overawing her sex.
Venice was the French girl’s dream. She was realizing it hungrily, revelling in it, anatomizing it, picking it to pieces, reviewing it, comparing her work with the original, and the original with her first conception, until beautiful sad Venice threatened to be no more her dream, and in dread of disenchantment she tried to take impressions humbly, really tasked herself not to analyze, not to dictate from a French footing, not to scorn. Not to be petulant with objects disappointing her, was an impossible task. She could not consent to a compromise with the people, the merchandize, the odours of the city. Gliding in the gondola through the narrow canals at low tide, she leaned back simulating stupor, with one word—‘Venezia!’ Her brother was commanded to smoke: ‘Fumez, fumez, Roland!’ As soon as the steel-crested prow had pushed into her Paradise of the Canal Grande, she quietly shrouded her hair from tobacco, and called upon rapture to recompense her for her sufferings. The black gondola was unendurable to her. She had accompanied her father to the Accademia, and mused on the golden Venetian streets of Carpaccio: she must have an open gondola to decorate in his manner, gaily, splendidly, and mock at her efforts—a warning to all that might hope to improve the prevailing gloom and squalor by levying contributions upon the Merceria! Her most constant admiration was for the English lord who used once to ride on the Lido sands and visit the Armenian convent—a lord and a poet. [Lord Byron D.W.]
This was to be infinitely more than a naval lieutenant. But Nevil claimed her as little personally as he allowed her to be claimed by another. The graces of her freaks of petulance and airy whims, her sprightly jets of wilfulness, fleeting frowns of contempt, imperious decisions, were all beautiful, like silver-shifting waves, in this lustrous planet of her pure freedom; and if you will seize the divine conception of Artemis, and own the goddess French, you will understand his feelings.
But though he admired fervently, and danced obediently to her tunes, Nevil could not hear injustice done to a people or historic poetic city without trying hard to right the mind guilty of it. A newspaper correspondent, a Mr. John Holles, lingering on his road home from the army, put him on the track of an Englishman’s books—touching the spirit as well as the stones of Venice, and Nevil thanked him when he had turned some of the leaves.
The study of the books to school Renee was pursued, like the Bianchina’s sleep, in gondoletta, and was not unlike it at intervals. A translated sentence was the key to a reverie. Renee leaned back, meditating; he forward, the book on his knee: Roland left them to themselves, and spied for the Bianchina behind the window-bars. The count was in the churches or the Galleries. Renee thought she began to comprehend the spirit of Venice, and chided her rebelliousness.
‘But our Venice was the Venice of the decadence, then!’ she said, complaining. Nevil read on, distrustful of the perspicuity of his own ideas.
‘Ah, but,’ said she, ‘when these Venetians were rough men, chanting like our Huguenots, how cold it must have been here!’
She hoped she was not very wrong in preferring the times of the great Venetian painters and martial doges to that period of faith and stone-cutting. What was done then might be beautiful, but the life was monotonous; she insisted that it was Huguenot; harsh, nasal, sombre, insolent, self-sufficient. Her eyes lightened for the flashing colours and pageantries, and the threads of desperate adventure crossing the Rii to this and that palace-door and balcony, like faint blood-streaks; the times of Venice in full flower. She reasoned against the hard eloquent Englishman of the books. ‘But we are known by our fruits, are we not? and the Venice I admire was surely the fruit of these stonecutters chanting hymns of faith; it could not but be: and if it deserved, as he says, to die disgraced, I think we should go back to them and ask them whether their minds were as pure and holy as he supposes.’ Her French wits would not be subdued. Nevil pointed to the palaces. ‘Pride,’ said she. He argued that the original Venetians were not responsible for their offspring. ‘You say it?’ she cried, ‘you, of an old race? Oh, no; you do not feel it!’ and the trembling fervour of her voice convinced him that he did not, could not.
Renee said: ‘I know my ancestors are bound up in me, by my sentiments to them; and so do you, M. Nevil. We shame them if we fail in courage and honour. Is it not so? If we break a single pledged word we cast shame on them. Why, that makes us what we are; that is our distinction: we dare not be weak if we would. And therefore when Venice is reproached with avarice and luxury, I choose to say—what do we hear of the children of misers? and I say I am certain that those old cold Huguenot stonecutters were proud and grasping. I am sure they were, and they shall share the blame.’
Nevil plunged into his volume.
He called on Roland for an opinion.
‘Friend,’ said Roland, ‘opinions may differ: mine is, considering the defences of the windows, that the only way into these houses or out of them bodily was the doorway.’
Roland complimented his sister and friend on the prosecution of their studies: he could not understand a word of the subject, and yawning, he begged permission to be allowed to land and join the gondola at a distant quarter. The gallant officer was in haste to go.
Renee stared at her brother. He saw nothing; he said a word to the gondoliers, and quitted the boat. Mars was in pursuit. She resigned herself, and ceased then to be a girl.
CHAPTER VI. LOVE IN VENICE
The air flashed like heaven descending for Nevil alone with Renee. They had never been alone before. Such happiness belonged to the avenue of wishes leading to golden mists beyond imagination, and seemed, coming on him suddenly, miraculous. He leaned toward her like one who has broken a current of speech, and waits to resume it. She was all unsuspecting indolence, with gravely shadowed eyes.
‘I throw the book down,’ he said.
She objected. ‘No; continue: I like it.’
Both of them divined that the book was there to do duty for Roland.
He closed it, keeping a finger among the leaves; a kind of anchorage in case of indiscretion.
‘Permit me to tell you, M. Nevil, you are inclined to play truant to-day.’
‘I am.’
‘Now is the very time to read; for my poor Roland is at sea when we discuss our questions, and the book has driven him away.’
‘But we have plenty of time to read. We miss the scenes.’
‘The scenes are green shutters, wet steps, barcaroli, brown women, striped posts, a scarlet night-cap, a sick fig-tree, an old shawl, faded spots of colour, peeling walls. They might be figured by a trodden melon. They all resemble one another, and so do the days here.’
‘That’s the charm. I wish I could look on you and think the same. You, as you are, for ever.’
‘Would you not let me live my life?’
‘I would not have you alter.’
‘Please to be pathetic on that subject after I am wrinkled, monsieur.’
‘You want commanding, mademoiselle.’
Renee nestled her chin, and gazed forward through her eyelashes.
‘Venice is like a melancholy face of a former beauty who has ceased to rouge, or wipe away traces of her old arts,’ she said, straining for common talk, and showing the strain.
‘Wait; now we are rounding,’ said he; ‘now you have three of what you call your theatre-bridges in sight. The people mount and drop, mount and drop; I see them laugh. They are full of fun and good-temper.
