A Zero-Sum Game. Eduardo Rabasa
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There was one obstacle in the way of his frenetic business career: Joel Taimado became aware of the activity, at strange hours, around the trash. When he saw Maso going out on an order, Taimado took a look around his territory. He was about to admit defeat when he noticed an anomaly: in one of the overflowing containers there was a slight bulge. He dug around in the bags, smearing his uniform in the thick liquid pouring from them, until he met with a diagonally placed plank, camouflaged to match the color of the receptacle. As soon as he raised it, his jaw dropped with the excitement of his find. Maso’s cache contained his merchandise, his savings bound in rubber bands, his television, radio, and torch, his growing wardrobe, and the old photo of Juana Mecha he placed under his pillow each night. All this under the protection of a heavy-duty pickaxe and a Swiss army knife. Taimado closed the lid of the container and treated himself to a first fix right there. As a finishing touch, to leave no doubt about the person responsible for the confiscation, he pissed on the photo of the sweeping woman.
When Maso returned from his chore, he heard singing coming from the room—known informally as the Chamber of Murmurs—where the security squad kept their things. In a melancholy mood, Taimado and his colleagues were singing along, out of tune, to his old radio. The Black Paunches were showing the effects of several hours of drinking cheap liquor, with the addition of the white avenues of cocaine snorted from their truncheons: they were vying to see who could do the whole line in one go. One of them was out for the count in a corner, having attempted to organize a bit of fun. It was a homespun version of those games where the participants hold hands and a machine administers mild electric shocks, causing the muscles to contract, until someone can’t bear it any longer and drops out. As he didn’t have the appropriate equipment, once the circle had been formed, he asked one of his companions to use his electric prod to administer a shock to the back of his neck, thinking that the effect would be shared equally between them all. This obedient colleague happily let leash the fury of the prod, intending to stop when the chain was broken. The recipient of the shock—his brains nearly burnt to a crisp—writhed to the sound of the guffaws from the others, who were soon able to attest to his body’s zero capacity as a conductor of energy. The entertainment came to an end when he stopped moving. The people holding his hands let go and he fell face down on the table, smoke coming from his ears. Between tears and laughter, they slapped his back in appreciation of the show and dragged him to the corner to sleep it off. Every so often Taimado asked them to check he was still breathing. Some pranksters shaved his eyebrows and made up his face, without it even occurring to anyone to wonder why a member of the security squad would have the necessary cosmetics among his personal belongings.
With enviable calm, Maso turned and left to check out what he already suspected. He discovered trash scattered on his bed. When he opened up his cache, he found just a transparent piece of card lying in a pool of multicolored liquid: the image on the photo had washed out. He had no desire to throw it out or replace it with another. Nor even to rinse it to get rid of Taimado’s acrid smell. He would continue to put it under his pillow each night.
16
Max Michels had imagined the journey to complete his self-appointed mission would be less protracted. When, for the third time, he passed the security booth where the Black Paunch on duty was sleeping with his feet on the table, he realized that he’d been walking around in circles for some time. The booth and its occupant, the barrier marking the boundary between Villa Miserias and the outside world, the howling of the dogs in the charge of a professional walker about the cross through that boundary, the blaring horn vainly trying to wake the guard, and anything else his eyes and ears were capable of attracting to the attention of his conscious mind, suddenly seemed like incomprehensible elements, completely alien to him. He knew they formed part of a specific configuration, produced by forces—as intangible as they were real—that for centuries had been laughing uproariously at anyone who dedicated his life to explaining them.
“Everything is a dangerous drug to me except reality, which is unendurable,” the fat man who signed his book with the name of the mythological navigator had written. How right he was, thought Max Michels, or at least the everyday habits of the majority would seem to attest to its truth. Few people grappled with the unendurable without the temporary escape valve of some form of external assistance, anything capable of extricating them for a few moments from the limitations of the body. Hey, smartass, look at the shitty state your drug’s gotten you into: you’re blind and you still keep going back for more. Say when you’ve had enough. We’d be delighted to go on fucking your head.
When the Many were in the right, Max was the first to admit it. But he couldn’t turn back now. Not that he wanted to. Better the danger than the pure, simple unendurable reality. Why did he have to be different from the rest? Didn’t the moronic Many remember what happened when Taimado had brought about a situation even the authorities didn’t, at heart, want?
That was when Mauricio Maso had decided to close the preferred escape valves of the residents of Villa Miserias once and for all. In a single stroke, he cut off the supply of all merchandise, including the pharmaceuticals he supplied without prescription. He pretended not to know his clients. He was, once again, a simple assistant scavenger. His pay was recycled foodstuffs and a place to sleep. At night, he returned to his previous occupation to make a little pocket money. And to not forget where he came from. He threw himself on the broken glass with such vigor that passengers in the metro would give him bills on condition he stopped until they had gotten off. Each new slash was proof that he wouldn’t be so naïve again. Juana Mecha offered her support: “They’re going to understand what it means to see yourself in the mirror as you really are.”
The atmosphere on the estate bristled. The environment creaked. The cart that was Villa Miserias continued to advance at its sluggish pace, but the wheels needed greasing. The principal whiplashes fell on the mules, in particular the potbellied mules in black to blame for the massive, involuntary rehab.
However, the majority of the other employees also suffered from the ill humor of their bosses. Housewives would fly into a temper with the servants if the orange juice was too bitter, if they laddered their pantyhose, if their husbands weren’t up to it in bed, or if their lovers asked for a new credit card. They missed the tranquilizers they had been secretly taking.
For a prominent banker and, what’s more, member of the administrative board of Villa Miserias, the drying up of his supply of narcotics came at the worst possible moment. His superiors were aware of his unflagging ambition and so assigned him the task of preparing a report that would secure a crucial injection of capital. The deadline was ridiculous. He accepted, confident that his long, cocaine-fueled nights—brought to a close by sleeping pills and a few toots of marijuana to ensure the necessary three hours of rest—would do the trick. Everything was going to plan when Maso took his radical decision. The banker first tried financial inducements to persuade him to change his mind. Then came the threats. And finally the pleas. Nothing worked. His pride prevented him from asking for help: his self-destruction was undignified. On the day of the meeting, he turned up with dark shadows under his eyes; the greasy sheen of the extra layer of gel on his hair accentuated his pallor. The report was unfinished and full of inconsistencies. The investors didn’t