The Complete Works: Poetry, Plays, Letters and Extensive Biographies. John Keats

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The Complete Works: Poetry, Plays, Letters and Extensive Biographies - John  Keats

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would I pass an hour

      With random Friar, or Rake upon his tour,

      Or one of few of that imperial host’

      Who came unmaimed from the Russian frost.

      Tonight I’ll have my friar – let me think

      About my room, – I’ll have it in the pink;

      It should be rich and sombre, and the moon,

      Just in its mid-life in the midst of June,

      Should look thro’ four large windows and display

      Clear, but for gold-fish vases in the way,

      Their glassy diamonding on Turkish floor;

      The tapers keep aside, an hour and more,

      To see what else the moon alone can show;

      While the night-breeze doth softly let us know

      My terrace is well bower’d with oranges.

      Upon the floor the dullest spirit sees

      A guitar-ribband and a lady’s glove

      Beside a crumple-leaved tale of love;

      A tambour-frame, with Venus sleeping there,

      All finish’d but some ringlets of her hair;

      A viol, bowstrings torn, crosswise upon

      A glorious folio of Anacreon;

      A skull upon a mat of roses lying,

      Ink’d purple with a song concerning dying;

      An hourglass on the turn, amid the trails

      Of passion-flower; – just in time there sails

      A cloud across the moon, – the lights bring in!

      And see what more my phantasy can win.

      It is a gorgeous room, but somewhat sad;

      The draperies are so, as tho’ they had

      Been made for Cleopatra’s winding-sheet;

      And opposite the steadfast eye doth meet

      A spacious looking-glass, upon whose face,

      In letters raven-sombre, you may trace

      Old ‘Mene, Mene, Tekel, Upharsin.’

      Greek busts and statuary have ever been

      Held, by the finest spirits, fitter far

      Than vase grotesque and Siamesian jar;

      Therefore ’tis sure a want of Attic taste

      That I should rather love a Gothic waste

      Of eyesight on cinque-coloured” potter’s clay,

      Than on the marble fairness of old Greece.

      My table-coverlets of Jason’s fleece

      And black Numidian” sheep-wool should be wrought,

      Gold, black, and heavy, from the Lama brought.

      My ebon sofas should delicious be

      With down from Leda’s cygnet progeny.

      My pictures all Salvator’s, save a few

      Of Titian’s portraiture, and one, though new,

      Of Haydon’s in its fresh magnificence.

      My wine – O good! ’tis here at my desire,

      And I must sit to supper with my friar.

      Teignmouth

      ‘Some doggerel’ sent in a letter to B. R. Haydon

I

      Here all the summer could I stay.

      For there’s Bishop’s teign

      And King’s teign

      And Coomb at the clear teign head -

      Where close by the stream

      You may have your cream

      All spread upon barley bread.

II

      There’s Arch Brook

      And there’s Larch Brook

      Both turning many a mill;

      And cooling the drouth

      Of the salmon’s mouth,

      And fattening his silver gill.

III

      There is Wild wood,

      A mild hood

      To the sheep on the lea o’ the down,

      Where the golden furze.

      With its green, thin spurs,

      Doth catch at the maiden’s gown.

IV

      There is Newton marsh

      With its spear grass harsh -

      A pleasant summer level

      Where the maidens sweet

      Of the Market Street,

      Do meet in the dusk to revel.

V

      There’s the Barton rich

      With dyke and ditch

      And hedge for the thrush to live in

      And the hollow tree

      For the buzzing bee

      And a bank for the wasp to hive in.

VI

      And O, and O

      The daisies blow

      And the primroses are waken’d,

      And violets white

      Sit in silver plight,

      And the green bud’s as long as the spike end.

VII

      Then who would go

      Into dark Soho,

      And chatter with dack’d hair’d critics,

      When he can stay

      For the new-mown hay,

      And startle the dappled Prickets?

      The Fall of Hyperion

A DreamCANTO I

      Fanatics have their dreams, wherewith they weave

      A paradise for a sect; the savage too

      From forth the loftiest fashion of his sleep

      Guesses at Heaven; pity these have not

      Trac’d upon vellum or wild Indian leaf

      The shadows of melodious utterance.

      But bare of laurel they live, dream, and die;

      For Poesy alone can tell her dreams,

      With the fine spell of words alone can save

      Imagination from the sable charm

      And dumb enchantment. Who alive can say,

      ‘Thou art no Poet may’st not tell thy dreams?’

      Since every man whose soul is not a clod

      Hath visions, and would speak, if he had loved

      And been well nurtured in his mother tongue.

      Whether the dream now purpos’d to rehearse

      Be poet’s or fanatic’s will be known

      When this warm scribe my hand is in the grave.

      Methought I stood where trees of every clime,

      Palm, myrtle, oak, and sycamore, and beech,

      With plantain, and spice blossoms, made a screen;

      In

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