lake below, Black-Forest Baden was the sprightliest’ of the ante-chambers of Hades. Thither in the ripeness of the year trooped the devotees of the sable goddess to perform sacrifice; and annually among them the beautiful Livia, the Countess of Fleetwood; for nowhere else had she sensation of the perfect repose which is rocked to a slumber by gales.
She was not of the creatures who are excited by an atmosphere of excitement; she took it as the nymph of the stream her native wave, and swam on the flood with expansive languor, happy to have the master passions about her; one or two of which her dainty hand caressed, fearless of a sting; the lady petted them as her swans. It surprised her to a gentle contempt of men and women, that they should be ruffled either by love or play. A withholding from the scene will naturally arouse disturbing wishes; but to be present lulls; for then we live, we are in our element. And who could expect, what sane person can desire, perpetual good luck? Fortune, the goddess, and young Love, too, are divine in their mutability: and Fortune would resemble a humdrum housewife, Love a droning husband, if constancy were practised by them. Observe the staggering and plunging of the blindfold wretch seeking to be persuaded of their faithfulness.
She could make for herself a quiet centre in the heart of the whirlwind, but the whirlwind was required. The clustered lights at the corner of the vale under forest hills, the burst of music, the blazing windows of the saloons of the Furies, and the gamblers advancing and retreating, with their totally opposite views of consequences, and fashions of wearing or tearing the mask; and closer, the figures shifting up and down the promenade, known and unknown faces, and the histories half known, half woven, weaving fast, which flew their threads to provoke speculation; pleasantly embraced and diverted the cool-blooded lady surrounded by her courtiers, who could upon occasion supply the luminous clue or anecdote. She had an intuitive liveliness to detect interchanges of eyes, the shuttle of intrigue; the mild hypocrisy, the clever audacity, the suspicion confirmed, the complication threatening to become resonant and terrible; and the old crossing the young and the young outwitting the old, wiles of fair traitors and dark, knaves of all suits of the pack. A more intimate acquaintance with their lineaments inspired a regard for them, such as poets may feign the throned high moon to entertain for objects causing her rays to flash.
The simple fools, performing in character, were a neutral people, grotesques and arabesques wreathed about the margins of the scene. Venus or Fortune smote them to a relievo distinguishing one from another. Here, however, as elsewhere, the core of interest was with the serious population, the lovers and the players in earnest, who stood round the furnace and pitched themselves into it, not always under a miscalculation of their chances of emerging transfigured instead of serving for fuel. These, the tragical children of folly, were astute: they played with lightning, and they knew the conditions of the game; victories were to be had.
The ulterior conditions of the game, the price paid for a victory, they thought little of: for they were feverish worshippers of the phantasmal deity called the Present; a god reigning over the Past, appreciable only in the Future; whose whiff of actual being is composed of the embryo idea of the union of these two periods. Still he is occasionally a benevolent god to the appetites; which have but to be continuous to establish him in permanence; and as nothing in us more readily supposes perpetuity than the appetite rushing to destroy itself, the rational nature of the most universal worship on earth is perceived at once.
Now, the price paid for a victory is this: that having been favoured in a single instance by the spouse of the aforesaid eminent divinity—the Black Goddess of the golden fringes—men believe in her for ever after, behold her everywhere, they belong to her. Their faith as to sowing and reaping has gone; and so has their capacity to see the actual as it is: she has the power to attach them to her skirts the more by rewarding their impassioned devotion with cuffs and scorns. They have ceased to have a first notion upon anything without a second haunting it, which directs them to propitiate Fortune.
But I am reminded by the convulsions of Dame Gossip, that the wisdom of our ancestors makes it a mere hammering of commonplace to insist on such reflections. Many of them, indeed, took the union of the Black Goddess and the Rosy Present for the composition of the very Arch-Fiend. Some had a shot at the strange conjecture, figuring her as tired of men in the end and challengeing him below—equally tired of his easy conquests of men since the glorious old times of the duelling saints. By virtue of his one incorrigible weakness, which we know him to have as long as we have it ourselves: viz., the belief in her existence, she is to get the better of him.
Upon this point the experience of Captain Abrane has a value. Livia was a follower of the Red and Black and the rounding ball in the person of the giant captain, through whom she received her succession of sweetly teasing thrills and shocks, as one of the adventurous company they formed together. The place was known to him as the fair Philistine to another muscular hero; he had been shorn there before, and sent forth tottering, treating the friends he met as pillars to fall with him; and when the operation was done thoroughly, he pronounced himself refreshed by it, like a more sensible Samson, the cooler for his clipping. Then it was that he relapsed undistractedly upon processes of his mind and he often said he thought Fortune would beat the devil.
Her power is shown in the moving of her solicitors to think, instantly after they have made their cast, that the reverse of it was what they intended. It comes as though she had withdrawn the bandage from her forehead and dropped a leaden glance on them, like a great dame angry to have her signal misinterpreted. Well, then, distinguished by the goddess in such a manner, we have it proved to us how she wished to favour: for the reverse wins, and we who are pinched blame not her cruelty but our blind folly. This is true worship. Henceforth the pain of her nip is mingled with the dream of her kiss; between the positive and the imagined of her we remain confused until the purse is an empty body on a gallows, honour too, perhaps.
Captain Abrane was one of the Countess Livia’s numerous courtiers on the border of the promenade under the lighted saloons. A colossus inactive, he had little to say among the chattering circle; for when seated, cards were wanted to animate him: and he looked entirely out of place and unfitted, like a great vessel’s figure-head in a shipwright’s yard.
She murmured: ‘Not this evening?’
Abrane quoted promptly a line of nursery song ‘How shall he cut it without e’er a knife?’
‘Have we run it down so low?’ said she, with no reproach in her tone.
The captain shrugged over his clean abyss, where nothing was.
Yesterday their bank presented matronly proportions. But an importuned goddess reduces the most voluminous to bare stitches within a few winks of an eye.
Livia turned to a French gentleman of her court, M. de St. Ombre, and pursued a conversation. He was a stately cavalier of the Gallicized Frankish outlines, ready, but grave in his bearing, grave in his delivery, trimly moustached, with a Guise beard.
His profound internal question relating to this un-English beauty of the British Isles:—had she no passion in her nature? was not convinced by her apparent insensibility to Fortune’s whips.
Sir Meeson Corby inserted a word of Bull French out of place from time to time.
As it might be necessary to lean on the little man for weapons of war, supposing Lord Fleetwood delayed his arrival yet another day, Livia was indulgent. She assisted him to think that he spoke the foreign tongue.
Mention of Lord Fleetwood set Sir Meeson harping again on his alarms, in consideration of the vagabond object of the young lord had roamed away with.
‘You forget that Russett has gypsy in him: Welsh! it’s about the same,’ said Livia. ‘He can take excellent care of himself and his purse.’
‘Countess, he is a good six days
