are capable of composing reality, it will slip away from you unyielding.
The only way of recasting the mould is the same way it was created in the first place – through daily, mundane practice. Track the impending frame, track yourself, compose reality. If you do as I tell you, reality will do as you tell it.
It is best to carry out regular, multiple repetitions until it be-comes a habit, otherwise you won’t learn anything. And if you don’t learn, I will remove your houses and turn you into even more horrible creatures – slugs. I am Tufti, your Owner, and I do with you what I wish.
Transformation
Here-here, my wet-eared crook-shanks! That’s it, come out of your houses, gather round, and let’s recall the previous lesson.
• The method of awakening and illumination detaches you from the script.
• You are mannequins, stepped down from the window going about your business.
• You are still in the film, but at the same time, you have dropped out of the sequence.
• Having detached yourself from the film roll, you can create your own film.
• Controlling the frame movement for simple events is your training and reprogramming.
It is also your transformation. You will gradually transform from snails to fireflies. When you illuminate the frame, you radiate an inner light, and the desired events fly to you like moths to a light.
Luminescent creatures, looking forward — that is how the Creator conceived of you. And so you once were before you got stuck in the motion illusion.
Much has been lost, but some things can be restored. Do you want to be a firefly? Then, lively-lively track the impending frame, track yourself, compose your reality. Those around you, those who are still snails will extend their horns towards you and move closer out of curiosity.
You won’t always make it work at first. You may understand that you are capable of composing reality, but in the depths of your consciousness, you will still have doubts. This means that the reprogramming is not yet complete. This is why training is essential, to shift you into active gear, to get you used to looking ahead rather than down at your feet, and finally – no, not to kill you (though my hands are already itching to) – but to convince you that you really can compose your own reality incredibly and breathtakingly.
There is just one little thing. You must try without making an effort, my assiduous ones. Illuminating the frame successfully requires concentration, not effort. Can you concentrate for a couple of minutes? Well, just for a minute then? That’s all that is required of you. Follow the illumination method in a calm, relaxed manner. You are not permitted to tense up. Not an option!
Why? Because in making an effort, you will trigger your inner intention centre. Whereas reality as we have already learned, is directed from the outer centre.
What do you usually do when you try your upmost? You try and fight the physical reality that is already in place. So, what will you do in relation to the reality that is yet to become manifest? Exactly the same. It’s a habit you have. You are all eager to change things to your liking, the way you want them to be.
But you won’t succeed in changing anything that is already physically manifest, of for that matter, anything that isn’t yet manifest. How can you change a film that has already been shot? You can only choose the future, like a reel of film from an archive. Do you see the difference? Calmly and relaxed.
Note, that if your muscles become tense whilst you are illuminating the frame, this means that your petty intention is activated. You must work solely with the outer centre – the plait. It is not something that you should exert or wield.
The plait is activated easily and effortlessly. Remembering and sensing it, calmly concentrating on it is enough. Next, without losing the sensation of the plait, focus on the frame composition. Visualise the picture you desire with ease, without trying too hard. Your muscles should be relaxed. You don’t need them for this; they have nothing to do with it. Quiet concentration on the plait and the frame. That’s what we need.
Your task is not to force reality to obey you but to allow it to come to you of its own accord. Don’t force it. The principle is not to grab hold of reality but to illuminate it with the outer centre – the plait. You are simultaneously the film projector and the viewer. You project the frame from behind and watch the film playing out in front as if neither had anything to do with you.
The outer centre (you must have noticed) is both yours and not yours at the same time. You mustn’t put pressure on the plait. Just activate it and then send out a current of thoughts from the plait, not from the front but from behind. Not from the stubborn, stupid, out of habit forehead, but from the plait, you see? You are simply illuminating the frame; It materialises itself. That part is nothing to do with you! That’s it, that’s it!
Why is it so important that it be ‘nothing to do with you’? I repeat again and again, my dears: it is so that the outer centre works, not the inner centre. The outer centre involves a completely different instrument. Your outer centre is closer to what is referred to as your higher self. The outer centre is what directs you.
The tip of the plait is your hook, by which you can be led like a mannequin. When you have no self-awareness, you are led by the script or by puppeteers, who manipulate your consciousness. As soon as you regain self-awareness, your hook is again at your disposal and you can propel yourself freely.
In your usual state of consciousness, you don’t propel yourself, just your hands and feet, trying to nudge everything that stands in front of you without taking into account the fact that they have you by the scruff from behind. That is how the motion illusion arises.
And now, you have hold of the hook yourself and begin to move reality without applying any effort, ‘as if’ you weren’t doing anything. What’s happening then? The motion illusion is turned inside out. You aren’t being moved about, you are moving yourself. You are not doing anything to reality, reality is doing it of its own accord. That’s how it is, that’s how it is, my goody-goodies! The illusion is crumbling!
Meta-Power
So how are you, my dears? Are you beginning to shine or do you continue to be wet? Quick, quick, transform!
• You were originally conceived to be luminescent creatures, looking ahead.
• Illuminating the frame successfully requires concentration, not effort.
• If the muscles are strained, the inner intention centre has been triggered.
• Follow the illumination method in a calm, relaxed manner.
• Principle: do not force reality; allow it to be.
Allow reality to carry out your assignment. Don’t forget, you are just illuminating the frame; it materialises by itself. Very little is required of you: compose reality and stand aside, like a third-party observer. Don’t interrupt or get in the way!
It is customary for you to think that all you have to do is apply some effort and the future will yield, but this requires a different approach. Physical strength, like willpower, only works within the reality of the current frame. You can fight manifest reality with all your stupid strength as much as you like, but that won’t work with forthcoming reality; this requires something else.
You,
