Beauchamp's Career. Complete. George Meredith
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CHAPTER VIII. A NIGHT ON THE ADRIATIC
The lovers met after Roland had spoken to his sister—not exactly to advocate the cause of Nevil, though he was under the influence of that grave night’s walk with him, but to sound her and see whether she at all shared Nevil’s view of her situation. Roland felt the awfulness of a French family arrangement of a marriage, and the impertinence of a foreign Cupid’s intrusion, too keenly to plead for his friend: at the same time he loved his friend and his sister, and would have been very ready to smile blessings on them if favourable circumstances had raised a signal; if, for example, apoplexy or any other cordial ex machina intervention had removed the middle-aged marquis; and, perhaps, if Renee had shown the repugnance to her engagement which Nevil declared she must have in her heart, he would have done more than smile; he would have laid the case deferentially before his father. His own opinion was that young unmarried women were incapable of the passion of love, being, as it were, but half-feathered in that state, and unable to fly; and Renee confirmed it. The suspicion of an advocacy on Nevil’s behalf steeled her. His tentative observations were checked at the outset.
‘Can such things be spoken of to me, Roland? I am plighted. You know it.’
He shrugged, said a word of pity for Nevil, and went forth to let his friend know that it was as he had predicted: Renee was obedience in person, like a rightly educated French girl. He strongly advised his friend to banish all hope of her from his mind. But the mind he addressed was of a curious order; far-shooting, tough, persistent, and when acted on by the spell of devotion, indomitable. Nevil put hope aside, or rather, he clad it in other garments, in which it was hardly to be recognized by himself, and said to Roland: ‘You must bear this from me; you must let me follow you to the end, and if she wavers she will find me near.’
Roland could not avoid asking the use of it, considering that Renee, however much she admired and liked, was not in love with him.
Nevil resigned himself to admit that she was not: and therefore,’ said he, ‘you won’t object to my remaining.’
Renee greeted Nevil with as clear a conventional air as a woman could assume.
She was going, she said, to attend High Mass in the church of S. Moise, and she waved her devoutest Roman Catholicism to show the breadth of the division between them. He proposed to go likewise. She was mute. After some discourse she contrived to say inoffensively that people who strolled into her churches for the music, or out of curiosity, played the barbarian.
‘Well, I will not go,’ said Nevil.
‘But I do not wish to number you among them,’ she said.
‘Then,’ said Nevil, ‘I will go, for it cannot be barbarous to try to be with you.’
‘No, that is wickedness,’ said Renee.
She was sensible that conversation betrayed her, and Nevil’s apparently deliberate pursuit signified to her that he must be aware of his mastery, and she resented it, and stumbled into pitfalls whenever she opened her lips. It seemed to be denied to them to utter what she meant, if indeed she had a meaning in speaking, save to hurt herself cruelly by wounding the man who had caught her in the toils: and so long as she could imagine that she was the only one hurt, she was the braver and the harsher for it; but at the sight of Nevil in pain her heart relented and shifted, and discovering it to be so weak as to be almost at his mercy, she defended it with an aggressive unkindness, for which, in charity to her sweeter nature, she had to ask his pardon, and then had to fib to give reasons for her conduct, and then to pretend to herself that her pride was humbled by him; a most humiliating round, constantly recurring; the worse for the reflection that she created it. She attempted silence. Nevil spoke, and was like the magical piper: she was compelled to follow him and dance the round again, with the wretched thought that it must resemble coquettry. Nevil did not think so, but a very attentive observer now upon the scene, and possessed of his half of the secret, did, and warned him. Rosamund Culling added that the French girl might be only an unconscious coquette, for she was young. The critic would not undertake to pronounce on her suggestion, whether the candour apparent in merely coquettish instincts was not more dangerous than a battery of the arts of the sex. She had heard Nevil’s frank confession, and seen Renee twice, when she tried in his service, though not greatly wishing for success, to stir the sensitive girl for an answer to his attachment. Probably she went to work transparently, after the insular fashion of opening a spiritual mystery with the lancet. Renee suffered herself to be probed here and there, and revealed nothing of the pain of the operation. She said to Nevil, in Rosamund’s hearing:
‘Have you the sense of honour acute in your country?’ Nevil inquired for the apropos.
‘None,’ said she.
Such pointed insolence disposed Rosamund to an irritable antagonism, without reminding her that she had given some cause for it.
Renee said to her presently: ‘He saved my brother’s life’; the apropos being as little perceptible as before.
Her voice dropped to her sweetest deep tones, and there was a supplicating beam in her eyes, unintelligible to the direct Englishwoman, except under the heading of a power of witchery fearful to think of in one so young, and loved by Nevil.
The look was turned upon her, not upon her hero, and Rosamund thought, ‘Does she want to entangle me as well?’
It was, in truth, a look of entreaty from woman to woman, signifying need of womanly help. Renee would have made a confidante of her, if she had not known her to be Nevil’s, and devoted to him. ‘I would speak to you, but that I feel you would betray me,’ her eyes had said. The strong sincerity dwelling amid multiform complexities might have made itself comprehensible to the English lady for a moment or so, had Renee spoken words to her ears; but belief in it would hardly have survived the girl’s next convolutions. ‘She is intensely French,’ Rosamund said to Nevil—a volume of insular criticism in a sentence.
‘You do not know her, ma’am,’ said Nevil. ‘You think her older than she is, and that is the error I fell into. She is a child.’
‘A serpent