Tufti the Priestess. Live Stroll Through a Movie. Вадим Зеланд
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For ease of understanding, take a look in a mirror. From the side where you are standing, everything is material and can be touched. On the other side, in the reflection, everything is intangible but equally as real. If there is an object, then there will be a reflection. Is the object real? Then the reflection must be real too. I am explaining this to you so that you will understand, that it is not only the things that can be touched that are real.
The reality mirror is like a normal mirror, only it works the other way around: the image being reflected and the reflection itself change places. You can touch the reflection, but you can’t touch the image. The reflection is on the front side facing the mirror glass, and the image is on the other side. The frontal side is physical reality, while the other side is the dream space of the film roll archive.
As you already know, physical reality is like a frame, which moves along a film roll, only the film roll is primary, and the film itself is secondary, and so physical reality is a reflection of the object, located somewhere there, on the other side. And there in the film reel archive there are multiple versions of the future.
Judge for yourself: if the future is located on the other side of the reality mirror, can one somehow influence it with usual force, which only works here, on the front side of the miror? Not an option! You could bust a gut with effort, but it still wouldn’t work. Can you? Yes-yes-yes! You can, you can!
So as not to explode and to have the future you want, you must act from the other side of the mirror in accordance with the reality mirror rules, not the ordinary rules. So, how do you get there, to the other side or the mirror glass?
I have not mentioned it before, but you have in fact been there already. When in the process of waking up, you disengage from the script and practically fall into the world behind the glass. This cannot be seen overtly, and the reason it can’t be seen is that the surface of the reality mirror is not a surface or wall as such, so much as an intangible transitional boundary between the object and the reflection.
Everything is the same on both sides, and they look identical, only on one side the image is material and on the other, it is not. On the frontal side of the mirror, there is your material mannequin, and on the other side, a virtual one. When you wake up, your attention passes through the mirror boundary into your virtual mannequin.
It is your attention that moves, not your body, but this is sufficient, because you are your attention. Both bodies – virtual and material, each on either side of the mirror – move in unison. It’s a matter of where your attention is focused. If it is focused on the manifest frame, then you are totally engrossed in the script. If it is focused on the other side of the mirror, in the image frame, then you are free to move, both yourself and impending reality.
When I say ‘to propel yourself’ I mean it in the sense that you are self-aware and arbitrarily in control of your own motives and actions. Inside the frame, you move in the usual way, with your hands and feet using physical force. However, you move reality in a completely different way, with attention, intention, and meta-power.
You will gradually come to understand what meta-power is when you start to sense it. I would not be able to explain to you what physical force is if you had never tried using it. The same goes for meta-power; you have to feel it and develop it. Your plait is your meta-power tool. The frame illumination method is an exercise for developing meta-power at the same time as being a way of composing the reality you desire.
Next I will describe in more detail the rules and principles of the world beyond the mirror glass. You will suss it all out, eventually fathom it all. For now, don’t forget to carry out the method more often.
Do you want to learn to compose your own reality? Perhaps, you don’t want to? How could you not want to? What’s this, a slave uprising? If that’s the case, there will be sacrifices and offerings made, and very happy ones! Look at me! I am Tufti, your priestess. You will tolerate my despotism just as I tolerate the fact that I have to spend my time with snails, frogs, and other amphibians? U-la-la!
Imitating Action
So, my songsters and dancers, let’s carry on learning whose tune you are dancing to.
• Not only that which can be touched is real.
• Reality is a reverse mirror: here the reflection, there, the image.
• Physical reality is on the frontal side, whereas the film roll archive is on the reverse side.
• Physical force works in physical reality, meta-power works inside the mirror glass.
• On awakening, attention shifts to its virtual mannequin in the world inside the mirror.
You must be a little confused by the notion of falling into some world beyond the mirror glass without even noticing it? And perhaps not just a little confused but quite a lot. Don’t worry, my trembling ones, you actually fall into the mirror world every night when you go asleep.
When you awaken in waking life, when your attention stands at the awareness centre, you, or more specifically, your Self appears in the body of a virtual mannequin, on the other side of reality. In the moment that you become immersed in a dream, the same thing happens. The difference is that in waking, you have the reality on both sides of the mirror, the material and the virtual side. In a dream, reality and the mirror world are not concordant – the material world remains in place, whereas your attention flies far away into other worlds.
Plus the difference is that in a dream you sink ever more deeply into the script, whereas when you awaken in waking life (I see myself and I see reality) you free yourself from it.
Remember we talked about the fact that when you are not self-aware, the script pulls you along by the tip of your plait? So who or what pulls about your physical mannequin on this side when your hook is at your disposal and you are simultaneously in a virtual mannequin in the mirror world?
You pull yourself about. You acquire the ability to move things freely, both yourself and impending reality precisely because you are in the mirror world, beyond the glass, on the same side as the image. Only the image can propel the reflection, and not the other way around, you see?
Strictly speaking, the physical mannequin and material reality are not so much a reflection, as a materialisation of the image. One way or another, you can manage manifest reality (already occurred) from within the realisation frame, from in front of the mirror. However, the impending reality is still just an image. The image can only be propelled from within the frame of the image – from the other side, where the image is located. This requires shifting into the mirror world.
Now the whole scenario should be clear to you. Here, in this manifest frame, we have to manage – there, we can direct. And now we come right to the notion of meta-power. I feed my hope of even the faintest glimmer of understanding from you, my feeble-minded ones.
OK, OK, don’t complain, don’t cry, my little whip-smarts. What is the main difference between reality and the mirror world? Here, everything is material, there, it’s all virtual. As far as force is concerned, you won’t be able to apply it to an immaterial object or space, which is why here, what works is force, and there, what works is meta-power. From this side of the mirror: action, from the other side of the mirror glass: the motion illusion. So, what does this mean?
The whole point of imitation is that you don’t have the right to disrupt the established order of things. The order of things is