Blackwood's Edinburgh Magazine, Volume 56, Number 348. Various

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Blackwood's Edinburgh Magazine, Volume 56, Number 348 - Various

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that wildly

      Rushes in his wayward mood,

      Calms to rest, disporting mildly,

      By some trivial gift subdued;

      When the nightingale is trilling

      Songs of love to lovers’ ears,

      Which, to hearts with sorrow thrilling,

      Seem but sighs and waken tears;

      Then, with bosom lightly springing,

      Dost thou listen to the bell,

      That, with midnight’s number ringing,

      Speaks of rest and joy so well?

      Then, dear heart, this comfort borrow

      From the long day’s lingering light—

      Every day hath its own sorrow,

      Gladness cometh with the night!

      We are somewhat puzzled as to the title which we ought to prefix to our next specimen. Goethe rather maliciously calls it “Gegenwart,” which may be equivalent to the word “Presentiality,” if, indeed, such a word belongs to the English language. We, therefore, prefer dedicating it to our own ladye love; and we could not find for her any where a sweeter strain, unless we were to commit depredation upon the minor poems of Ben Jonson or of Shakspeare.

      To my Mistress

      All that’s lovely speaks of thee!

      When the glorious sun appeareth,

      ’Tis thy harbinger to me:

      Only thus he cheereth.

      In the garden where thou go’st,

      There art thou the rose of roses,

      First of lilies, fragrant most

      Of the fragrant posies.

      When thou movest in the dance,

      All the stars with thee are moving,

      And around thee gleam and glance,

      Never tired of loving.

      Night!—and would the night were here!

      Yet the moon would lose her duty,

      Though her sheen be soft and clear,

      Softer is thy beauty!

      Fair, and kind, and gentle one!

      Do not moon, and stars, and flowers

      Pay that homage to their sun

      That we pay to ours?

      Sun of mine, that art so dear—

      Sun, that art above all sorrow!

      Shine, I pray thee, on me here

      Till the eternal morrow.

      Another little poem makes us think of “poor Ophelia.” We suspect that Goethe had the music of her broken ballad floating in his mind, when he composed the following verses:—

      The Wild Rose

      A boy espied, in morning light,

      A little rosebud blowing.

      ’Twas so delicate and bright,

      That he came to feast his sight,

      And wonder at its growing.

      Rosebud, rosebud, rosebud red,

      Rosebud brightly blowing!

      I will gather thee—he cried—

      Rosebud brightly blowing!

      Then I’ll sting thee, it replied,

      And you’ll quickly start aside

      With the prickle glowing.

      Rosebud, rosebud, rosebud red,

      Rosebud brightly blowing!

      But he pluck’d it from the plain,

      The rosebud brightly blowing!

      It turn’d and stung him, but in vain—

      He regarded not the pain,

      Homewards with it going.

      Rosebud, rosebud, rosebud red,

      Rosebud brightly blowing!

      We are sure that the votaries of Wordsworth will thank us for the next translation, which embodies a most noble idea. See how the eye of the poet is scanning the silent march of the heavens, and mark with what solemn music he invests the stately thought!

      A Night Thought

      I do not envy you, ye joyless stars,

      Though fair ye be, and glorious to the sight—

      The seaman’s hope amidst the ’whelming storm,

      When help from God or man there cometh none.

      No! for ye love not, nor have ever loved!

      Through the broad fields of heaven, the eternal hours

      Lead on your circling spheres unceasingly.

      How vast a journey have ye travell’d o’er,

      Since I, upon the bosom of my love,

      Forgot all memory of night or you!

      Let us follow up these glorious lines with a conception worthy of Æschylus—indeed an abstract of his master-subject. It were out of place here to dilate upon the mythical grandeur of Prometheus, and the heroic endurance of his character, as depicted by the ancient poet. To our mind and ear, the modern is scarcely inferior.

      Prometheus

      Curtain thy heavens, thou Jove, with clouds and mist,

      And, like a boy that moweth thistles down,

      Unloose thy spleen on oaks and mountain-tops;

      Yet canst thou not deprive me of my earth,

      Nor of my hut, the which thou didst not build,

      Nor of my hearth, whose little cheerful flame

      Thou enviest me!

      I know not aught within the universe

      More slight, more pitiful than you, ye Gods!

      Who nurse your majesty with scant supplies

      Of offerings wrung from fear, and mutter’d prayers,

      And needs must starve, were’t not that babes and beggars

      Are hope-besotted fools!

      When I was yet a child, and knew not whence

      My being came, nor where to turn its powers,

      Up to the sun I bent my wilder’d eye,

      As though above, within its glorious orb,

      There dwelt an ear to listen to my plaint,

      A heart, like mine, to pity the oppress’d.

      Who gave me succour

      Against the Titans in their tyrannous might?

      Who rescued me from death—from slavery?

      Thou!—thou, my soul, burning with hallow’d fire,

      Thou hast thyself alone achieved it all!

      Yet didst thou, in thy young simplicity,

      Glow with misguided thankfulness to him

      That slumbers on in idlesse there above!

      I reverence thee?

      Wherefore?

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