Poems by Walt Whitman. Walt Whitman

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Poems by Walt Whitman - Walt  Whitman

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that the corpse is slowly borne from the eating and sleeping rooms of the house; perceives that it waits a little while in the door, that it was fittest for its days, that its action has descended to the stalwart and well-shaped heir who approaches, and that he shall be fittest for his days.

      The Americans, of all nations at any time upon the earth, have probably the fullest poetical Nature. The United States themselves are essentially the greatest poem. In the history of the earth hitherto the largest and most stirring appear tame and orderly to their ampler largeness and stir. Here at last is something in the doings of man that corresponds with the broadcast doings of the day and night. Here is not merely a nation, but a teeming nation of nations. Here is action untied from strings, necessarily blind to particulars and details, magnificently moving in vast masses.

      Here is the hospitality which for ever indicates heroes. Here are the roughs and beards and space and ruggedness and nonchalance that the soul loves. Here the performance, disdaining the trivial, unapproached in the tremendous audacity of its crowds and groupings and the push of its perspective, spreads with crampless and flowing breadth, and showers its prolific and splendid extravagance. One sees it must indeed own the riches of the summer and winter, and need never be bankrupt while corn grows from the ground, or the orchards drop apples, or the bays contain fish, or men beget children.

      Other states indicate themselves in their deputies: but the genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlours, nor even in its newspapers or inventors, but always most in the common people. Their manners, speech, dress, friendships—the freshness and candour of their physiognomy—the picturesque looseness of their carriage—their deathless attachment to freedom—their aversion to anything indecorous or soft or mean—the practical acknowledgment of the citizens of one state by the citizens of all other states—the fierceness of their roused resentment—their curiosity and welcome of novelty—their self-esteem and wonderful sympathy—their susceptibility to a slight—the air they have of persons who never knew how it felt to stand in the presence of superiors—the fluency of their speech—their delight in music, the sure symptom of manly tenderness and native elegance of soul—their good temper and open- handedness—the terrible significance of their elections, the President's taking off his hat to them, not they to him—these too are unrhymed poetry. It awaits the gigantic and generous treatment worthy of it.

      The largeness of nature or the nation were monstrous without a corresponding largeness and generosity of the spirit of the citizen. Not nature, nor swarming states, nor streets and steamships, nor prosperous business, nor farms nor capital nor learning, may suffice for the ideal of man, nor suffice the poet. No reminiscences may suffice either. A live nation can always cut a deep mark, and can have the best authority the cheapest—namely, from its own soul. This is the sum of the profitable uses of individuals or states, and of present action and grandeur, and of the subjects of poets.—As if it were necessary to trot back generation after generation to the eastern records! As if the beauty and sacredness of the demonstrable must fall behind that of the mythical! As if men do not make their mark out of any times! As if the opening of the western continent by discovery, and what has transpired since in North and South America, were less than the small theatre of the antique, or the aimless sleep-walking of the Middle Ages! The pride of the United States leaves the wealth and finesse of the cities, and all returns of commerce and agriculture, and all the magnitude or geography or shows of exterior victory, to enjoy the breed of full-sized men, or one full-sized man unconquerable and simple.

      The American poets are to enclose old and new; for America is the race of races. Of them a bard is to be commensurate with a people. To him the other continents arrive as contributions: he gives them reception for their sake and his own sake. His spirit responds to his country's spirit: he incarnates its geography and natural life and rivers and lakes. Mississippi with annual freshets and changing chutes, Missouri and Columbia and Ohio and Saint Lawrence with the Falls and beautiful masculine Hudson, do not embouchure where they spend themselves more than they embouchure into him. The blue breadth over the inland sea of Virginia and Maryland, and the sea off Massachusetts and Maine, and over Manhattan Bay, and over Champlain and Erie, and over Ontario and Huron and Michigan and Superior, and over the Texan and Mexican and Floridian and Cuban seas, and over the seas off California and Oregon, is not tallied by the blue breadth of the waters below more than the breadth of above and below is tallied by him. When the long Atlantic coast stretches longer, and the Pacific coast stretches longer, he easily stretches with them north or south. He spans between them also from east to west, and reflects what is between them. On him rise solid growths that offset the growths of pine and cedar and hemlock and live-oak and locust and chestnut and cypress and hickory and lime-tree and cottonwood and tulip-tree and cactus and wild-vine and tamarind and persimmon, and tangles as tangled as any cane-brake or swamp, and forests coated with transparent ice and icicles, hanging from the boughs and crackling in the wind, and sides and peaks of mountains, and pasturage sweet and free as savannah or upland or prairie—with flights and songs and screams that answer those of the wild-pigeon and high-hold and orchard- oriole and coot and surf-duck and red-shouldered-bawk and fish-hawk and white-ibis and Indian-hen and cat-owl and water-pheasant and qua-bird and pied-sheldrake and blackbird and mocking-bird and buzzard and condor and night-heron and eagle. To him the hereditary countenance descends, both mother's and father's. To him enter the essences of the real things and past and present events—of the enormous diversity of temperature and agriculture and mines—the tribes of red aborigines—the weather-beaten vessels entering new ports, or making landings on rocky coasts—the first settlements north or south—the rapid stature and muscle—the haughty defiance of '76, and the war and peace and formation of the constitution—the union always surrounded by blatherers, and always calm and impregnable—the perpetual coming of immigrants—the wharf-hemmed cities and superior marine—the unsurveyed interior—the loghouses and clearings and wild animals and hunters and trappers—the free commerce—the fisheries and whaling and gold-digging—the endless gestations of new states—the convening of Congress every December, the members duly coming up from all climates and the uttermost parts—the noble character of the young mechanics and of all free American workmen and workwomen—the general ardour and friendliness and enterprise—the perfect equality of the female with the male—the large amativeness—the fluid movement of the population—the factories and mercantile life and labour-saving machinery—the Yankee swap—the New York firemen and the target excursion—the Southern plantation life—the character of the north-east and of the north- west and south-west-slavery, and the tremulous spreading of hands to protect it, and the stern opposition to it which shall never cease till it ceases, or the speaking of tongues and the moving of lips cease. For such the expression of the American poet is to be transcendent and new. It is to be indirect, and not direct or descriptive or epic. Its quality goes through these to much more. Let the age and wars of other nations be chanted, and their eras and characters be illustrated, and that finish the verse. Not so the great psalm of the republic. Here the theme is creative, and has vista. Here comes one among the well-beloved stone-cutters, and plans with decision and science, and sees the solid and beautiful forms of the future where there are now no solid forms.

      Of all nations, the United States, with veins full of poetical stuff, most needs poets, and will doubtless have the greatest, and use them the greatest. Their Presidents shall not be their common referee so much as their poets shall. Of all mankind, the great poet is the equable man. Not in him, but off from him, things are grotesque or eccentric, or fail of their sanity. Nothing out of its place is good, and nothing in its place is bad. He bestows on every object or quality its fit proportions, neither more nor less. He is the arbiter of the diverse, and he is the key. He is the equaliser of his age and land: he supplies what wants supplying, and checks what wants checking. If peace is the routine, out of him speaks the spirit of peace, large, rich, thrifty, building vast and populous cities, encouraging agriculture and the arts and commerce—lighting the study of man, the soul, immortality—federal, state or municipal government, marriage, health, free-trade, intertravel by land and sea—nothing too close, nothing too far off—the stars not too far off. In war, he is the most deadly force of the war. Who recruits him recruits horse

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