Not Without You. Harriet Evans

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him. ‘We’ll talk soon. When are the awards?’

      ‘Two weeks. Ashley will brief you. So you’re OK? You know you’re going with Patrick, yes?’

      I hesitate. ‘Well, and George,’ I say. ‘A bonding night out before we start shooting.’

      ‘George? OK.’

      I match him stare for stare and as I look at him I realise he knows.

      ‘George is a great director.’ For once Artie’s not smiling. His tanned face droops, like a hound dog. His beady eyes rake over me.

      ‘I know he is,’ I say slowly.

      ‘That’s all.’ He turns away. ‘That’s all I’m gonna say. OK?’

      I can imagine what’s going on in his mind. If she’s banging George, they’ll be making trouble on set. Patrick Drew’s gonna get difficult about his close-ups as it’ll all be on her. George’ll dump her halfway through and start fucking someone else and she’ll go schizoid. This is a disaster.

      I know it’s nothing serious, me and George. He’s A-list, so am I; we won’t squeal on each other. He’s way older than I am, he’s been around. Plus I don’t need a relationship at the moment, neither does he. If we screw each other once a week, what’s the harm?

      Artie chews something at the back of his mouth, rapidly, for a few seconds, then claps his hands. ‘OK, we’ll regroup afterwards about your Eve Noel idea. I like it, you know. If not for you then someone. Maybe you’re right! Could be big …’ He pauses. ‘Hey, you should be a producer.’

      He laughs, and I laugh, then I wonder why I’m laughing. Me, in a suit, putting the finance on a movie together, all of that. Then I think … no. That’s not for me, I couldn’t do that. I’m too used to being the star – it’s true isn’t it?

      ‘Read the scripts, think it over,’ he says, as I leave the room. ‘Then we’ll talk.’

      CHAPTER THREE

      AS I EXIT the building, I’m still thinking about Darren Weller and the day we went to Stratford, me and Donna escaping to McDonald’s. I’m smiling at the randomness of this memory, walking through the glass lobby of WAM, clutching this bunch of scripts, and suddenly—

      ‘Ow!’ Someone’s bumped into me. ‘Fuck,’ I say, rubbing my boob awkwardly and trying to hold onto the scripts, because she got me with her elbow and it is painful.

      This girl grips my arm. ‘I’m so sorry,’ she says, her eyes huge. ‘Oh, my gosh, that was totally my fault. Are you OK—?’ She looks at me and laughs. ‘Oh, no! That’s so weird. Sophie! Hi! I didn’t recognise you with your shades on.’

      I’m trying not to rub my boob in public. I can see T.J. waiting by the car right outside. ‘Hi there,’ I smile. ‘Have a great day!’

      ‘You don’t remember me, do you?’

      I stare at her. Who the hell is she? ‘No, I’m sorry,’ I say, beaming my big megawatt smile and going into crazy-person exit-strategy mode. ‘But, it’s great to meet you, so—’ She’s still grinning, although she looks nervous, and something about her eyes, her smile, I don’t know, it’s familiar. ‘Oh, my God, of course,’ I say impulsively. I push my sunglasses up onto my head. ‘It’s …’

      I search my memory, but it’s blank. The weird thing is, she looks like me.

      ‘Sara?’ she says hesitantly. ‘Sara Cain. From Jimmy Samba’s.’ She’s still smiling. ‘It’s been so long. It’s really fine.’

      I stare at her, and the memory leads me back, illuminating the way, as scenes light up in my mind from that messy, golden summer.

      ‘Sara Cain,’ I say. ‘Oh, my gosh.’

      Back in 2004 I starred in a sweet British romcom, I Do I Do, during a break in South Street People’s shooting schedule. It did really well, better than we all expected, and LA casting agents started asking to see me, so I went out to Hollywood again the following summer. That was when Donna and I kind of fell out, actually; she told me it was a big mistake and I was in over my head.

      She was wrong, as it turns out. It was a great time. I was young, didn’t have anything to lose, and I thought it was pretty crazy that I was there anyway, to be honest. Jimmy Samba’s was the frozen-yoghurt place on Venice Beach where my roommate Maritza worked and we all practically lived there: a whole gang of us, actors, writers, models, musicians, all waiting for that big break.

      ‘Your twin, remember?’ I stare at her intently. She gives a small, self-conscious giggle.

      ‘Wow,’ I say. ‘The twins. Sara, I’m so sorry, of course I remember you.’

      The thing about her was, we had a few auditions together, and every time people always commented on how similar we looked. She had a couple of pilots, and the last time I saw her it looked like things might be about to happen for her.

      The sight of her is like hearing ‘Hollaback Girl’ – that was my song of that summer. Takes you totally back there to a time that I rarely think about now. It’s gone and that’s weird, because we were friends. Her dad was a plastic surgeon, I remember that now, an old guy who’d done all the stars; I loved hearing her stories about him. She even came up to the rental house in Los Feliz, her and some of the gang, after I moved out of Venice. But it was an uncomfortable evening. Sara especially was weird. And even though I called her and a few others a couple of times afterwards, no one returned my calls. Turns out we weren’t all friends, just people in similar situations, and I didn’t belong in that gang, the clique of hopefuls. I’d passed onto the next stage, and they didn’t want to know me any more.

      Now I try to look friendly. ‘That’s so cool, bumping into you here. How’s it going? Who are you here to see?’

      She doesn’t understand and then smiles. ‘Oh. I’m not acting these days.’ My face is blank. She smiles again, a little tightly. ‘I – work here? I’m Lynn’s assistant? She’s in the same department as Artie.’

      ‘I know Lynn,’ I say. ‘OK, so …’ I trail off, embarrassed.

      ‘It’s fine,’ she says, nodding so her perky ponytail bounces behind her. ‘It’s totally fine. Guess some of us have it and some of us don’t. I don’t miss the constant rejection, for sure. That time they told me no when I walked in the room, you remember that?’

      I screw up my face. ‘Oh … oh, yeah, I remember. What was it for?’

      ‘It was The Bride and Groom, Sophie.’ She grins. ‘You should remember, we were totally hungover from being up all night drinking Bryan’s tequila?’

      ‘Oh, my God,’ I say, shifting my bag onto my other shoulder. ‘That night.’

      ‘Some of us get the right haircuts at the right time, you mean!’ Sara smiles, and says suddenly, ‘That was a totally insane evening, wasn’t it? You getting that bob, like … who was it? Eve Noel?’ She looks at my hair. ‘Still rocking it, right? You always said those bangs got you the part – maybe that’s what

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