The Greatest Murder Mysteries of Émile Gaboriau. Emile Gaboriau

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The Greatest Murder Mysteries of Émile Gaboriau - Emile Gaboriau

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what time the train left for Etampes. Why did he choose Etampes? A train had just gone, and there would not be another one for two hours. He was much annoyed at this, and as he could not wait there two hours, he wended his way, to kill time, toward the Jardin des Plantes. He had not been there for ten or twelve years—not since, when at school, his teachers had brought him there to look at the animals. Nothing had changed. There were the groves and parterres, the lawns and lanes, the beasts and birds, as before. The principal avenue was nearly deserted. He took a seat opposite the mineralogical museum. He reflected on his position. He glanced back through the departed years, and did not find one day among those many days which had left him one of those gracious memories which delight and console. Millions had slipped through his prodigal hands, and he could not recall a single useful expenditure, a really generous one, amounting to twenty francs. He, who had had so many friends, searched his memory in vain for the name of a single friend whom he regretted to part from. The past seemed to him like a faithful mirror; he was surprised, startled at the folly of the pleasures, the inane delights, which had been the end and aim of his existence. For what had he lived? For others.

      “Ah, what a fool I was!” he muttered, “what a fool!”

      After living for others, he was going to kill himself for others. His heart became softened. Who would think of him, eight days hence? Not one living being. Yes—Jenny, perhaps. Yet, no. She would be consoled with a new lover in less than a week.

      The bell for closing the garden rang. Night had come, and a thick and damp mist had covered the city. The count, chilled to the bones, left his seat.

      “To the station again,” muttered he.

      It was a horrible idea to him now—this of shooting himself in the silence and obscurity of the forest. He pictured to himself his disfigured body, bleeding, lying on the edge of some ditch. Beggars or robbers would despoil him. And then? The police would come and take up this unknown body, and doubtless would carry it, to be identified, to the Morgue. “Never!” cried he, at this thought, “no, never!”

      How die, then? He reflected, and it struck him that he would kill himself in some second-class hotel on the left bank of the Seine.

      “Yes, that’s it,” said he to himself.

      Leaving the garden with the last of the visitors, he wended his way toward the Latin Quarter. The carelessness which he had assumed in the morning gave way to a sad resignation. He was suffering; his head was heavy, and he was cold.

      “If I shouldn’t die to-night,” he thought, “I shall have a terrible cold in the morning.”

      This mental sally did not make him smile, but it gave him the consciousness of being firm and determined. He went into the Rue Dauphinй and looked about for a hotel. Then it occurred to him that it was not yet seven o’clock, and it might arouse suspicions if he asked for a room at that early hour. He reflected that he still had over one hundred francs, and resolved to dine. It should be his last meal. He went into a restaurant and ordered it. But he in vain tried to throw off the anxious sadness which filled him. He drank, and consumed three bottles of wine without changing the current of his thoughts.

      The waiters were surprised to see him scarcely touch the dishes set before him, and growing more gloomy after each potation. His dinner cost ninety francs; he threw his last hundred-franc note on the table, and went out. As it was not yet late, he went into another restaurant where some students were drinking, and sat down at a table in the farther corner of the room. He ordered coffee and rapidly drank three or four cups. He wished to excite himself, to screw up his courage to do what he had resolved upon; but he could not; the drink seemed only to make him more and more irresolute.

      A waiter, seeing him alone at the table, offered him a newspaper. He took it mechanically, opened it, and read:

      “Just as we are going to press, we learn that a well-known person has disappeared, after announcing his intention to commit suicide. The statements made to us are so strange, that we defer details till to-morrow, not having time to send for fuller information now.”

      These lines startled Hector. They were his death sentence, not to be recalled, signed by the tyrant whose obsequious courtier he had always been—public opinion.

      “They will never cease talking about me,” he muttered angrily. Then he added, firmly, “Come, I must make an end of this.”

      He soon reached the Hotel Luxembourg. He rapped at the door, and was speedily conducted to the best room in the house. He ordered a fire to be lighted. He also asked for sugar and water, and writing materials. At this moment he was as firm as in the morning.

      “I must not hesitate,” he muttered, “nor recoil from my fate.”

      He sat down at the table near the fireplace, and wrote in a firm hand a declaration which he destined for the police.

      “No one must be accused of my death,” he commenced; and he went on by asking that the hotel-keeper should be indemnified.

      The hour by the clock was five minutes before eleven; he placed his pistols on the mantel.

      “I will shoot myself at midnight,” thought he. “I have yet an hour to live.”

      The count threw himself in an arm-chair and buried his face in his hands. Why did he not kill himself at once? Why impose on himself this hour of waiting, of anguish and torture? He could not have told. He began again to think over the events of his life, reflecting on the headlong rapidity of the occurrences which had brought him to that wretched room. How time had passed! It seemed but yesterday that he first began to borrow. It does little good, however, to a man who has fallen to the bottom of the abyss, to know the causes why he fell.

      The large hand of the clock had passed the half hour after eleven.

      He thought of the newspaper item which he had just read. Who furnished the information? Doubtless it was Jenny. She had come to her senses, tearfully hastened after him. When she failed to find him on the boulevard, she had probably gone to his house, then to his club, then to some of his friends. So that to-night, at this very moment, the world was discussing him.

      “Have you heard the news?”

      “Ah, yes, poor Tremorel! What a romance! A good fellow, only—”

      He thought he heard this “only” greeted with laughter and innuendoes. Time passed on. The ringing vibration of the clock was at hand; the hour had come.

      The count got up, seized his pistols, and placed himself near the bed, so as not to fall on the floor.

      The first stroke of twelve; he did not fire.

      Hector was a man of courage; his reputation for bravery was high. He had fought at least ten duels; and his cool bearing on the ground had always been admiringly remarked. One day he had killed a man, and that night he slept very soundly.

      But he did not fire.

      There are two kinds of courage. One, false courage, is that meant for the public eye, which needs the excitement of the struggle, the stimulus of rage, and the applause of lookers-on. The other, true courage, despises public opinion, obeys conscience, not passion; success does not sway it, it does its work noiselessly.

      Two minutes after twelve—Hector still held the pistol against his forehead.

      “Am I going to be afraid?” he asked himself.

      He

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