Not Without You. Harriet Evans

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Not Without You - Harriet  Evans

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if I hadn’t been totally bombed. I owe Bryan … it was Bryan, wasn’t it?’

      She nods. ‘It was.’

      My memory is so shit, it’s terrible. Maybe the tequila drowned my brain cells, because they were kind of crazy times. We behaved pretty badly, we didn’t have anything to lose. I was still seeing Dave, my boyfriend back in London who I met on South Street People, but I knew he was cheating on me by then. (Turns out he was cheating on me about 80 per cent of the time we were together anyway.) It’s the only slutty period of my life; maybe everyone has to have a summer like that. I’d always worked so hard and all of a sudden it was so easy. America was easy. Sunshine, friendly people, and I was young. I lived for the ocean, the cafe, the bars and the crowd I hung out with.

      I loved acting, but I never thought I’d make it, to be honest. I knew I wasn’t as talented as someone like Sara, knew I wasn’t trained. I didn’t know anything about stagecraft or method; I turned up and said the lines the best way I could. Still do, I think. I’d already got further with my career than I’d ever expected to without Mum by my side all the time, and I suppose I thought I’d ride it for as long as I was allowed to. They’d find me out and I’d be sent home and so for the time being, I reasoned, I should hang loose and enjoy myself – and for once, I really, really did.

      I stroke my forehead and fringe, trying to remember. ‘Bryan. He was hot, wasn’t he? Kind of Ashton Kutcher-y.’

      She smiles. ‘That’s him.’

      ‘I think I slept with him,’ I muse.

      ‘Yeah, I know,’ she says, then she adds, ‘You know, I went out with him for a while. Maybe we are twins!’

      There’s an awkward pause. Sara clears her throat, and stares at me after a moment. ‘Sorry,’ she says. ‘I’m being weird. But it’s really good to see you, that’s all. I never returned your calls. I suppose I was jealous. Brings back those days and it’s crazy, remembering how it used to be, I guess.’

      ‘You were really good,’ I say, changing the subject. She looks uncomfortable, but I press her. ‘Have you totally left it behind? That’s a real shame.’

      Sara knits her fingers together. ‘Yeah. At my last audition, this guy, the director I think it was, stared at me and said, “This girl’s just an uglier Sophie Leigh. Next, please.”’ She’s smiling as she says this, but there’s an awful expression in her eyes. ‘That’s what made me give it up.’

      ‘That … that sucks, Sara.’ We’re silent. I sling my bag over my shoulder again and as the silence stretches on, and Sara says nothing, blurt, ‘So, Bryan! What’s he doing now?’

      ‘Bryan moved to New York. He has his own salon now – he’s doing really well.’ She recovers her smile again. ‘Hey, I’m super happy for him. And for you! You totally deserve your success, Sophie! It’s not only about the bob, so don’t believe people who tell you it is!’

      ‘Uh – thanks.’ Maybe it’s time to go. ‘Great to see you, Sara.’ I wave to T.J., my driver.

      Sara calls after me, ‘You look so great, Sophie. Sorry again!’

      I stride out, smiling at another WAM minion who glows when she spots me and at the doorman as I exit the building, momentarily catching the wall of fierce afternoon heat.

      I climb into the car, sinking into my seat. T.J. has got me a diet root beer and some carrot and celery sticks, and there’s even a packet of crisps (which I’ll never eat, of course), all nicely laid out in the back. Chips, I should say. I’m mostly American these days, but some things never feel right. Chips are the chips you have with fish and burgers.

      ‘Mulberry sent you over some new stuff to pick out. Tina was unpacking it when I left and she told me to tell you,’ T.J. says. He pulls the limo away from the kerb.

      ‘Get Tanisha to come over.’ Tanisha is T.J.’s daughter.

      ‘I’ll call her. That’s kind of you. She did well on her test yesterday, Sophie, I’m real pleased with her.’

      A thought occurs to me. ‘Did Deena arrive yet?’

      ‘I don’t know,’ T.J. says firmly. ‘She wasn’t there when I left.’ He switches topic. ‘So how’s your day going?’

      I have to think for a moment. ‘Not sure.’ Now we’re gliding away from WAM, I recall what I wanted to say to Artie, and what in my hungover state I actually said. I said I would read that stupid script. I didn’t really get to talk about Eve Noel, the film I want to make one day, the mystery about her that I still don’t understand. Not because it’s complicated, because that’s obvious. But because she was new in town once like I was, and it must have started out OK for her. And I don’t know what happened to her, no one seems to know or care. I’m on every billboard in town but she was the last great film star, to my mind. Hollywood is about extremes, as someone once said. You’re either a success or a failure, there’s no in-between.

      We’re turning into Sunset, right by the Beverly Hills Hotel, and I glance over at the white italic scrawl, the palm trees that reach up to the endless blue. I pull my sunglasses on and lie back against the soft leather. For a few minutes I can be still. Don’t have to worry about that wrinkle on my forehead, that bulge in my stomach, that crappy script, that feeling all the time that someone else, someone better, should be living my life, not me.

       the avocado tree

      Los Angeles, 1956

      ‘NOW, MY DEAR,’ Mrs Featherstone whispered to me as we entered the crowded room. ‘Don’t forget. Call everyone Mr So-and-So and be simply fascinated, no matter what they say. You understand?’

      ‘Yes, Mrs Featherstone,’ I answered obediently.

      She put her hand on my back and smiled mechanically. ‘And remember, what are you called?’

      ‘Eve Noel.’

      ‘That’s it. Good girl. Your name’s Noel now. Don’t forget.’

      Her thumb dug into my shoulder blade. I could feel the side of her ring pushing into my flesh and involuntarily I stepped away, then smiled politely, looking around the room.

      It was a beautiful old mansion house in Beverly Hills; at least it looked old, though they told me afterwards it had only been finished last year. At the grand piano a vaguely familiar man sat playing ‘All the Things You Are’ and my skin prickled with pleasure: I loved that song. I had danced to it only two weeks ago, on our clapped-out gramophone in Hampstead. Already it seemed like a lifetime ago.

      Mr Featherstone was at the bar, shaking hands, clapping shoulders. When he saw his wife, he nodded mechanically, excused himself and came over.

      ‘Hey,’ he said, nodding at his wife, ignoring me. ‘OK.’ He turned to the three men standing in a knot beside us, and grasped the hand of the first one.

      ‘Hey, fellas, I want you to meet someone. This is Eve Noel. She just arrived from London, England. She’s our new star.’ His arm was around my waist, his fingers pressed tightly against the black velvet. I wanted to shrink away.

      Each man balanced his cigarette in the cut-crystal ashtray, then turned to shake my hand.

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