Of course, tape or no tape, the film still influenced my real-life crushes. I ought to confess at this point that, until the moment Johnny Castle came into my life, my first real love was Michael Jackson. This was the late 1980s, and though people thought he was weird, there was not yet any hint of the full horror that was to come. I wrote him long, long letters. I read Moonwalk – the official biography – several dozen times. I even tried to ‘trick’ International Directory Enquiries into giving me his phone number by calling 151 from the phone box at Amersham station on my way home from school, and saying as convincingly as I could that ‘a man named Michael Jackson has called and left no number – I believe his address is Neverland Valley Ranch, Santa Barbara, California, USA’, and then waited patiently as they confirmed what I had deep down suspected but could not bring myself to admit – that the number was, indeed, listed as ‘ex-directory’. True story.
Johnny represented a new kind of man for me – unequivocally heterosexual in an old-fashioned ‘movie star male lead’ kind of way: tough, strong, emotionally closed, waiting for the touch of a good woman to open him up. I’d seen them on film before, but they were usually either cowboys or played by Tom Cruise. Johnny had old school sex appeal, he had swagger, he had improbably 1980s clothes and musical tastes, given that he lived in 1963. He was wary and cautious to begin with – a man of few words – but then once you got to know him, he opened like a flower. He had vulnerabilities, he had talent, he had the moves. And he was clearly very, very good at sex.
This was all very well, but it had to remain in the realms of fantasy, because as I looked around me, there seemed to be few men of my age (12) that could really match up. The boys at my school were perfectly fine, if you liked competitions to see how long you could hold your hand over a Bunsen flame without crying, extended belching displays where we had to also ‘smell the burp’, and having your burgeoning breasts commented on at every possible opportunity. But Johnny was a ‘real man’, to use a now outdated and probably somewhat toxic phrase. I was done with studied ambiguity – I wanted a hunk. Narrow-hipped, long-haired, feminine-featured men with a suggestion of eye-liner were no longer my bag. Nothing wrong with them, but they did not push my buttons. I wanted someone who hid their sensitivities under a gruff exterior. I wanted someone who might throw a punch under certain circumstances, especially if some ‘Robbie the Creep’ type was to impugn my honour. I wanted a project. Just like Baby, I wanted to sort someone out. I wanted a diamond in the rough.
But this was a side issue. As I look back, I can now see that while Johnny Castle was a formative type for me when it came to men, my real crush was on Baby. It was all about Baby. She was called Frances; my middle name is Frances. And the similarities didn’t end there – o-ho no. We both had a fire in our bellies for social justice and human rights – she was joining the Peace Corps; I did a 24-hour sponsored silence in aid of Oxfam (much welcomed it seemed at the time, by parents and teachers alike … in fact, there were enquiries as to whether, in return for a larger donation, the period of silence could be extended). She liked wearing cut-off denim shorts, I liked wearing cut-off denim shorts. Mine were home-made though, and a little less ‘neat’ than Baby’s.
In fact, I had gone a bit nuts with the scissors one day and hacked up my best jeans, cutting each leg from the knee into a long, jagged point that each reached to mid-calf. My horrified grandmother, who was looking after me and my sister that afternoon, could only look on and whisper, ‘Are you sure you’re allowed to do that to your clothes, Katy …?’ The reflection in the mirror when wearing them made my actions instantly regrettable, although I felt I had to style it out to save face in front of Grandma. Frankly, I looked like an extra from Oliver!, but nonetheless I wore them stubbornly to the park and library that day, and tried to look nonchalant and vaguely superior to anyone I caught sniggering.
That night, I cut the jagged pieces off, creating a wonky and uneven but more traditional denim short, and then stuffed them in a drawer and pretended to my parents I didn’t know where they were. They never saw the light of day again (the jeans, not my parents). How I coveted Baby’s beautiful pair, with their perfect turn-ups and smoothly flattering cut through the hips. The dream pair of denim shorts still eludes me to this day, but I will never stop looking.
Besides my clothes, I tried to get Dirty Dancing into my life in any way I could. I begged and pleaded to go on a family holiday to a resort, in the Catskills, where I now knew through painstaking research (again, pre-internet – I had to actually ask things, of actual humans standing in front of me. Can you imagine? The horror) was the area in upstate New York known for its holiday resorts where the fictional Kellerman’s nestled. It was made very clear to me that I might as well ask for the moon on a stick, because flying from London to the US to an all-inclusive resort for three weeks for a family of four was (a) prohibitively expensive, and (b) wouldn’t happen even if we won a million pounds, as the idea of going for enforced cha-cha lessons and group aerobics sessions in the lake with a bunch of strangers was really considered a kind of hell in our household.
So it was a campsite in Cornwall again, like last year, and the year before. And don’t get me wrong, these were enjoyable holidays full of freedom, clear waters, hot sand and thick clotted cream, but with the best will in the world, it was not Kellerman’s. And I wanted Kellerman’s, badly. It wasn’t that I thought I would somehow actually find Baby and Johnny, and Billy and Penny, and carry a watermelon and have to dance at the Sheldrake at incredibly short notice. I wasn’t completely insane. But I wanted my own Baby experience, and to do that, there must be staff, and an element of ‘backstage’ to stumble in on. There needed to be staff quarters to be caught in. There had to be some rules for me to disobey, and someone to compromise my reputation with. And although there was a jolly old Cornish couple who ran the campsite shop, and a guy ‘on reception’ who honestly looked like a retired pirate, who could perhaps be termed ‘staff’, they didn’t live onsite, and even if they did, the chances of me coming across the three of them engaged in some sort of sweat-laced-dance-off-cum-orgy in the early hours seemed slim, though perhaps I underestimate them.
It was mostly roaming the ancient, pagan Cornish landscape for me, trying to find other children who would willingly participate in spontaneous, free-style dance lessons. It was fun, but not satisfactory. I had a longing for romance and drama, and something magical to happen by moonlight. And one year, as unlikely as it sounds, I got it.
We visited the Minack Theatre to see a production of Guys and Dolls. It is a spectacular outdoor auditorium, cut right into the rocky cliffs, where the audience sits on smooth stone benches and the performers play in front of the backdrop of the Atlantic Ocean. On a clear night at the right time of year, halfway through the show the sun sets and the moon rises, glittering on the water, kissing everyone with a pale silver. This was just such a night. And even better, we were staying over that day with a school friend of mine and her family in a large cottage right next to the theatre itself.
The show was so beautiful that afterwards I floated back to the house in the dusky light, my head full of songs and a new crush on my hands: Sky Masterson. I was not being disloyal, I told myself, for this was surely only a holiday romance, and Johnny was where my heart lived. But Johnny was at home.
My friend and I were sharing a room. We sat on the wide window seat with the old wooden sash frame pulled up high, so the warm night air would envelop us and we could hear the sea. We wanted to keep the feeling going for as long as we could. And then we heard it – singing, men singing, the sound will-o’-the-wisping to us across the twilight. They were cast members, singing songs from the show.
We froze on the window seat – this was the dream. Was it in fact, a dream? The bedroom overlooked the garden, with a path that wound its way down to a low stone wall and an iron gate
