are new friends — and I pray God, Valeria, it may turn out that you have chosen well. Our house will be dreary enough without you; but I don’t complain, my dear. On the contrary, if this change in your life makes you happier, I rejoice. Come, come! don’t cry, or you will set your aunt off — and it’s no joke at her time of life. Besides, crying will spoil your beauty. Dry your eyes and look in the glass there, and you will see that I am right. Good-by, child — and God bless you!”
He tucked my aunt under his arm, and hurried out. My heart sank a little, dearly as I loved my husband, when I had seen the last of the true friend and protector of my maiden days.
The parting with old Benjamin came next. “I wish you well, my dear; don’t forget me,” was all he said. But the old days at home came back on me at those few words. Benjamin always dined with us on Sundays in my father’s time, and always brought some little present with him for his master’s child. I was very near to “spoiling my beauty” (as my uncle had put it) when I offered the old man my cheek to kiss, and heard him sigh to himself, as if he too were not quite hopeful about my future life.
My husband’s voice roused me, and turned my mind to happier thoughts.
“Shall we go, Valeria?” he asked.
I stopped him on our way out to take advantage of my uncle’s advice; in other words, to see how I looked in the glass over the vestry fireplace.
What does the glass show me?
The glass shows a tall and slender young woman of three-and-twenty years of age. She is not at all the sort of person who attracts attention in the street, seeing that she fails to exhibit the popular yellow hair and the popular painted cheeks. Her hair is black; dressed, in these later days (as it was dressed years since to please her father), in broad ripples drawn back from the forehead, and gathered into a simple knot behind (like the hair of the Venus de Medicis), so as to show the neck beneath. Her complexion is pale: except in moments of violent agitation there is no colour to be seen in her face. Her eyes are of so dark a blue that they are generally mistaken for black. Her eyebrows are well enough in form, but they are too dark and too strongly marked. Her nose just inclines toward the aquiline bend, and is considered a little too large by persons difficult to please in the matter of noses. The mouth, her best feature, is very delicately shaped, and is capable of presenting great varieties of expression. As to the face in general, it is too narrow and too long at the lower part, too broad and too low in the higher regions of the eyes and the head. The whole picture, as reflected in the glass, represents a woman of some elegance, rather too pale, and rather too sedate and serious in her moments of silence and repose — in short, a person who fails to strike the ordinary observer at first sight, but who gains in general estimation on a second, and sometimes on a third view. As for her dress, it studiously conceals, instead of proclaiming, that she has been married that morning. She wears a gray cashmere tunic trimmed with gray silk, and having a skirt of the same material and colour beneath it. On her head is a bonnet to match, relieved by a quilling of white muslin with one deep red rose, as a morsel of positive colour, to complete the effect of the whole dress.
Have I succeeded or failed in describing the picture of myself which I see in the glass? It is not for me to say. I have done my best to keep clear of the two vanities — the vanity of depreciating and the vanity of praising my own personal appearance. For the rest, well written or badly written, thank Heaven it is done!
And whom do I see in the glass standing by my side?
I see a man who is not quite so tall as I am, and who has the misfortune of looking older than his years. His forehead is prematurely bald. His big chestnut-coloured beard and his long overhanging mustache are prematurely streaked with gray. He has the colour in the face which my face wants, and the firmness in his figure which my figure wants. He looks at me with the tenderest and gentlest eyes (of a light brown) that I ever saw in the countenance of a man. His smile is rare and sweet; his manner, perfectly quiet and retiring, has yet a latent persuasiveness in it which is (to women) irresistibly winning. He just halts a little in his walk, from the effect of an injury received in past years, when he was a soldier serving in India, and he carries a thick bamboo cane, with a curious crutch handle (an old favorite), to help himself along whenever he gets on his feet, in doors or out. With this one little drawback (if it is a drawback), there is nothing infirm or old or awkward about him; his slight limp when he walks has (perhaps to my partial eyes) a certain quaint grace of its own, which is pleasanter to see than the unrestrained activity of other men. And last and best of all, I love him! I love him! I love him! And there is an end of my portrait of my husband on our wedding-day.
The glass has told me all I want to know. We leave the vestry at last.
The sky, cloudy since the morning, has darkened while we have been in the church, and the rain is beginning to fall heavily. The idlers outside stare at us grimly under their umbrellas as we pass through their ranks and hasten into our carriage. No cheering; no sunshine; no flowers strewn in our path; no grand breakfast; no genial speeches; no bridesmaids; no fathers or mother’s blessing. A dreary wedding — there is no denying it — and (if Aunt Starkweather is right) a bad beginning as well!
A coup has been reserved for us at the railway station. The attentive porter, on the lookout for his fee pulls down the blinds over the side windows of the carriage, and shuts out all prying eyes in that way. After what seems to be an interminable delay the train starts. My husband winds his arm round me. “At last!” he whispers, with love in his eyes that no words can utter, and presses me to him gently. My arm steals round his neck; my eyes answer his eyes. Our lips meet in the first long, lingering kiss of our married life.
Oh, what recollections of that journey rise in me as I write! Let me dry my eyes, and shut up my paper for the day.
Chapter II.
THE BRIDE’S THOUGHTS
We had been traveling for a little more than an hour when a change passed insensibly over us both.
Still sitting close together, with my hand in his, with my head on his shoulder, little by little we fell insensibly into silence. Had we already exhausted the narrow yet eloquent vocabulary of love? Or had we determined by unexpressed consent, after enjoying the luxury of passion that speaks, to try the deeper and finer rapture of passion that thinks? I can hardly determine; I only know that a time came when, under some strange influence, our lips were closed toward each other. We traveled along, each of us absorbed in our own reverie. Was he thinking exclusively of me — as I was thinking exclusively of him? Before the journey’s end I had my doubts; at a little later time I knew for certain that his thoughts, wandering far away from his young wife, were all turned inward on his own unhappy self.
For me the secret pleasure of filling my mind with him, while I felt him by my side, was a luxury in itself.
I pictured in my thoughts our first meeting in the neighbourhood of my uncle’s house.
Our famous north-country trout stream wound its flashing and foaming way through a ravine in the rocky moorland. It was a windy, shadowy evening. A heavily clouded sunset lay low and red in the west. A solitary angler stood casting his fly at a turn in the stream where the backwater lay still and deep under an overhanging bank. A girl (myself) standing on the bank, invisible to the fisherman beneath, waited eagerly to see the trout rise.
The moment came; the fish took the fly.
Sometimes on the little level strip of sand at the foot of the bank, sometimes (when the stream turned again) in the shallower
