The Rougon-Macquart: Complete 20 Book Collection. Эмиль Золя

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The Rougon-Macquart: Complete 20 Book Collection - Эмиль Золя

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redolent of rum, eclairs combining the finger biscuit with chocolate, and choux a la crème, little rounds of pastry overflowing with whipped white of egg. The glass jars full of dry biscuits, macaroons, and madeleines also made her mouth water; and the bright shop with its big mirrors, its marble slabs, its gilding, its bread-bins of ornamental ironwork, and its second window in which long glistening loaves were displayed slantwise, with one end resting on a crystal shelf whilst above they were upheld by a brass rod, was so warm and odoriferous of baked dough that her features expanded with pleasure when, yielding to temptation, she went in to buy a brioche for two sous.

      Another shop, one in front of the Square des Innocents, also filled her with gluttonous inquisitiveness, a fever of longing desire. This shop made a specialty of forcemeat pasties. In addition to the ordinary ones there were pasties of pike and pasties of truffled foie gras; and the girl would gaze yearningly at them, saying to herself that she would really have to eat one some day.

      Cadine also had her moments of vanity and coquetry. When these fits were on her, she bought herself in imagination some of the magnificent dresses displayed in the windows of the “Fabriques de France” which made the Pointe Saint Eustache gaudy with their pieces of bright stuff hanging from the first floor to the footway and flapping in the breeze. Somewhat incommoded by the flat basket hanging before her, amidst the crowd of market women in dirty aprons gazing at future Sunday dresses, the girl would feel the woollens, flannels, and cottons to test the texture and suppleness of the material; and she would promise herself a gown of bright-coloured flannelling, flowered print, or scarlet poplin. Sometimes even from amongst the pieces draped and set off to advantage by the window-dressers she would choose some soft sky-blue or apple-green silk, and dream of wearing it with pink ribbons. In the evenings she would dazzle herself with the displays in the windows of the big jewellers in the Rue Montmartre. That terrible street deafened her with its ceaseless flow of vehicles, and the streaming crowd never ceased to jostle her; still she did not stir, but remained feasting her eyes on the blazing splendour set out in the light of the reflecting lamps which hung outside the windows. On one side all was white with the bright glitter of silver: watches in rows, chains hanging, spoons and forks laid crossways, cups, snuffboxes, napkin-rings, and combs arranged on shelves. The silver thimbles, dotting a porcelain stand covered with a glass shade, had an especial attraction for her. Then on the other side the windows glistened with the tawny glow of gold. A cascade of long pendant chains descended from above, rippling with ruddy gleams; small ladies’ watches, with the backs of their cases displayed, sparkled like fallen stars; wedding rings clustered round slender rods; bracelets, broaches, and other costly ornaments glittered on the black velvet linings of their cases; jewelled rings set their stands aglow with blue, green, yellow, and violet flamelets; while on every tier of the shelves superposed rows of earrings and crosses and lockets hung against the crystal like the rich fringes of altar-cloths. The glow of this gold illumined the street half way across with a sunlike radiance. And Cadine, as she gazed at it, almost fancied that she was in presence of something holy, or on the threshold of the Emperor’s treasure chamber. She would for a long time scrutinise all this show of gaudy jewellery, adapted to the taste of the fishwives, and carefully read the large figures on the tickets affixed to each article; and eventually she would select for herself a pair of earrings — pear-shaped drops of imitation coral hanging from golden roses.

      One morning Claude caught her standing in ecstasy before a hairdresser’s window in the Rue Saint Honore. She was gazing at the display of hair with an expression of intense envy. High up in the window was a streaming cascade of long manes, soft wisps, loose tresses, frizzy falls, undulating comb-curls, a perfect cataract of silky and bristling hair, real and artificial, now in coils of a flaming red, now in thick black crops, now in pale golden locks, and even in snowy white ones for the coquette of sixty. In cardboard boxes down below were cleverly arranged fringes, curling side-ringlets, and carefully combed chignons glossy with pomade. And amidst this framework, in a sort of shrine beneath the ravelled ends of the hanging locks, there revolved the bust of a woman, arrayed in a wrapper of cherry-coloured satin fastened between the breasts with a brass brooch. The figure wore a lofty bridal coiffure picked out with sprigs of orange blossom, and smiled with a dollish smile. Its eyes were pale blue; its eyebrows were very stiff and of exaggerated length; and its waxen cheeks and shoulders bore evident traces of the heat and smoke of the gas. Cadine waited till the revolving figure again displayed its smiling face, and as its profile showed more distinctly and it slowly went round from left to right she felt perfectly happy. Claude, however, was indignant, and, shaking Cadine, he asked her what she was doing in front of “that abomination, that corpselike hussy picked up at the Morgue!” He flew into a temper with the “dummy’s” cadaverous face and shoulders, that disfigurement of the beautiful, and remarked that artists painted nothing but that unreal type of woman nowadays. Cadine, however, remained unconvinced by his oratory, and considered the lady extremely beautiful. Then, resisting the attempts of the artist to drag her away by the arm, and scratching her black mop in vexation, she pointed to an enormous ruddy tail, severed from the quarters of some vigorous mare, and told him she would have liked to have a crop of hair like that.

      During the long rambles when Claude, Cadine, and Marjolin prowled about the neighbourhood of the markets, they saw the iron ribs of the giant building at the end of every street. Wherever they turned they caught sudden glimpses of it; the horizon was always bounded by it; merely the aspect under which it was seen varied. Claude was perpetually turning round, and particularly in the Rue Montmartre, after passing the church. From that point the markets, seen obliquely in the distance, filled him with enthusiasm. A huge arcade, a giant, gaping gateway, was open before him; then came the crowding pavilions with their lower and upper roofs, their countless Venetian shutters and endless blinds, a vision, as it were, of superposed houses and palaces; a Babylon of metal of Hindoo delicacy of workmanship, intersected by hanging terraces, aerial galleries, and flying bridges poised over space. The trio always returned to this city round which they strolled, unable to stray more than a hundred yards away. They came back to it during the hot afternoons when the Venetian shutters were closed and the blinds lowered. In the covered ways all seemed to be asleep, the ashy greyness was streaked by yellow bars of sunlight falling through the high windows. Only a subdued murmur broke the silence; the steps of a few hurrying passersby resounded on the footways; whilst the badge-wearing porters sat in rows on the stone ledges at the corners of the pavilions, taking off their boots and nursing their aching feet. The quietude was that of a colossus at rest, interrupted at times by some cockcrow rising from the cellars below.

      Claude, Cadine, and Marjolin then often went to see the empty hampers piled upon the drays, which came to fetch them every afternoon so that they might be sent back to the consignors. There were mountains of them, labelled with black letters and figures, in front of the salesmen’s warehouses in the Rue Berger. The porters arranged them symmetrically, tier by tier, on the vehicles. When the pile rose, however, to the height of a first floor, the porter who stood below balancing the next batch of hampers had to make a spring in order to toss them up to his mate, who was perched aloft with arms extended. Claude, who delighted in feats of strength and dexterity, would stand for hours watching the flight of these masses of osier, and would burst into a hearty laugh whenever too vigorous a toss sent them flying over the pile into the roadway beyond. He was fond, too, of the footways of the Rue Rambuteau and the Rue du Pont Neuf, near the fruit market, where the retail dealers congregated. The sight of the vegetables displayed in the open air, on trestle-tables covered with damp black rags, was full of charm for him. At four in the afternoon the whole of this nook of greenery was aglow with sunshine; and Claude wandered between the stalls, inspecting the bright-coloured heads of the saleswomen with keen artistic relish. The younger ones, with their hair in nets, had already lost all freshness of complexion through the rough life they led; while the older ones were bent and shrivelled, with wrinkled, flaring faces showing under the yellow kerchiefs bound round their heads. Cadine and Marjolin refused to accompany him hither, as they could perceive old Mother Chantemesse shaking her fist at them, in her anger at seeing them prowling about together. He joined them again, however, on the opposite footway, where he found a splendid subject for a picture in the stallkeepers squatting under their huge umbrellas of faded red, blue, and violet, which, mounted upon poles, filled the whole market-side with bumps, and showed conspicuously

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