of the winds brawnily larcenous; and London, smoking royally to the open skies, builds images of a dusty epic fray for possession of the portly dames. There is immensity, swinging motion, collision, dusky richness of colouring, to the sight; and to the mind idea. London presents it. If we can allow ourselves a moment for not inquireing scrupulously (you will do it by inhaling the aroma of the ripe kitchen hour), here is a noble harmony of heaven and the earth of the works of man, speaking a grander tongue than barren sea or wood or wilderness. Just a moment; it goes; as, when a well-attuned barrel-organ in a street has drawn us to recollections of the Opera or Italy, another harshly crashes, and the postman knocks at doors, and perchance a costermonger cries his mash of fruit, a beggar woman wails her hymn. For the pinched are here, the dinnerless, the weedy, the gutter-growths, the forces repressing them. That grand tongue of the giant City inspires none human to Bardic eulogy while we let those discords be. An embittered Muse of Reason prompts her victims to the composition of the adulatory Essay and of the Leading Article, that she may satiate an angry irony ‘upon those who pay fee for their filling with the stuff. Song of praise she does not permit. A moment of satisfaction in a striking picture is accorded, and no more. For this London, this England, Europe, world, but especially this London, is rather a thing for hospital operations than for poetic rhapsody; in aspect, too, streaked scarlet and pock-pitted under the most cumbrous of jewelled tiaras; a Titanic work of long-tolerated pygmies; of whom the leaders, until sorely discomforted in body and doubtful in soul, will give gold and labour, will impose restrictions upon activity, to maintain a conservatism of diseases. Mind is absent, or somewhere so low down beneath material accumulations that it is inexpressive, powerless to drive the ponderous bulk to such excisings, purgeings, purifyings as might—as may, we will suppose, render it acceptable, for a theme of panegyric, to the Muse of Reason; ultimately, with her consent, to the Spirit of Song.
But first there must be the cleansing. When Night has fallen upon London, the Rajah remarks:
Monogamic Societies present
A decent visage and a hideous rear.
His Minister (satirically, or in sympathetic Conservatism) would have them not to move on, that they may preserve among beholders the impression of their handsome frontage. Night, however, will come; and they, adoreing the decent face, are moved on, made to expose what the Rajah sees. Behind his courteousness, he is an antagonistic observer of his conquerors; he pushes his questions farther than the need for them; his Minister the same; apparently to retain the discountenanced people in their state of exposure. Up to the time of the explanation of the puzzle on board the departing vessel (on the road to Windsor, at the Premier’s reception, in the cell of the Police, in the presence of the Magistrate-whose crack of a totally inverse decision upon their case, when he becomes acquainted with the titles and station of these imputedly peccant, refreshes them), they hold debates over the mysterious contrarieties of a people professing in one street what they confound in the next, and practising by day a demureness that yells with the cat of the tiles at night.
Granting all that, it being a transient novelist’s business to please the light-winged hosts which live for the hour, and give him his only chance of half of it, let him identify himself with them, in keeping to the quadrille on the surface and shirking the disagreeable.
Clouds of high colour above London City are as the light of the Goddess to lift the angry heroic head over human. They gloriously transfigure. A Murillo beggar is not more precious than sight of London in any of the streets admitting coloured cloud-scenes; the cunning of the sun’s hand so speaks to us. And if haply down an alley some olive mechanic of street-organs has quickened little children’s legs to rhythmic footing, they strike on thoughts braver than pastoral. Victor Radnor, lover of the country though he was, would have been the first to say it. He would indeed have said it too emphatically. Open London as a theme, to a citizen of London ardent for the clear air out of it, you have roused an orator; you have certainly fired a magazine, and must listen to his reminiscences of one of its paragraphs or pages.
The figures of the hurtled fair ones in sky were wreathing Nelson’s cocked hat when Victor, distinguishably bright-faced amid a crowd of the irradiated, emerged from the tideway to cross the square, having thoughts upon Art, which were due rather to the suggestive proximity of the National Gallery than to the Flemish mouldings of cloud-forms under Venetian brushes. His purchases of pictures had been his unhappiest ventures. He had relied and reposed on the dicta of newspaper critics; who are sometimes unanimous, and are then taken for guides, and are fatal. He was led to the conclusion that our modern-lauded pictures do not ripen. They have a chance of it, if abused. But who thinks of buying the
