of which, and just as it is preparing to mount up on the other side, it passes a toll-bar and issues at once into the open country. Even as I write these words, they are becoming antiquated in the progress of events, and the chisels are tinkling on a new row of houses. The builders have at length adventured beyond the toll which held them in respect so long, and proceed to career in these fresh pastures like a herd of colts turned loose. As Lord Beaconsfield proposed to hang an architect by way of stimulation, a man, looking on these doomed meads, imagines a similar example to deter the builders; for it seems as if it must come to an open fight at last to preserve a corner of green country unbedevilled. And here, appropriately enough, there stood in old days a crow-haunted gibbet, with two bodies hanged in chains. I used to be shown, when a child, a flat stone in the roadway to which the gibbet had been fixed. People of a willing fancy were persuaded, and sought to persuade others, that this stone was never dry. And no wonder, they would add, for the two men had only stolen fourpence between them.
For about two miles the road climbs upwards, a long hot walk in summer time. You reach the summit at a place where four ways meet, beside the toll of Fairmilehead. The spot is breezy and agreeable both in name and aspect. The hills are close by across a valley: Kirk Yetton, with its long, upright scars visible as far as Fife, and Allermuir the tallest on this side: with wood and tilled field running high up on their borders, and haunches all moulded into innumerable glens and shelvings and variegated with heather and fern. The air comes briskly and sweetly off the hills, pure from the elevation, and rustically scented by the upland plants; and even at the toll, you may hear the curlew calling on its mate. At certain seasons, when the gulls desert their surfy forelands, the birds of sea and mountain hunt and scream together in the same field by Fairmilehead. The winged, wild things intermix their wheelings, the seabirds skim the treetops and fish among the furrows of the plough. These little craft of air are at home in all the world, so long as they cruise in their own element; and like sailors, ask but food and water from the shores they coast.
Below, over a stream, the road passes Bow Bridge, now a dairy-farm, but once a distillery of whisky. It chanced, some time in the past century, that the distiller was on terms of good-fellowship with the visiting officer of excise. The latter was of an easy, friendly disposition, and a master of convivial arts. Now and again, he had to walk out of Edinburgh to measure the distiller’s stock; and although it was agreeable to find his business lead him in a friend’s direction, it was unfortunate that the friend should be a loser by his visits. Accordingly, when he got about the level of Fairmilehead, the gauger would take his flute, without which he never travelled, from his pocket, fit it together, and set manfully to playing, as if for his own delectation and inspired by the beauty of the scene. His favourite air, it seems, was “Over the Hills and Far Away.” At the first note, the distiller pricked his ears. A flute at Fairmilehead? and playing, “Over the Hills and Far Away”? This must be his friendly enemy, the gauger. Instantly, horses were harnessed, and sundry barrels of whisky were got upon a cart, driven at a gallop round Hill End, and buried in the mossy glen behind Kirk Yetton. In the same breath, you may be sure, a fat fowl was put to the fire, and the whitest napery prepared for the back parlour. A little after, the gauger, having had his fill of music for the moment, came strolling down with the most innocent air imaginable, and found the good people at Bow Bridge taken entirely unawares by his arrival, but none the less glad to see him. The distiller’s liquor and the gauger’s flute would combine to speed the moments of digestion; and when both were somewhat mellow, they would wind up the evening with “Over the Hills and Far Away,” to an accompaniment of knowing glances. And at least there is a smuggling story, with original and half-idyllic features.
A little farther, the road to the right passes an upright stone in a field. The country people call it General Kay’s monument. According to them, an officer of that name had perished there in battle at some indistinct period before the beginning of history. The date is reassuring; for I think cautious writers are silent on the General’s exploits. But the stone is connected with one of those remarkable tenures of land which linger on into the modern world from Feudalism. Whenever the reigning sovereign passes by, a certain landed proprietor is held bound to climb on to the top, trumpet in hand, and sound a flourish according to the measure of his knowledge in that art. Happily for a respectable family, crowned heads have no great business in the Pentland Hills. But the story lends a character of comicality to the stone; and the passer-by will sometimes chuckle to himself.
The district is dear to the superstitious. Hard by, at the back-gate of Comiston, a belated carter beheld a lady in white, “with the most beautiful, clear shoes upon her feet,” who looked upon him in a very ghastly manner, and then vanished; and just in front is the Hunters’ Tryst, once a roadside inn, and not so long ago haunted by the devil in person. Satan led the inhabitants a pitiful existence. He shook the four corners of the building with lamentable outcries, beat at the doors and windows, overthrew crockery in the dead hours of the morning, and danced unholy dances on the roof. Every kind of spiritual disinfectant was put in requisition; chosen ministers were summoned out of Edinburgh and prayed by the hour; pious neighbours sat up all night making a noise of psalmody; but Satan minded them no more than the wind about the hilltops; and it was only after years of persecution, that he left the Hunters’ Tryst in peace to occupy himself with the remainder of mankind. What with General Kay, and the white lady, and this singular visitation, the neighbourhood offers great facilities to the makers of sun-myths; and without exactly casting in one’s lot with that disenchanting school of writers, one cannot help hearing a good deal of the winter wind in the last story. “That nicht,” says Burns, in one of his happiest moments, —
“That nicht a child might understand
The deil had business on his hand.”
And if people sit up all night in lone places on the hills, with Bibles and tremulous psalms, they will be apt to hear some of the most fiendish noises in the world: the wind will beat on doors and dance upon roofs for them, and make the hills howl around their cottage with a clamour like the Judgment Day.
The road goes down through another valley, and then finally begins to scale the main slope of the Pentlands. A bouquet of old trees stands round a white farmhouse; and from a neighbouring dell, you can see smoke rising and leaves ruffling in the breeze. Straight above, the hills climb a thousand feet into the air. The neighbourhood, about the time of lambs, is clamorous with the bleating of flocks; and you will be awakened, in the grey of early summer mornings, by the barking of a dog or the voice of a shepherd shouting to the echoes. This, with the hamlet lying behind unseen, is Swanston.
The place in the dell is immediately connected with the city. Long ago, this sheltered field was purchased by the Edinburgh magistrates for the sake of the springs that rise or gather there. After they had built their water-house and laid their pipes, it occurred to them that the place was suitable for junketing. Once entertained, with jovial magistrates and public funds, the idea led speedily to accomplishment; and Edinburgh could soon boast of a municipal Pleasure House. The dell was turned into a garden; and on the knoll that shelters it from the plain and the sea winds, they built a cottage looking to the hills. They brought crockets and gargoyles from old St. Giles’s, which they were then restoring, and disposed them on the gables and over the door and about the garden; and the quarry which had supplied them with building material, they draped with clematis and carpeted with beds of roses. So much for the pleasure of the eye; for creature comfort, they made a capacious cellar in the hillside and fitted it with bins of the hewn stone. In process of time, the trees grew higher and gave shade to the cottage, and the evergreens sprang up and turned the dell into a thicket. There, purple magistrates relaxed themselves from the pursuit of municipal ambition; cocked hats paraded soberly about the garden and in and out among the hollies; authoritative canes drew ciphering upon the path; and at night, from high up on the hills, a shepherd saw lighted windows through the foliage and heard the voice of city dignitaries raised in song.
The farm is older. It was first a grange of Whitekirk Abbey, tilled and inhabited by rosy friars. Thence, after the Reformation, it passed into the hands of a true-blue Protestant family. During the Covenanting troubles, when a night conventicle was held upon the
