the next day? I should be!”
“Never,” said Big James. “I get up from my bed as fresh as a daisy at six sharp. And I’ve known the nights when my bed ne’er saw me.”
“You must be strong, Mr Yarlett, my word!” Edwin exclaimed. These revelations of the habits and prowess of Big James astounded him. He had never suspected that such things went on in the town.
“Aye! Middling!”
“I suppose it’s a free-and-easy at the Dragon, to-night, Mr Yarlett?”
“In a manner of speaking,” said Big James.
“I wish I could stay for it.”
“And why not?” Big James suggested, and looked down at Edwin with half-humorous incertitude.
Edwin shrugged his shoulders superiorly, indicating by instinct, in spite of himself, that possibly Big James was trespassing over the social line that divided them. And yet Big James’s father would have condescended to Edwin’s grandfather. Only, Edwin now belonged to the employing class, whilst Big James belonged to the employed. Already Edwin, whose father had been thrashed by workmen whom a compositor would hesitate to call skilled—already Edwin had the mien natural to a ruler, and Big James, with dignified deference, would submit unresentingly to his attitude. It was the subtlest thing. It was not that Edwin obscurely objected to the suggestion of his being present at the free-and-easy; it was that he objected (but nicely, and with good nature) to any assumption of Big James’s right to influence him towards an act that his father would not approve. Instead of saying, “Why not?” Big James ought to have said: “Nobody but you can decide that, as your father’s away.” James ought to have been strictly impartial.
Four.
“Well,” said Big James, when they arrived at the playground, which lay north of the covered Meat Market or Shambles, “it looks as if they hadn’t been able to make a start yet at the Blood Tub.” His tone was marked by a calm, grand disdain, as of one entertainer talking about another.
The Blood Tub, otherwise known as Snaggs’s, was the centre of nocturnal pleasure in Bursley. It stood almost on the very spot where the jawbone of a whale had once lain, as a supreme natural curiosity. It represented the softened manners which had developed out of the old medievalism of the century. It had supplanted the bear-pit and the cock-pit. It corresponded somewhat with the ideals symbolised by the new Town Hall. In the tiny odorous beer-houses of all the undulating, twisting, reddish streets that surrounded the contiguous open spaces of Duck Bank, the playground, the market-place, and Saint Luke’s Square, the folk no longer discussed eagerly what chance on Sunday morning the municipal bear would have against five dogs. They had progressed as far as a free library, boxing-gloves, rabbit-coursing, and the Blood Tub.
This last was a theatre with wooden sides and a canvas roof, and it would hold quite a crowd of people. In front of it was a platform, and an orchestra, lighted by oil flares that, as Big James and Edwin approached, were gaining strength in the twilight. Leaning against the platform was a blackboard on which was chalked the announcement of two plays: “The Forty Thieves” (author unstated) and Cruikshank’s “The Bottle.” The orchestra, after terrific concussions, fell silent, and then a troupe of players in costume, cramped on the narrow trestle boards, performed a sample scene from “The Forty Thieves,” just to give the crowd in front an idea of the wonders of this powerful work. And four thieves passed and repassed behind the screen hiding the doors, and reappeared nine times as four fresh thieves until the tale of forty was complete. And then old Hammerad, the beloved clown who played the drum (and whose wife kept a barber’s shop in Buck Row and shaved for a penny), left his drum and did two minutes’ stiff clowning, and then the orchestra burst forth again, and the brazen voice of old Snaggs (in his moleskin waistcoat) easily rode the storm, adjuring the folk to walk up and walk up: which some of the folk did do. And lastly the band played “God Save the Queen,” and the players, followed by old Snaggs, processionally entered the booth.
“I lay they come out again,” said Big James, with grim blandness.
“Why?” asked Edwin. He was absolutely new to the scene.
“I lay they haven’t got twenty couple inside,” said Big James.
And in less than a minute the troupe did indeed emerge, and old Snaggs expostulated with a dilatory public, respectfully but firmly. It had been a queer year for Mr Snaggs. Rain had ruined the Wakes; rain had ruined everything; rain had nearly ruined him. July was obviously not a month in which a self-respecting theatre ought to be open, but Mr Snaggs had got to the point of catching at straws. He stated that in order to prove his absolute bona fides the troupe would now give a scene from that world-renowned and unique drama, “The Bottle,” after which the performance really would commence, since he could not as a gentleman keep his kind patrons within waiting any longer. His habit, which emphasised itself as he grew older, was to treat the staring crowd in front of his booth like a family of nephews and nieces. The device was quite useless, for the public’s stolidity was impregnable. It touched the heroic. No more granitic and crass stolidity could have been discovered in England. The crowd stood; it exercised no other function of existence. It just stood, and there it would stand until convinced that the gratis part of the spectacle was positively at an end.
Five.
With a ceremonious gesture signifying that he assumed the young sir’s consent, Big James turned away. He had displayed to Edwin the poverty and the futility of the Blood Tub. Edwin would perhaps have liked to stay. The scenes enacted on the outer platform were certainly tinged with the ridiculous, but they were the first histrionics that he had ever witnessed; and he could not help thinking, hoping, in spite of his common sense, that within the booth all was different, miraculously transformed into the grand and the impressive. Left to himself, he would surely have preferred an evening at the Blood Tub to a business interview with Mr Enoch Peake at the Dragon. But naturally he had to scorn the Blood Tub with a scorn equal to the massive and silent scorn of Big James. And on the whole he considered that he was behaving as a man with another man rather well. He sought by depreciatory remarks to keep the conversation at its proper adult level.
Big James led him through the market-place, where a few vegetable, tripe, and gingerbread stalls—relics of the day’s market—were still attracting customers in the twilight. These slatternly and picturesque groups, beneath their flickering yellow flares, were encamped at the gigantic foot of the Town Hall porch as at the foot of a precipice. The monstrous black walls of the Town Hall rose and were merged in gloom; and the spire of the Town Hall, on whose summit stood a gold angel holding a gold crown, rose right into the heavens and was there lost. It was marvellous that this town, by adding stone to stone, had upreared this monument which, in expressing the secret nobility of its ideals, dwarfed the town. On every side of it the beer-houses, full of a dulled, savage ecstasy of life, gleamed brighter than the shops. Big James led Edwin down through the mysteries of the Cock Yard and up along Bugg’s Gutter, and so back to the Dragon.
Chapter 10.
Free and Easy.
When Edwin, shyly, followed Big James into the assembly room of the Dragon, it already held a fair sprinkling of men, and newcomers continued to drop in. They were soberly and respectably clothed, though a few had knotted handkerchiefs round their necks instead of collars and ties. The occasion was a jollity of the Bursley Mutual
