The Divine Comedy (Illustrated Edition). Dante Alighieri
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As one, who hath an ague fit so near,
His nails already are turn’d blue, and he
Quivers all o’er, if he but eye the shade;
Such was my cheer at hearing of his words.
But shame soon interpos’d her threat, who makes
The servant bold in presence of his lord.
I settled me upon those shoulders huge,
And would have said, but that the words to aid
My purpose came not, “Look thou clasp me firm!”
But he whose succour then not first I prov’d,
Soon as I mounted, in his arms aloft,
Embracing, held me up, and thus he spake:
“Geryon! now move thee! be thy wheeling gyres
Of ample circuit, easy thy descent.
Think on th’ unusual burden thou sustain’st.”
As a small vessel, back’ning out from land,
Her station quits; so thence the monster loos’d,
And when he felt himself at large, turn’d round
There where the breast had been, his forked tail.
Thus, like an eel, outstretch’d at length he steer’d,
Gath’ring the air up with retractile claws.
Not greater was the dread when Phaeton
The reins let drop at random, whence high heaven,
Whereof signs yet appear, was wrapt in flames;
Nor when ill-fated Icarus perceiv’d,
By liquefaction of the scalded wax,
The trusted pennons loosen’d from his loins,
His sire exclaiming loud, “Ill way thou keep’st!”
Than was my dread, when round me on each part
The air I view’d, and other object none
Save the fell beast. He slowly sailing, wheels
His downward motion, unobserv’d of me,
But that the wind, arising to my face,
Breathes on me from below. Now on our right
I heard the cataract beneath us leap
With hideous crash; whence bending down to’ explore,
New terror I conceiv’d at the steep plunge:
For flames I saw, and wailings smote mine ear:
So that all trembling close I crouch’d my limbs,
And then distinguish’d, unperceiv’d before,
By the dread torments that on every side
Drew nearer, how our downward course we wound.
As falcon, that hath long been on the wing,
But lure nor bird hath seen, while in despair
The falconer cries, “Ah me! thou stoop’st to earth!”
Wearied descends, and swiftly down the sky
In many an orbit wheels, then lighting sits
At distance from his lord in angry mood;
So Geryon lighting places us on foot
Low down at base of the deep-furrow’d rock,
And, of his burden there discharg’d, forthwith
Sprang forward, like an arrow from the string.
Footnotes
1 “The fell monster.” Fraud.
2 A purse, whereon the armorial bearings of each were emblazoned. According to Landino, our Poet implies that the usurer can pretend to no other honor than such as he derives from his purse and his family. The description of persons by their heraldic insignia is remarkable.
3 “A yellow purse.” The arms of the Gianfigliazzi of Florence.
4 The arms of the Ubbriachi, another Florentine family of high distinction.
5 The arms of the Scrovigni, a noble family of Padua.
6 Vitaliano del Dente, a Paduan.
7 Giovanni Bujamonti, the most infamous usurer of his time
Canto XVIII
ARGUMENT.—The Poet describes the situation and form of the eight circle, divided into ten gulfs, which contain as many different descriptions of fraudulent sinners; but in the present Canto he treats only of two sorts: the first is of those who, either for their own pleasure, or for that of another, have seduced any woman from her duty; and these are scourged of demons in the first gulf: the other sort is of flatterers, who in the second gulf are condemned to remain immersed in filth.
THERE is a place within the depths of hell
Call’d Malebolge, all of rock dark-stain’d
With hue ferruginous, e’en as the steep
That round it circling winds. Right in the midst
Of that abominable region, yawns
A spacious gulf profound, whereof the frame
Due time shall tell. The circle, that remains,
Throughout