The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг

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The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated) - Вашингтон Ирвинг

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she sang, the agitation of Annette subsided. A streak of faint colour came into her cheeks; her eyelids became swoln with rising tears, which trembled there for a moment, and then, stealing forth, coursed down her pallid cheek. When the song was ended, she opened her eyes and looked about her, as one awakening in a strange place.

      “Oh, Eugene! Eugene!” said she, “it seems as if I have had a long and dismal dream; what has happened, and what has been the matter with me?”

      The questions were embarrassing; and before they could be answered, the physician, who was in the next room, entered. She took him by the hand, looked up in his face, and made the same inquiry. He endeavoured to put her off with some evasive answer;—”No, no!” cried she, “I know I have been ill, and I have been dreaming strangely. I thought Eugene had left us—and that he had gone to sea—and that—and that he was drowned!—But he has been to sea!” added she, earnestly, as recollection kept flashing upon her, “and he has been wrecked—and we were all so wretched—and he came home again one bright morning—and—Oh!” said she, pressing her hand against her forehead, with a sickly smile, “I see how it is; all has not been right here: I begin to recollect—but it is all past now—Eugene is here! and his mother is happy—and we shall never—never part again—shall we, Eugene?”

      She sunk back in her chair, exhausted; the tears streamed down her cheeks. Her companions hovered round her, not knowing what to make of this sudden dawn of reason. Her lover sobbed aloud. She opened her eyes again, and looked upon them with an air of the sweetest acknowledgment. “You are all so good to me!” said she, faintly.

      The physician drew the father aside. “Your daughter’s mind is restored,” said he; “she is sensible that she has been deranged; she is growing conscious of the past, and conscious of the present. All that now remains is to keep her calm and quiet until her health is reestablished, and then let her be married in God’s name!”

      “The wedding took place,” continued the good priest, “but a short time since; they were here at the last fête during their honeymoon, and a handsomer and happier couple was not to be seen as they danced under yonder trees. The young man, his wife, and mother, now live on a fine farm at Pont l’Eveque; and that model of a ship which you see yonder, with white flowers wreathed round it, is Annette’s offering of thanks to Our Lady of Grace, for having listened to her prayers, and protected her lover in the hour of peril.”

      The captain having finished, there was a momentary silence. The tender-hearted Lady Lillycraft, who knew the story by heart, had led the way in weeping, and indeed had often begun to shed tears before they had come to the right place.

      The fair Julia was a little flurried at the passage where wedding preparations were mentioned; but the auditor most affected was the simple Phoebe Wilkins. She had gradually dropt her work in her lap, and sat sobbing through the latter part of the story, until towards the end, when the happy reverse had nearly produced another scene of hysterics. “Go, take this case to my room again, child,” said Lady Lillycraft, kindly, “and don’t cry so much.”

      “I won’t, an’t please your ladyship, if I can help it;—but I’m glad they made all up again, and were married.”

      By the way, the case of this lovelorn damsel begins to make some talk in the household, especially among certain little ladies, not far in their teens, of whom she has made confidants. She is a great favourite with them all, but particularly so since she has confided to them her love secrets. They enter into her concerns with all the violent zeal and overwhelming sympathy with which little boarding-school ladies engage in the politics of a love affair.

      I have noticed them frequently clustering about her in private conferences, or walking up and down the garden terrace under my window, listening to some long and dolorous story of her afflictions; of which I could now and then distinguish the ever-recurring phrases, “says he,” and “says she.”

      I accidentally interrupted one of these little councils of war, when they were all huddled together under a tree, and seemed to be earnestly considering some interesting document. The flutter at my approach showed that there were some secrets under discussion; and I observed the disconsolate Phoebe crumpling into her bosom either a love-letter or an old valentine, and brushing away the tears from her cheeks.

      The girl is a good girl, of a soft melting nature, and shows her concern at the cruelty of her lover only in tears and drooping looks; but with the little ladies who have espoused her cause, it sparkles up into fiery indignation: and I have noticed on Sunday many a glance darted at the pew of the Tibbets’s, enough even to melt down the silver buttons on old Ready Money’s jacket.

      DOLPH HEYLIGER.

       Table of Contents

      “I take the town of Concord, where I dwell,

       All Kilborn be my witness, if I were not

       Begot in bashfulness, brought up in shamefacedness.

       Let ‘un bring a dog but to my vace that can

       Zay I have beat ‘un, and without a vault;

       Or but a cat will swear upon a book,

       I have as much as zet a vire her tail,

       And I’ll give him or her a crown for ‘mends.”

      —Tale of a Tub.

      In the early time of the province of New-York, while it groaned under the tyranny of the English governor, Lord Cornbury, who carried his cruelties towards the Dutch inhabitants so far as to allow no Dominie, or schoolmaster, to officiate in their language, without his special license; about this time, there lived in the jolly little old city of the Manhattoes, a kind motherly dame, known by the name of Dame Heyliger. She was the widow of a Dutch sea-captain, who died suddenly of a fever, in consequence of working too hard, and eating too heartily, at the time when all the inhabitants turned out in a panic, to fortify the place against the invasion of a small French privateer. He left her with very little money, and one infant son, the only survivor of several children. The good woman had need of much management, to make both ends meet, and keep up a decent appearance. However, as her husband had fallen a victim to his zeal for the public safety, it was universally agreed that “something ought to be done for the widow;” and on the hopes of this “something” she lived tolerably for some years; in the meantime, every body pitied and spoke well of her; and that helped along.

      She lived in a small house, in a small street, called Garden-street, very probably from a garden which may have flourished there some time or other. As her necessities every year grew greater, and the talk of the public about doing “something for her” grew less, she had to cast about for some mode of doing something for herself, by way of helping out her slender means, and maintaining her independence, of which she was somewhat tenacious.

      Living in a mercantile town, she had caught something of the spirit, and determined to venture a little in the great lottery of commerce. On a sudden, therefore, to the great surprise of the street, there appeared at her window a grand array of gingerbread kings and queens, with their arms stuck a-kimbo, after the invariable royal manner. There were also several broken tumblers, some filled with sugar-plums, some with marbles; there were, moreover, cakes of various kinds, and barley sugar, and Holland dolls, and wooden horses, with here and there gilt-covered picture-books, and now and then a skein of thread, or a dangling pound of candles. At the door of the house sat the good old dame’s cat, a decent demure-looking

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