The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold
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Edwin, who from mere pride had said nothing to his sisters about the impending visit to the Dragon, was a little surprised and dashed to see Big James in broadcloth and a high hat; for he had not dreamed of changing his own everyday suit, nor had it occurred to him that the Dragon was a temple of ceremoniousness. Big James looked enormous. The wide lapel of his shining frock-coat was buttoned high up under his beard and curved downwards for a distance of considerably more than a yard to his knees: it was a heroic frock-coat. The sleeves were wide, but narrowing at the wrists, and the white wristbands were very tight. The trousers fell in ample folds on the uppers of the gigantic boots. Big James had a way of sticking out his chest and throwing his head back which would have projected the tip of his beard ten inches forth from his body, had the beard been stiff; but the soft silkiness of the beard frustrated this spectacular phenomenon which would have been very interesting to witness.
Two.
The pair stepped across Trafalgar Road together, Edwin, though he tried to be sedate, nothing but a frisking morsel by the side of the vast monument. Compared with the architectural grandeur of Mr Varlett, his thin, supple, free-moving limbs had an almost pathetic appearance of ephemeral fragility.
Big James directed himself to the archway leading to the Dragon stables, and there he saw an ostler or oddman. Edwin, feeling the imminence of an ordeal, surreptitiously explored a pocket to be sure that the proof of the wedding-card was safely there.
The ostler raised his reddish eyebrows to Big James. Big James jerked his head to one side, indicating apparently the entire Dragon, and simultaneously conveying a query. The ostler paused immobile an instant and then shook his insignificant turnip-pate. Big James turned away. No word had been spoken; nevertheless, the men had exchanged a dialogue which might be thus put into words—
“I wasn’t thinking to see ye so soon,” from the ostler.
“Then nobody of any importance has yet gone into the assembly room?” from Big James.
“Nobody worth speaking of, and won’t, for a while,” from the other.
“Then I’ll take a turn,” from Big James.
The latter now looked down at Edwin, and addressed him in words—
“Seemingly we’re too soon, Mr Edwin. What do you say to a turn round the town—playground way? I doubted we should be too soon.”
Edwin showed alacrity. As a schoolboy it had been definitely forbidden to him to go out at night; and unless sent on a special and hurried errand, he had scarcely seen the physiognomy of the streets after eight o’clock. He had never seen the playground in the evening. And this evening the town did not seem like the same town; it had become a new and mysterious town of adventure. And yet Edwin was not fifty yards away from his own bedroom.
They ascended Duck Bank together, Edwin proud to be with a celebrity of the calibre of Big James, and Big James calmly satisfied to show himself thus formally with his master’s son. It appeared almost incredible that those two immortals, so diverse, had issued from the womb practically alike; that a few brief years on the earth had given Big James such a tremendous physical advantage. Several hours’ daily submission to the exact regularities of lines of type and to the unvarying demands of minutely adjusted machines in motion had stamped Big James’s body and mind with the delicate and quasi-finicking preciseness which characterises all compositors and printers; and the continual monotonous performance of similar tasks that employed his faculties while never absorbing or straining them, had soothed and dulled the fever of life in him to a beneficent calm, a calm refined and beautified by the pleasurable exercise of song. Big James had seldom known a violent emotion. He had craved nothing, sought for nothing, and lost nothing.
Edwin, like Big James in progress from everlasting to everlasting, was all inchoate, unformed, undisciplined, and burning with capricious fires; all expectant, eager, reluctant, tingling, timid, innocently and wistfully audacious. By taking the boy’s hand, Big James might have poetically symbolised their relation.
Three.
“Are you going to sing to-night at the Dragon, Mr Yarlett?” asked Edwin. He lengthened his step to Big James’s, controlled his ardent body, and tried to remember that he was a man with a man.
“I am, young sir,” said Big James. “There is a party of us.”
“Is it the Male Glee Party?” Edwin pursued.
“Yes, Mr Edwin.”
“Then Mr Smallrice will be there?”
“He will, Mr Edwin.”
“Why can Mr Smallrice sing such high notes?”
Big James slowly shook his head, as Edwin looked up at him. “I tell you what it is, young sir. It’s a gift, that’s what it is, same as I can sing low.”
“But Mr Smallrice is very old, isn’t he?”
“There’s a parrot in a cage over at the Duck, there, as is eighty-five years old, and that’s proved by record kept, young sir.”
“No!” protested Edwin’s incredulity politely.
“By record kept,” said Big James.
“Do you often sing at the Dragon, Mr Yarlett?”
“Time was,” said Big James, “when some of us used to sing there every night, Sundays excepted, and concerts and whatnot excepted. Aye! For hours and hours every night. And still do sometimes.”
“After your work?”
“After our work. Aye! And often till dawn in summer. One o’clock, two o’clock, half-past two o’clock, every night. But now they say that this new Licensing Act will close every public-house in this town at eleven o’clock, and a straight-up eleven at that!”
“But what do you do it for?”
“What do we do it for? We do it to pass the time and the glass, young sir. Not as I should like you to think as I ever drank, Mr Edwin. One quart of ale I take every night, and have ever done; no more, no less.”
“But”—Edwin’s