of the meat when raw; you abstracted more when cooked. Do you think I was taken in by your flimsy pretences? I wonder how you could dare to do such things before your maids (you a clergyman's daughter and widow, indeed), whom you yourself were always charging with roguery.
Yes, the insolence of the old woman is unbearable, and I must break out at last. If she goes off in a fit at reading this, I am sure I shan't mind. She has two unhappy wenches, against whom her old tongue is clacking from morning till night: she pounces on them at all hours. It was but this morning at eight, when poor Molly was brooming the steps, and the baker paying her by no means unmerited compliments, that my landlady came whirling out of the ground-floor front, and sent the poor girl whimpering into the kitchen.
Were it but for her conduct to her maids I was determined publicly to denounce her. These poor wretches she causes to lead the lives of demons; and not content with bullying them all day, she sleeps at night in the same room with them, so that she may have them up before daybreak, and scold them while they are dressing.
Certain it is, that between her and Miss Clapperclaw, on the first floor, the poor wenches lead a dismal life.
It is to you that I owe most of my knowledge of our neighbors; from you it is that most of the facts and observations contained in these brief pages are taken. Many a night, over our tea, have we talked amiably about our neighbors and their little failings; and as I know that you speak of mine pretty freely, why, let me say, my dear Bessy, that if we have not built up Our Street between us, at least we have pulled it to pieces.
THE BUNGALOW—CAPTAIN AND MRS. BRAGG.
Long, long ago, when Our Street was the country—a stagecoach between us and London passing four times a day—I do not care to own that it was a sight of Flora Cammysole's face, under the card of her mamma's "Lodgings to Let," which first caused me to become a tenant of Our Street. A fine good-humored lass she was then; and I gave her lessons (part out of the rent) in French and flower-painting. She has made a fine rich marriage since, although her eyes have often seemed to me to say, "Ah, Mr. T., why didn't you, when there was yet time, and we both of us were free, propose—you know what?" "Psha! Where was the money, my dear madam?"
Captain Bragg, then occupied in building Bungalow Lodge—Bragg, I say, living on the first floor, and entertaining sea-captains, merchants, and East Indian friends with his grand ship's plate, being disappointed in a project of marrying a director's daughter, who was also a second cousin once removed of a peer—sent in a fury for Mrs. Cammysole, his landlady, and proposed to marry Flora off-hand, and settle four hundred a year upon her. Flora was ordered from the back-parlor (the ground-floor occupies the second-floor bedroom), and was on the spot made acquainted with the splendid offer which the first-floor had made her. She has been Mrs. Captain Bragg these twelve years.
Bragg to this day wears anchor-buttons, and has a dress-coat with a gold strap for epaulets, in case he should have a fancy to sport them. His house is covered with portraits, busts, and miniatures of himself. His wife is made to wear one of the latter. On his sideboard are pieces of plate, presented by the passengers of the "Ram Chunder" to Captain Bragg: "The 'Ram Chunder' East Indiaman, in a gale, off Table Bay;" "The Outward-bound Fleet, under convoy of her Majesty's frigate 'Loblollyboy,' Captain Gutch, beating off the French squadron, under Commodore Leloup (the 'Ram Chunder,' S.E. by E., is represented engaged with the 'Mirliton' corvette);" "The 'Ram Chunder' standing into the Hooghly, with Captain Bragg, his telescope and speaking-trumpet, on the poop;" "Captain Bragg presenting the Officers of the 'Ram Chunder' to General Bonaparte at St. Helena—TITMARSH" (this fine piece was painted by me when I was in favor with Bragg); in a word, Bragg and the "Ram Chunder" are all over the house.
Although I have eaten scores of dinners at Captain Bragg's charge, yet his hospitality is so insolent, that none of us who frequent his mahogany feel any obligation to our braggart entertainer.
After he has given one of his great heavy dinners he always takes an opportunity to tell you, in the most public way, how many bottles of wine were drunk. His pleasure is to make his guests tipsy, and to tell everybody how and when the period of inebriation arose. And Miss Clapperclaw tells me that he often comes over laughing and giggling to her, and pretending that he has brought ME into this condition—a calumny which I fling contemptuously in his face.
He scarcely gives any but men's parties, and invites the whole club home to dinner. What is the compliment of being asked, when the whole club is asked too, I should like to know? Men's parties are only good for boys. I hate a dinner where there are no women. Bragg sits at the head of his table, and bullies the solitary Mrs. Bragg.
He entertains us with stories of storms which he, Bragg, encountered—of dinners which he, Bragg, has received from the Governor-General of India—of jokes which he, Bragg, has heard; and however stale or odious they may be, poor Mrs. B. is always expected to laugh.
Woe be to her if she doesn't, or if she laughs at anybody else's jokes. I have seen Bragg go up to her and squeeze her arm with a savage grind of his teeth, and say, with an oath, "Hang it, madam, how dare you laugh when any man but your husband speaks to you? I forbid you to grin in that way. I forbid you to look sulky. I forbid you to look happy, or to look up, or to keep your eyes down to the ground. I desire you will not be trapesing through the rooms. I order you not to sit as still as a stone." He curses her if the wine is corked, or if the dinner is spoiled, or if she comes a minute too soon to the club for him, or arrives a minute too late. He forbids her to walk, except upon his arm. And the consequence of his ill treatment is, that Mrs. Cammysole and Mrs. Bragg respect him beyond measure, and think him the first of human beings.
"I never knew a woman who was constantly bullied by her husband who did not like him the better for it," Miss Clapperclaw says. And though this speech has some of Clapp's usual sardonic humor in it, I can't but think there is some truth in the remark.
LEVANT HOUSE CHAMBERS. MR. RUMBOLD, A.R.A., AND MISS RUMBOLD.
When Lord Levant quitted the country and this neighborhood, in which the tradesmen still deplore him, No. 56, known as Levantine House, was let to the "Pococurante Club," which was speedily bankrupt (for we are too far from the centre of town to support a club of our own); it was subsequently hired by the West Diddlesex Railroad; and is now divided into sets of chambers, superintended by an acrimonious housekeeper, and by a porter in a sham livery: whom, if you don't find him at the door, you may as well seek at the "Grapes" public-house, in the little lane round the corner. He varnishes the japan-boots of the dandy lodgers; reads Mr. Pinkney's Morning Post before he lets him have it; and neglects the letters of the inmates of the chambers generally.
The great rooms, which were occupied as the salons of the noble Levant, the coffee-rooms of the "Pococurante" (a club where the play was furious, as I am told), and the board-room and manager's-room of the West Diddlesex, are tenanted now by a couple of artists: young Pinkney the miniaturist, and George Rumbold the historical painter. Miss Rumbold, his sister lives with him, by the way; but with that young lady of course we have nothing to do.
I knew both these gentlemen at Rome, where George wore a velvet doublet and a beard down to his chest, and used to talk about high art at the "Caffe Greco." How it smelled of smoke, that velveteen doublet of his, with which his stringy red beard was likewise perfumed! It was in his studio that I had the honor to be introduced to his sister, the fair Miss Clara: she had a large casque with a red horse-hair plume (I thought it had been a wisp of her brother's beard at first), and held a tin-headed spear in her hand, representing a Roman warrior in the great picture of "Caractacus" George was painting—a piece sixty-four feet by eighteen. The Roman warrior blushed to be discovered in that attitude: the tin-headed spear trembled in the whitest arm in the world. So she put it down, and taking off the helmet also, went and sat in a far corner of the studio, mending George's stockings; whilst we smoked a couple of pipes, and talked about Raphael being a good deal overrated.
