on the whole I don’t recommend it. Your case is slightly different from what at first supposed.’
‘You are a fisherman yourself?’ I said.
He admitted that he was, and for a minute or two spoke more like a human being. He always used a two-piece Castle-Connell rod, though he granted it was a cumbrous thing to travel with. For flies he swore by Harlows—certainly the best people for Norwegian flies. He thought that there was a greater difference between Norwegian rivers than most people imagined, and Harlows understood that.
He concluded by giving me some simple instructions about diet and exercise.
‘If my headaches return, shall I go back to Madame Breda?’ I asked.
He shook his head. ‘Your headaches won’t return.’
I paid him his fee, and, as I was leaving, I asked if he wanted to see me again.
‘I don’t think it necessary. At any rate not till the autumn. I may have to be out of London myself a good deal this summer. Of course if you should find the malaise recurring, which I do not anticipate, you must come and see me. If I am out of town, you can see my colleague.’ He scribbled a name and address on a sheet of paper.
I left the house feeling considerably puzzled. Dr Newhover, who on my first visit had made a great to-do about my health, seemed now to want to be quit of me. His manner was exactly that of a busy doctor dealing with a malade imaginaire. The odd thing was that I was really beginning to feel rather seedy, a punishment for my former pretence. It may have been the reaction of my mental worry, but I had the sort of indefinite out-of-sorts feeling which I believe precedes an attack of influenza. Only had hitherto been immune from influenza.
That night I had another of Sandy’s communications, a typed half-sheet with a Paris postmark.
‘Keep close to M.,’ it ran. ‘Do everything he wants. Make it clear that you have broken for ever with me. This is desperately important.’
It was signed ‘Buchan,’ a horse which Sandy seemed to think had been a Derby winner. He knew no more about racing than I knew of Chinese.
Next morning I woke with a bad taste in my mouth and a feeling that I had probably a bout of malaria due me. Now I had had no malaria since the autumn of ‘17, and I didn’t like the prospect of the revisitation. However, as the day wore on, I felt better, and by midday I concluded I was not going to be ill. But all the same I was as jumpy as a cat in a thunderstorm. I had the odd sense of anticipation, which I used to have before a battle, a lurking excitement by no means pleasant—not exactly apprehension, but first cousin to it. It made me want to see Medina, as if there was something between him and me that I ought to get over.
All afternoon this dentist-anteroom atmosphere hung about me, and I was almost relieved when about five o’clock I got a telephone message from Hill Street asking me to come there at six. I went round to the Bath Club and had a swim and a shampoo, and then started for the house. On the way there I had those tremors in my legs and coldness in the pit of the stomach which brought back my childish toothaches. Yes, that was it. I felt exactly like a small boy setting off with dreadful anticipations to have a tooth drawn, and not all my self-contempt could cure me of my funk. The house when I reached it seemed larger and lonelier than ever, and the April evening had darkened down to a scurry of chill dusty winds under a sky full of cloud.
Odell opened the door to me, and took me to the back of the hall, where I found a lift which I had not known existed. We went up to the top of the house, and I realised that I was about to enter again the library where before I had so strangely spent the midnight hours.
The curtains were drawn, shutting out the bleak spring twilight, and the room was warmed by, and. had for its only light, a great fire of logs. I smelt more than wood smoke; there was peat burning among the oak billets. The scent recalled, not the hundred times when I had sniffed peat-reek in happy places, but the flavour of the room in Palmyra Square when I had lain with bandaged eyes and felt light fingers touch my face. I had suddenly a sense that I had taken a long stride forward, that something fateful was about to happen, and my nervousness dropped from me like a cloak.
Medina was standing before the hearth, but his was not the figure that took my eyes. There was another person in the room, a woman. She sat in the high-backed chair which he had used on the former night, and she sat in it as if it were a throne. The firelight lit her face, and I saw that it was very old, waxen with age, though the glow made the wax rosy. Her dress was straight and black like a gaberdine, and she had thick folds of lace at her wrists and neck. Wonderful hair, masses of it, was piled on her head, and it was snow-white and fine as silk. Her hands were laid on the arms of the chair, and hands more delicate and shapely I have never seen, though they had also the suggestion of a furious power, like the talons of a bird of prey.
But it was the face that took away my breath. I have always been a great admirer of the beauty of old age, especially in women, but this was a beauty of which I had never dreamed. It was a long face, and the features were large, though exquisitely cut and perfectly proportioned. Usually in an old face there is a certain loosening of muscles or blurring of contours, which detracts from sheer beauty but gives another kind of charm, But in this face there was no blurring or loosening; the mouth was as firm, the curve of the chin as rounded, the arch of the eyes as triumphant as in some proud young girl.
And then I saw that the eyes which were looking at the fire were the most remarkable things of all. Even in that half-light I could see that they were brightly, vividly blue. There was no film or blearing to mar their glory. But I saw also that they were sightless. How I knew it I do not know, for there was no physical sign of it, but my conviction was instantaneous and complete. These star-like things were turned inward. In most blind people the eyes are like marbles, dead windows in an empty house; but—how shall I describe it?—these were blinds drawn in a room which was full of light and movement, stage curtains behind which some great drama was always set. Blind though they were, they seemed to radiate an ardent vitality, to glow and flash like the soul within.
I realised that it was the most wonderful face of a woman I had ever looked on. And I realised in the same moment that I hated it, that the beauty of it was devilish, and the soul within was on fire with all the hatred of Hell.
‘Hannay,’ I heard Medina’s voice, ‘I have brought you here because I wish to present you to my mother.’
I behaved just like somebody in a play. I advanced to her chair, lifted one of the hands, and put it to my lips. That seemed to me the right thing to do. The face turned towards me, and broke into a smile, the kind of smile you may see on the marble of a Greek goddess.
The woman spoke to Medina in a tongue which was strange to me, and he replied. There seemed to be many questions and answers, but I did not trouble to try to catch a word I knew. I was occupied with the voice. I recognised in it those soft tones which had crooned over me as I lay in the room in Palmyra Square.
I had discovered who had been the third person in that scene.
Then it spoke to me in English, with that odd lilting accent I had tried in vain to trace.
‘You are a friend of Dominick, and I am glad to meet you, Sir Richard Hannay. My son has told me about you. Will you bring a chair and sit close to me?’
I pulled up a long low armchair, so long and low that the sitter was compelled almost to recline. My head was on a level with the hand which lay on the arm of her chair. Suddenly I felt that hand laid on my head; and I recognised her now by touch as well as voice.
‘I am
