to judge whether the effect is diminished.
Our next selection shall be “The God and the Bayaderé”—a poem which is little inferior in beauty to the Bride of Corinth, and which, from its structure, opposes to the translator quite as serious a difficulty. The subject is taken from the Hindoo mythology, and conveys a very touching moral of humanity and forbearance; somewhat daring, perhaps, from its novelty, and the peculiar customs and religious faith of an eastern land, yet, withal, most delicately handled.
The God and the Bayaderé.
An Indian Legend
Mahadeh, earth’s lord, descending
To its mansions comes again,
That, like man with mortals blending,
He may feel their joy and pain;
Stoops to try life’s varied changes,
And with human eyes to see,
Ere he praises or avenges,
What their fitful lot may be.
He has pass’d through the city, has look’d on them all;
He has watch’d o’er the great, nor forgotten the small,
And at evening went forth on his journey so free.
In the outskirts of the city,
Where the straggling huts are piled,
At a casement stood a pretty
Painted thing, almost a child.
“Greet thee, maiden!” “Thanks—art weary?
Wait, and quickly I’ll appear!”
“What art thou?”—“A Bayaderé,
And the home of love is here.”
She rises; the cymbals she strikes as she dances,
And whirling, and bending with grace, she advances,
And offers him flowers as she undulates near.
O’er the threshold gliding lightly
In she leads him to her room.
“Fear not, gentle stranger; brightly
Shall my lamp dispel the gloom.
Art thou weary? I’ll relieve thee—
Bathe thy feet, and soothe their smart;
All thou askest I can give thee—
Rest, or song, or joy impart.”
She labours to soothe him, she labours to please;
The Deity smiles; for with pleasure he sees
Through deep degradation a right-loving heart.
And he asks for service menial,
And she only strives the more,
Nature’s impulse now is genial
Where but art prevail’d before.
As the fruit succeeds the blossom,
Swells and ripens day by day,
So, where kindness fills the bosom,
Love is never far away.
But he, whose vast motive was deeper and higher,
Selected, more keenly and clearly to try her,
Love, follow’d by anguish, and death, and dismay.
And her rosy cheeks he presses,
And she feels love’s torment sore,
And, thrill’d through by his caresses,
Weeps, that never wept before.
Droops beside him, not dissembling,
Or for passion or for gain,
But her limbs grow faint and trembling,
And no more their strength retain.
Meanwhile the still hours of the night stealing by,
Spread their shadowy woof o’er the face of the sky,
Bringing love and its festival joys in their train.
Lately roused, her arms around him,
Waking up from broken rest,
Dead upon her breast she found him,
Dead—that dearly-cherish’d guest!
Shrieking loud, she flings her o’er him,
But he answers not her cry;
And unto the pile they bore him,
Stark of limb and cold of eye.
She hears the priests chanting—she hears the death-song,
And frantic she rises, and bursts through the throng.
“Who is she? what seeks she? why comes she so nigh?”
But the bier she falleth over,
And her shrieks are loud and shrill—
“I will have my lord, my lover!
In the grave I seek him still.
Shall that godlike frame be wasted
By the fire’s consuming blight?
Mine it was—yea mine! though tasted
Only one delicious night!”
But the priests, they chant ever—“We carry the old,
When their watching is over, their journeys are told;
We carry the young, when they pass from the light!
“Hear us, woman! Him we carry
Was not, could not be, thy spouse.
Art thou not a Bayaderé?
So hast thou no nuptial vows.
Only to death’s silent hollow
With the body goes the shade;
Only wives their husbands follow:
Thus alone is duty paid.
Strike loud the wild turmoil of drum and of gong!
Receive him, ye gods, in your glorious throng—
Receive him in garments of burning array’d!”
Harsh their words, and unavailing,
Swift she threaded through the quire,
And with arms outstretch’d, unquailing
Leap’d into the crackling fire.
But the deed alone sufficeth—
Robed in might and majesty,
From the pile the god ariseth
With the ransom’d one on high.
Divinity joys in a sinner repenting,
And the lost ones of earth, by immortals relenting,
Are borne upon pinions of fire to the sky!
Let us now take a poem of the Hartz mountains, containing no common allegory. Every man is more or less a Treasure-seeker—a hater of labour—until he has received the important truth, that labour alone can bring content and happiness. There is an affinity, strange as it may appear, between those whose lot in life is the most exalted, and the haggard hollow-eyed wretch who prowls incessantly around the crumbling ruins of the past, in the belief that there lies beneath their mysterious foundations a mighty treasure, over which some jealous demon keeps watch
