Character. Samuel Smiles

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Character - Samuel Smiles

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without being led to conclude that the object of such unchanging attachment must have been possessed of rare and commanding qualities. She was esteemed by the circle in which she lived, as a woman of great mental energy. Her conversation was animated and vigorous, and marked by a distinct originality of manner and a choice of topics fresh and striking, and out of the commonplace routine. To persons who were but slightly acquainted with her, the energy of her manner had even something of the air of eccentricity." 119

      Curran speaks with great affection of his mother, as a woman of strong original understanding, to whose wise counsel, consistent piety, and lessons of honourable ambition, which she diligently enforced on the minds of her children, he himself principally attributed his success in life. "The only inheritance," he used to say, "that I could boast of from my poor father, was the very scanty one of an unattractive face and person; like his own; and if the world has ever attributed to me something more valuable than face or person, or than earthly wealth, it was that another and a dearer parent gave her child a portion from the treasure of her mind." 1110

      When ex-President Adams was present at the examination of a girls' school at Boston, he was presented by the pupils with an address which deeply affected him; and in acknowledging it, he took the opportunity of referring to the lasting influence which womanly training and association had exercised upon his own life and character. "As a child," he said, "I enjoyed perhaps the greatest of blessings that can be bestowed on man—that of a mother, who was anxious and capable to form the characters of her children rightly. From her I derived whatever instruction [11religious especially, and moral] has pervaded a long life—I will not say perfectly, or as it ought to be; but I will say, because it is only justice to the memory of her I revere, that, in the course of that life, whatever imperfection there has been, or deviation from what she taught me, the fault is mine, and not hers."

      The Wesleys were peculiarly linked to their parents by natural piety, though the mother, rather than the father, influenced their minds and developed their characters. The father was a man of strong will, but occasionally harsh and tyrannical in his dealings with his family; 1111 while the mother, with much strength of understanding and ardent love of truth, was gentle, persuasive, affectionate, and simple. She was the teacher and cheerful companion of her children, who gradually became moulded by her example. It was through the bias given by her to her sons' minds in religious matters that they acquired the tendency which, even in early years, drew to them the name of Methodists. In a letter to her son, Samuel Wesley, when a scholar at Westminster in 1709, she said: "I would advise you as much as possible to throw your business into a certain METHOD, by which means you will learn to improve every precious moment, and find an unspeakable facility in the performance of your respective duties." This "method" she went on to describe, exhorting her son "in all things to act upon principle;" and the society which the brothers John and Charles afterwards founded at Oxford is supposed to have been in a great measure the result of her exhortations.

      In the case of poets, literary men, and artists, the influence of the mother's feeling and taste has doubtless had great effect in directing the genius of their sons; and we find this especially illustrated in the lives of Gray, Thomson, Scott, Southey, Bulwer, Schiller, and Goethe. Gray inherited, almost complete, his kind and loving nature from his mother, while his father was harsh and unamiable. Gray was, in fact, a feminine man—shy, reserved, and wanting in energy—but thoroughly irreproachable in life and character. The poet's mother maintained the family, after her unworthy husband had deserted her; and, at her death, Gray placed on her grave, in Stoke Pogis, an epitaph describing her as "the careful tender mother of many children, one of whom alone had the misfortune to survive her." The poet himself was, at his own desire, interred beside her worshipped grave.

      Goethe, like Schiller, owed the bias of his mind and character to his mother, who was a woman of extraordinary gifts. She was full of joyous flowing mother-wit, and possessed in a high degree the art of stimulating young and active minds, instructing them in the science of life out of the treasures of her abundant experience. 1112 After a lengthened interview with her, an enthusiastic traveller said, "Now do I understand how Goethe has become the man he is." Goethe himself affectionately cherished her memory. "She was worthy of life!" he once said of her; and when he visited Frankfort, he sought out every individual who had been kind to his mother, and thanked them all.

      It was Ary Scheffer's mother—whose beautiful features the painter so loved to reproduce in his pictures of Beatrice, St. Monica, and others of his works—that encouraged his study of art, and by great self-denial provided him with the means of pursuing it. While living at Dordrecht, in Holland, she first sent him to Lille to study, and afterwards to Paris; and her letters to him, while absent, were always full of sound motherly advice, and affectionate womanly sympathy. "If you could but see me," she wrote on one occasion, "kissing your picture, then, after a while, taking it up again, and, with a tear in my eye, calling you 'my beloved son,' you would comprehend what it costs me to use sometimes the stern language of authority, and to occasion to you moments of pain. * * * Work diligently—be, above all, modest and humble; and when you find yourself excelling others, then compare what you have done with Nature itself, or with the 'ideal' of your own mind, and you will be secured, by the contrast which will be apparent, against the effects of pride and presumption."

      Long years after, when Ary Scheffer was himself a grandfather, he remembered with affection the advice of his mother, and repeated it to his children. And thus the vital power of good example lives on from generation to generation, keeping the world ever fresh and young. Writing to his daughter, Madame Marjolin, in 1846, his departed mother's advice recurred to him, and he said: "The word MUST—fix it well in your memory, dear child; your grandmother seldom had it out of hers. The truth is, that through our lives nothing brings any good fruit except what is earned by either the work of the hands, or by the exertion of one's self-denial. Sacrifices must, in short, be ever going on if we would obtain any comfort or happiness. Now that I am no longer young, I declare that few passages in my life afford me so much satisfaction as those in which I made sacrifices, or denied myself enjoyments. 'Das Entsagen' [11the forbidden] is the motto of the wise man. Self-denial is the quality of which Jesus Christ set us the example." 1113

      The French historian Michelet makes the following touching reference to his mother in the Preface to one of his most popular books, the subject of much embittered controversy at the time at which it appeared:—

      "Whilst writing all this, I have had in my mind a woman, whose strong and serious mind would not have failed to support me in these contentions. I lost her thirty years ago [11I was a child then]—nevertheless, ever living in my memory, she follows me from age to age.

      "She suffered with me in my poverty, and was not allowed to share my better fortune. When young, I made her sad, and now I cannot console her. I know not even where her bones are: I was too poor then to buy earth to bury her!"

      "And yet I owe her much. I feel deeply that I am the son of woman. Every instant, in my ideas and words [11not to mention my features and gestures], I find again my mother in myself. It is my mother's blood which gives me the sympathy I feel for bygone ages, and the tender remembrance of all those who are now no more."

      "What return then could I, who am myself advancing towards old age, make her for the many things I owe her? One, for which she would have thanked me—this protest in favour of women and mothers." 1114

      But while a mother may greatly influence the poetic or artistic mind of her son for good, she may also influence it for evil. Thus the characteristics of Lord Byron—the waywardness of his impulses, his defiance of restraint, the bitterness of his hate, and the precipitancy of his resentments—were traceable in no small degree to the adverse influences exercised upon his mind from his birth by his capricious, violent, and headstrong mother. She even taunted her son with his personal deformity; and it was no unfrequent occurrence, in the violent quarrels which occurred between them, for her to take up the poker or tongs, and hurl them after him as he fled from her presence. 1115 It was this unnatural treatment that gave a morbid turn to Byron's after-life;

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