The Complete Works: Poetry, Plays, Letters and Extensive Biographies. John Keats

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The Complete Works: Poetry, Plays, Letters and Extensive Biographies - John  Keats

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it smarted

      With over pleasure – many, many more,

      Might I indulge at large in all my store

      Of luxuries: yet I must not forget

      Sleep, quiet with his poppy coronet:

      For what there may be worthy in these rhymes

      I partly owe to him: and thus, the chimes

      Of friendly voices had just given place

      To as sweet a silence, when I ‘gan retrace

      The pleasant day, upon a couch at ease.

      It was a poet’s house who keeps the keys

      Of pleasure’s temple. Round about were hung

      The glorious features of the bards who sung

      In other ages – cold and sacred busts

      Smiled at each other. Happy he who trusts

      To clear Futurity his darling fame!

      Then there were fauns and satyrs taking aim

      At swelling apples with a frisky leap

      And reaching fingers, ‘mid a luscious heap

      Of vine leaves. Then there rose to view a fane

      Of liny marble, and thereto a train

      Of nymphs approaching fairly o’er the sward:

      One, loveliest, holding her white band toward

      The dazzling sunrise: two sisters sweet

      Bending their graceful figures till they meet

      Over the trippings of a little child:

      And some are hearing, eagerly, the wild

      Thrilling liquidity of dewy piping.

      See, in another picture, nymphs are wiping

      Cherishingly Diana’s timorous limbs; —

      A fold of lawny mantle dabbling swims

      At the bath’s edge, and keeps a gentle motion

      With the subsiding crystal: as when ocean

      Heaves calmly its broad swelling smoothiness o’er

      Its rocky marge, and balances once more

      The patient weeds; that now unshent by foam

      Feel all about their undulating home.

      Sappho’s meek head was there half smiling down

      At nothing; just as though the earnest frown

      Of over thinking had that moment gone

      From off her brow, and left her all alone.

      Great Alfred’s too, with anxious, pitying eyes,

      As if he always listened to the sighs

      Of the goaded world; and Kosciusko’s worn

      By horrid suffrance – mightily forlorn.

      Petrarch, outstepping from the shady green,

      Starts at the sight of Laura; nor can wean

      His eyes from her sweet face. Most happy they!

      For over them was seen a free display

      Of outspread wings, and from between them shone

      The face of Poesy: from off her throne

      She overlook’d things that I scarce could tell.

      The very sense of where I was might well

      Keep Sleep aloof: but more than that there came

      Thought after thought to nourish up the flame

      Within my breast; so that the morning light

      Surprised me even from a sleepless night;

      And up I rose refresh’d, and glad, and gay,

      Resolving to begin that very day

      These lines; and howsoever they be done,

      I leave them as a father does his son.

      To G. A. W

      Nymph of the downward smile, and sidelong glance,

      In what diviner moments of the day

      Art thou most lovely? When gone far astray

      Into the labyrinths of sweet utterance?

      Or when serenely wand’ring in a trance

      Of sober thought? Or when starting away,

      With careless robe, to meet the morning ray,

      Thou spar’st the flowers in thy mazy dance?

      Haply ’tis when thy ruby lips part sweetly,

      And so remain, because thou listenest:

      But thou to please wert nurtured so completely

      That I can never tell what mood is best.

      I shall as soon pronounce which grace more neatly

      Trips it before Apollo than the rest.

      To a Friend Who Sent Me Some Roses

      As late I rambled in the happy fields,

      What time the sky-lark shakes the tremulous dew

      From his lush clover covert; – when anew

      Adventurous knights take up their dinted shields:

      I saw the sweetest flower wild nature yields,

      A fresh-blown muskrose; ’twas the first that threw

      Its sweets upon the summer: graceful it grew

      As is the wand that queen Titania wields.

      And, as I feasted on its fragrancy,

      I thought the garden-rose it far excell’d:

      But when, O Wells! thy roses came to me

      My sense with their deliciousness was spell’d:

      Soft voices had they, that with tender plea

      Whisper’d of peace, and truth, and friendliness unquell’d.

      An Extempore

      From a Letter to George Keats and His Wife

      When they were come into the Faery’s Court

      They rang – no one at home – all gone to sport

      And dance and kiss and love as faeries do

      For Fa[e]ries be as humans, lovers true -

      Amid the woods they were, so lone and wild,

      Where even the Robin feels himself exil’d

      And where the very brooks as if afraid

      Hurry along to some less magic shade.

      ‘No one at home!’ the fretful princess cried

      ‘And all for nothing such a dre[a]ry ride,

      And all for nothing my new diamond cross,

      No one to see my Persian feathers toss,

      No one to see my Ape, my Dwarf, my Fool,

      Or how I pace my Otaheitan mule.

      Ape, Dwarf and Fool, why stand you gaping there?

      Burst the door open, quick – or I declare

      I’ll switch you soundly and in pieces tear.’

      The dwarf began to tremble and the ape

      Star’d at the fool, the fool was all agape,

      The Princess grasp’d her switch, but just in time

      The dwarf with piteous face began to

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