Life of John Coleridge Patteson : Missionary Bishop of the Melanesian Islands. Yonge Charlotte Mary
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'In our pleasures at Dresden there was a mixture of the utile with the dulce. Our constant visits to the theatre were strong incentives to a preparatory study of the plays of Goethe, Schiller, and Lessing. What noble acting we saw in that Dresden theatre!
'With regard to the opera, I have never seen Weber or Meyerbeer's works given so perfectly and conscientiously as at Dresden. Patteson's chief delight was the Midsummer Night's Dream, with Mendelssohn's music. He had a tuneful baritone voice and a correct ear for music. We hired a piano for our sitting-room; and, though I failed to induce him to cultivate his voice, and join me in taking lessons, he sang some of Mendelssohn's Lieder very pleasingly, and knew most of the bass music from the Messiah by heart. He began to play a few scales on the piano, and hoped to surprise his sisters on his return to England by playing chants, but the Arabic and Hebrew studies proved too absorbing; he grudged the time, and thought the result disproportioned to the sacrifice.
'In our daily walks we talked constantly of Church matters. Some sharp and sad experiences in the loss of more than one of his Eton and Oxford friends, who had abandoned the Church of England, failed to shake his confidence in the Church he was to serve so faithfully and to die for so gloriously. His faith and daily practice seem to me a protest and warning against the folly, if not the falsehood, of extremes. Moderation, quiet consistency of life, and unswerving loyalty to a faith which had been the joy and comfort of his dear mother, whose loveable nature he inherited and reflected, a blameless life and unfailing charity enabled him when the time came to live a life of incessant toil, and face a martyr's death. I remember the present Bishop of Carlisle inciting Cambridge undergraduates to become, by virtue of earnestness, gentleness, and toleration, "guides not judges, lights not firebrands." He drew a perfect description of Patteson, who came more completely up to that ideal than anyone I ever knew. Here was a man capable of the purest and most tender friendship, with an exquisite appreciation of all that is noblest in life, and he was ready to give up all, and content to lead the forlorn hope of Christianity, and perish in the front ranks of the noble army. "And having been a little tried he shall be greatly rewarded, for God proved him, and found him worthy for Himself."'
I have given this letter almost entire, because it shows the impression Coley made on one, little his junior, in the intimate associations of cousin, neighbour, and schoolfellow, as well as travelling companion.
This year seems to have been a marked stage of development. He was now twenty-five, and the boyish distaste for mental exertion which had so long rendered study an effort of duty had passed into full scholarly enjoyment. The individuality and originality of his mind had begun to awaken, and influenced probably by the German atmosphere of thought in which he was working, were giving him that strong metaphysical bent which characterised his tone through life, and became apparent in his sermons when he addressed an educated audience.
Here is a letter to his eldest sister: 'The weather has been better suited for work, and I feel pretty well satisfied with my Hebrew. What makes it so difficult is principally this, that as it is an Oriental language, it is entirely different in structure, and in its inflections, &c., from any language I ever came across. I can't fall back upon anything already learnt to help me; but I see my way pretty clear now, and shall soon have little more than a knowledge of the meaning of the words to learn, which is only a matter of patience, and can be learnt with a good dictionary and practice. A real complete knowledge of the grammar is of course the great thing.
'The great Dresden fair, called the Vogelschiesser, is going on; it began last Sunday and ends next Sunday. About half a mile from the town there is a very large meadow by the river, where a small town of booths, tents, &c., is erected, and where shooting at targets with wooden darts, sham railway-trains and riding-horses, confectionery of every kind, beer of every name, strength, and colour, pipes, cigars, toys, gambling, organ-grinding, fiddling, dancing, &c., goes on incessantly. The great attraction, however, is the shooting at the bird, which occupies the attention of every Saxon, and is looked upon as the consummation of human invention and physical science. A great pole, nearly 80 feet high, is erected with a wooden bird, about the size of a turkey, at the top; to hit this with a crossbow from a regular stand, about 50 feet from the foot of the pole, is the highest ambition of this great people. The accompaniments are rich in the extreme: cannon firing, drums rolling, for a successful shot, the shooting society, who exist only for the sole honour and glory of hacking this bird to pieces, the presence of the King, I think to-day, and the intense interest taken in the amusement by the whole population; certainly the Germans are satisfied with less than any people I ever saw (barring two things, smoke and beer, in which they are insatiable). I went out to see it all, but it rather bored me after an hour or so. Tom F– and I threw some dice for a pair of braces for Arthur, which we presented in due form; and we had some shots at the targets—mine were eminently unsuccessful.
'Last night we had a great treat. Emil Devrient, who has been acting in London, you know, came back, and acted Marquis Posa in "Don Carlos." The play acts very much better than it reads. Schiller certainly has great dramatic genius; only I agree with Goethe that there is always a longing for exhibiting cruelty in its most monstrous form, and refinement of cruelty and depravity overstepping almost the natural conditions of humanity. I always thought Iago about the most awful character in Shakspeare; but Schiller's Philip II. is something beyond even this, without perhaps so much necessity for the exhibition of this absolute delight in evil. It is long since I have been so excited in a theatre. I was three rows from the stage, heard and understood everything, and was so completely carried away by the grandeur and intense feeling of Devrient (who was well supported by the Don Carlos), that I had some difficulty to keep quiet, and feel to-day rather odd, shaken, as it were, from such a strain upon the feelings.'
Here is a letter, enclosed within one to his sister Fanny on September 9, written on a scrap of paper. The apologetic tone of confession is amusing:—
'My dearest Father,—I have not before told you that I have been at work for just three weeks upon a new subject; reading, however, Hebrew every day almost for three hours as well. Schier is not a great Hebraist; and I found the language in one sense easier than I expected, so that with good grammar and dictionary I can quite get on by myself, reading an easy part of the Bible (historical books, e.g.) at the rate of about twenty-five verses an hour. Well, I began to think that I ought to use the opportunities that Dresden affords. I know that Hebrew is not a rich language; that many words occur only once, and consequently have an arbitrary meaning attached to them, unless they can be illustrated from cognate languages. Now I have a taste for these things, and have in three weeks progressed so far in my new study as to feel sure I shall make it useful;