id="n_79">79
Szarkowski and Elderfield, The Museum of Modern Art at Mid-Century, 76–77.
80
Szarkowski and Elderfield, The Museum of Modern Art at Mid-Century, 75, 77; Tibor de Nagy Gallery Files, Box 28, Folder 1, AAA-SI. Грейс продала «Городскую жизнь» Нельсону Рокфеллеру за две тысячи долларов. А в следующем месяце, в июле 1956 года, Метрополитен-музей приобрел за полторы тысячи долларов другую ее картину, «Витрина».
81
“Grace Hartigan, Painting from Popular Culture, Three Decades”, Susquehanna Art Museum; Michael Kimmelman, “Review/Art; Explosive Painting: The Path to Pop”, New York Times, July 9, 1993, http://www.nytimes.com/1993/07/09/arts/review-art-explosive-painting-the-path-to-pop.html?pagewanted=all. In the exhibition and catalog Hand-Painted Pop: American Art in Transition, 1955–1962. Куратор (Лос-Анджелесского музея современного искусства) Пол Шиммель писал, что Грейс и Ларри стали мостом между абстрактными экспрессионистами и поп-артом.
82
Letter from prison inmate to Grace Hartigan, c/o Dorothy Miller, Twelve Americans Show, Dorothy C. Miller Papers, I.9.b, MOMA.
83
Szarkowski and Elderfield, The Museum of Modern Art at Mid-Century, 77.
84
“Month in Review, In the Galleries”, Arts 30, no. 9 (June 1956): 49; Ashton, The Life and Times of the New York School, 212; “Young Americans, 1956”, Dorothy C. Miller Papers, I.12, MOMA.
85
“Month in Review, In the Galleries”, Arts 30, no. 9 (June 1956): 49.
86
Albers, Joan Mitchell, 237.
87
De Coppet and Jones, The Art Dealers, 85–86; Philip Guston, interview by Jack Taylor.
88
Albers, Joan Mitchell, 237.
89
“Month in Review, In the Galleries”, Arts 30, no. 9 (June 1956): 50.
90
Oral history interview with Joan Mitchell, April 16, 1986, AAA-SI; oral history interview with Joan Mitchell, May 21, 1965, AAA-SI; Joan Mitchell to Barney and Loly Rosset, May 18, 1955, 150 Avenue Emile Zola, JMFA003, JMF; Joan Mitchell to Barney and Loly Rosset, September 17, 1955, Paris to New York, JMFA003, JMF; Joan Mitchell to Barney Rosset, October 1948, November 3, 1948, July 22, 1948, July 16, 1948, Paris to New York, JMFA003, JMF.
91
Moutet, “An American in Paris”, 74.
92
Bair, Samuel Beckett, 488.
93
Bair, Samuel Beckett, 488.
94
Albers, Joan Mitchell, 239.
95
Helen Frankenthaler to Sonya Gutman, February 25, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 1.
96
Helen Frankenthaler to Sonya Gutman, Tuesday evening April 17, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 2; Helen Frankenthaler to Sonya Gutman, February 2, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 1; Helen Frankenthaler to Sonya Gutman, January 23, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 1.
97
Helen Frankenthaler to Sonya Gutman, Tuesday evening April 17, 1956, Sonya Rudikoff Papers, 1935–2000, Princeton, 2; Helen Frankenthaler to Sonya Gutman, February 2, 1956, Sonya Rudikoff Papers, 1935–2000, Princeton, 1.
98
Helen Frankenthaler to Sonya Gutman, October 30, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 3.
99
Barbara Guest, Diary 1956, March 14 entry, Uncat Za MS 271, Box 26, Barbara Guest Papers, Yale.
100
Helen Frankenthaler to Sonya Gutman, Tuesday evening April 17, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 1.
101
Van Horne, A Complicated Marriage, 70; Rubenfeld, Clement Greenberg, 200; Helen Frankenthaler to Barbara Guest, June 7, 1956, Southampton to New York, Uncat ZA MS 271, Box 16, Barbara Guest Papers, Yale.
102
Helen Frankenthaler to Barbara Guest, July 23, 1956, Uncat ZA MS 271, Box 16, Barbara Guest Papers, Yale; Helen Frankenthaler to Sonya Gutman, April 17, 1956, Box 1, Folder 8, Sonya Rudikoff Papers, 1935–2000, Princeton, 1.
103
Naifeh and Smith, Jackson Pollock, 779.
104
Dorfman, Out of the Picture, 61; oral history interview with Dorothy C. Miller, AAA-SI.
105
Potter, To a Violent Grave, 230–231.
106
Friedman, Energy Made Visible, 232–233.
107
