The Atlantic Monthly, Volume 17, No. 103, May, 1866. Various
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"You ask how I, who could converse
With Pericles, can stoop to worse:
How I, who once had higher aims,
Can trifle so with epigrams.
I would not lose the wise from view,
But would amuse the children too:
Besides, my breath is short and weak,
And few must be the words I speak."
Ah! but it is a question whether the children are amused. Occasionally there is a line with the old ring to it, a couplet seasoned with Attic salt, but for the rest there is the body without the spirit,—there is the well of English undefiled, but it is pumped dry! Probably the desire to publish was never so great as during Landor's last years, when the interests of his life had narrowed down to reading and writing, and he had become a purely introverted man. It was then he wrote:—
"The heaviest curse that can on mortal fall
Is, 'Who has friends may he outlive them all!'
This malediction has awaited me,
Who had so many.... I could once count three."
Cursed thus, he turned to the public for the only consolation left him on this side of the grave. It was not sufficient to write, for it is he as the Homer of his Idyls that confesses
"A pardonable fault: we wish for listeners
Whether we speak or sing: the young and old
Alike are weak in this, unwise and wise
Cheerful and sorrowful."
Twenty years before, Landor wrote to Lady Blessington: "Once beyond seventy, I will never write a line in verse or prose for publication. I will be my own Gil Blas. The wisest of us are unconscious when our faculties begin to decay." He, wisest of all, forgot his own good resolutions; but the listeners to these latter-day Idyls were few, and Landor had scarce collected his small audience before the lights were blown out and the curtain fell upon the deathbed of the singer.
To express a liking for any of Landor's pictures—provided you were a friend—was almost sufficient to cause them to be taken down and presented to you; hence to praise anything in his presence was exceedingly unsafe. I remember looking over a large album once belonging to Barker, the English artist, which Landor had purchased to relieve him of certain debts, and particularly admiring four original sketches by Turner—two in oil and two in india-ink—that had been given by this artist to his brother-painter. No sooner had I spoken than Landor went in search of the scissors, and, had I not earnestly protested, would have cut out the Turners and given them to me. Such being Landor's disposition, one can well imagine how easily he could be imposed upon by designing people. There is an instance of his kindly feeling so prominent and so honorable both to himself and the object of it, that it is but right the public should read the contents of two letters belonging to and greatly treasured by me. They were put into my hands nearly four years ago by Landor to do with as I pleased after his death. The letters explain themselves.
"Though I very gratefully appreciate the generosity of your intentions, still I must confess that few things have ever affected me more painfully than to see from the 'Times' of to-day my private circumstances—the sacred domain of life—thrust as an object of commiseration upon public discussion,—a miserable subject of public sneers.
"My head turns giddy at the very thought, and my resignation is scarcely able to overcome the shame. I don't know how I shall muster sufficient resolution to appear in public ever hereafter; and I fear, with all your good intentions, you shall have become the involuntary instrument for driving me out of England before my time. I really scarcely can imagine what else I have to do, unless you devise some means for healing the wound.
"I am poor, very poor; but there was, I dare say, something honorable in that poverty, something sacred I would say. But seeing it made the object of a public appeal for commiseration, I feel as if everything that was sacred in my position had undergone a profanation.
"I repeat that I respect and appreciate the nobility of your impulses, but I regret that such a step should have been taken without my having an idea of its possibility.
"I will say no more, but leave it with your prudence and discretion to mitigate the blow your kindness has inflicted on me. And remain with wonted esteem, only mingled with grief,
"To Walter Savage Landor."
Opposite the nervous yet legible scrawl of the noble and maligned Magyar, Landor traced the following answer.
"It is impossible for me to rest until I have attempted to remove the vexation I have caused to the man I most venerate of any upon earth.
"My noble Kossuth! 'the sacred domain of your life' is far more extensive than your measurement. Neither your house nor your banker's are its confines. Do not imagine that the world is ignorant of your circumstances; it would be a crime to be indifferent to them.
"The editor of the Atlas, in announcing that he had secured your co-operation, published a manifesto. I know nothing of this editor; but so long as you contributed to the paper, I was your humble subsidiary.
"Consider how many men, wealthier than you and me, have accepted the offers of those who came forward to indemnify the persecuted for the demolition of their property. Ask yourself if Demosthenes or Milton, the two most illustrious defenders of liberty, by speech and pen, would have thrust aside the tribute which is due to such men alone. Would you dash out the signature of one who declares you his trustee for a legacy to your children? No, you would not. Neither will you reject the proofs of high esteem, however manifested, which England, however debased, is anxious to give.
"Believe me ever sincerely and affectionately yours,
"March 27."
Landor was essentially a hero-worshipper. His admiration for Washington exceeded that entertained by him for any man of any time. Franklin, too, he greatly esteemed. "Ah, if you had but another Washington and Franklin!" he exclaimed one day. To have suffered for freedom was the open-sesame to Landor's heart; nor did age in any way chill this noble enthusiasm, as the letter here inserted amply proves. It was sufficient to name Kossuth to bring fire to the old man's eye and eulogistic volubility to his tongue.
Orsini, too, was a great favorite with him. Coming in one morning as usual, and sitting down in the arm-chair by the fire, he took from under his arm a small paper-covered book, saying: "I have brought you something that I know you will like to read. Giallo and I have enjoyed it immensely; and a better critic than Giallo is not to be found in all Italy, though I say it who shouldn't. An approving wag of his tail is worth all the praise of all the Quarterlies published in the United Kingdom." Hereupon Giallo, apparently delighted at this compliment, barked and frisked about like a creature bewitched, jumped into his master's lap, and did not return to a quiescent state until he had kissed his master's face. "Down, Giallo, down!" finally cried Landor. "Where are your manners, sir? Don't you know it is very uncivil to interrupt a conversation? And, moreover, remember never to spoil a tête-à-tête." Then turning to me, Landor continued, presenting the book, "Here it is; the Memorie Politiche di Felice Orsini, which you will find vastly entertaining and far more romantic than any novel. A very noble, brave fellow was that Orsini, and handsome too! It is a great pity he did