Why, they ain't hurt none. They jest bawl for their mammas. Sometimes, though, we hev to hurt one jest to find which is his mamma.”
“I want to know how you tell what brand to put on those calves that are separated from their mothers,” asked Madeline.
“Thet's decided by the round-up bosses. I've one boss an' Don Carlos has one. They decide everything, an' they hev to be obyed. There's Nick Steele, my boss. Watch him! He's ridin' a bay in among the cattle there. He orders the calves an' steers to be cut out. Then the cowboys do the cuttin' out an' the brandin'. We try to divide up the mavericks as near as possible.”
At this juncture Madeline's brother joined the group, evidently in search of Stillwell.
“Bill, Nels just rode in,” he said.
“Good! We sure need him. Any news of Danny Mains?”
“No. Nels said he lost the trail when he got on hard ground.”
“Wal, wal. Say, Al, your sister is sure takin' to the round-up. An' the boys are gettin' wise. See thet sun-of-a-gun Ambrose cuttin' capers all around. He'll sure do his prettiest. Ambrose is a ladies' man, he thinks.”
The two men and Florence joined in a little pleasant teasing of Madeline, and drew her attention to what appeared to be really unnecessary feats of horsemanship all made in her vicinity. The cowboys evinced their interest in covert glances while recoiling a lasso or while passing to and fro. It was all too serious for Madeline to be amused at that moment. She did not care to talk. She sat her horse and watched.
The lithe, dark vaqueros fascinated her. They were here, there, everywhere, with lariats flying, horses plunging back, jerking calves and yearlings to the grass. They were cruel to their mounts, cruel to their cattle. Madeline winced as the great silver rowels of the spurs went plowing into the flanks of their horses. She saw these spurs stained with blood, choked with hair. She saw the vaqueros break the legs of calves and let them lie till a white cowboy came along and shot them. Calves were jerked down and dragged many yards; steers were pulled by one leg. These vaqueros were the most superb horsemen Madeline had ever seen, and she had seen the Cossacks and Tatars of the Russian steppes. They were swift, graceful, daring; they never failed to catch a running steer, and the lassoes always went true. What sharp dashes the horses made, and wheelings here and there, and sudden stops, and how they braced themselves to withstand the shock!
The cowboys, likewise, showed wonderful horsemanship, and, reckless as they were, Madeline imagined she saw consideration for steed and cattle that was wanting in the vaqueros. They changed mounts oftener than the Mexican riders, and the horses they unsaddled for fresh ones were not so spent, so wet, so covered with lather. It was only after an hour or more of observation that Madeline began to realize the exceedingly toilsome and dangerous work cowboys had to perform. There was little or no rest for them. They were continually among wild and vicious and wide-horned steers. In many instances they owed their lives to their horses. The danger came mostly when the cowboy leaped off to tie and brand a calf he had thrown. Some of the cows charged with lowered, twisting horns. Time and again Madeline's heart leaped to her throat for fear a man would be gored. One cowboy roped a calf that bawled loudly. Its mother dashed in and just missed the kneeling cowboy as he rolled over. Then he had to run, and he could not run very fast. He was bow-legged and appeared awkward. Madeline saw another cowboy thrown and nearly run over by a plunging steer. His horse bolted as if it intended to leave the range. Then close by Madeline a big steer went down at the end of a lasso. The cowboy who had thrown it nimbly jumped down, and at that moment his horse began to rear and prance and suddenly to lower his head close to the ground and kick high. He ran round in a circle, the fallen steer on the taut lasso acting as a pivot. The cowboy loosed the rope from the steer, and then was dragged about on the grass. It was almost frightful for Madeline to see that cowboy go at his horse. But she recognized the mastery and skill. Then two horses came into collision on the run. One horse went down; the rider of the other was unseated and was kicked before he could get up. This fellow limped to his mount and struck at him, while the horse showed his teeth in a vicious attempt to bite.
All the while this ceaseless activity was going on there was a strange uproar—bawl and bellow, the shock of heavy bodies meeting and falling, the shrill jabbering of the vaqueros, and the shouts and banterings of the cowboys. They took sharp orders and replied in jest. They went about this stern toil as if it were a game to be played in good humor. One sang a rollicking song, another whistled, another smoked a cigarette. The sun was hot, and they, like their horses, were dripping with sweat. The characteristic red faces had taken on so much dust that cowboys could not be distinguished from vaqueros except by the difference in dress. Blood was not wanting on tireless hands. The air was thick, oppressive, rank with the smell of cattle and of burning hide.
Madeline began to sicken. She choked with dust, was almost stifled by the odor. But that made her all the more determined to stay there. Florence urged her to come away, or at least move back out of the worst of it. Stillwell seconded Florence. Madeline, however, smilingly refused. Then her brother said: “Here, this is making you sick. You're pale.” And she replied that she intended to stay until the day's work ended. Al gave her a strange look, and made no more comment. The kindly Stillwell then began to talk.
“Miss Majesty, you're seein' the life of the cattleman an' cowboy—the real thing—same as it was in the early days. The ranchers in Texas an' some in Arizona hev took on style, new-fangled idees thet are good, an' I wish we could follow them. But we've got to stick to the old-fashioned, open-range round-up. It looks cruel to you, I can see thet. Wal, mebbe so, mebbe so. Them Greasers are cruel, thet's certain. Fer thet matter, I never seen a Greaser who wasn't cruel. But I reckon all the strenuous work you've seen to-day ain't any tougher than most any day of a cowboy's life. Long hours on hossback, poor grub, sleepin' on the ground, lonesome watches, dust an' sun an' wind an' thirst, day in an' day out all the year round—thet's what a cowboy has.
“Look at Nels there. See, what little hair he has is snow-white. He's red an' thin an' hard—burned up. You notice thet hump of his shoulders. An' his hands, when he gets close—jest take a peep at his hands. Nels can't pick up a pin. He can't hardly button his shirt or untie a knot in his rope. He looks sixty years—an old man. Wal, Nels 'ain't seen forty. He's a young man, but he's seen a lifetime fer every year. Miss Majesty, it was Arizona thet made Nels what he is, the Arizona desert an' the work of a cowman. He's seen ridin' at Canyon Diablo an' the Verdi an' Tonto Basin. He knows every mile of Aravaipa Valley an' the Pinaleno country. He's ranged from Tombstone to Douglas. He hed shot bad white men an' bad Greasers before he was twenty-one. He's seen some life, Nels has. My sixty years ain't nothin'; my early days in the Staked Plains an' on the border with Apaches ain't nothin' to what Nels has seen an' lived through. He's just come to be part of the desert; you might say he's stone an' fire an' silence an' cactus an' force. He's a man, Miss Majesty, a wonderful man. Rough he'll seem to you. Wal, I'll show you pieces of quartz from the mountains back of my ranch an' they're thet rough they'd cut your hands. But there's pure gold in them. An' so it is with Nels an' many of these cowboys.
“An' there's Price—Monty Price. Monty stands fer Montana, where he hails from. Take a good look at him, Miss Majesty. He's been hurt, I reckon. Thet accounts fer him bein' without hoss or rope; an' thet limp. Wal, he's been ripped a little. It's sure rare an seldom thet a cowboy gets foul of one of them thousands of sharp horns; but it does happen.”
Madeline saw a very short, wizened little man, ludicrously bow-legged, with a face the color and hardness of a burned-out cinder. He was hobbling by toward the wagon, and one of his short, crooked legs dragged.
“Not much to look at, is he?” went on Stillwell. “Wal; I know it's natural thet we're all best pleased by good looks in any one, even a man. It hedn't ought to be thet way. Monty Price looks like hell. But appearances are sure deceivin'. Monty saw years of ridin' along the Missouri bottoms, the
